Luxury and Modernism

Luxury and Modernism

Author: Robin Schuldenfrei

Publisher: Princeton University Press

Published: 2018-06-05

Total Pages: 0

ISBN-13: 0691175128

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While modernism was publicized as a fusion of technology, new materials, and rational aesthetics to improve the lives of ordinary people, it was often out of reach to the very masses it purportedly served. Luxury and Modernism shows how luxury was present in bold, literal forms in modern designs—from lavish materials and costly technologies to deluxe buildings and household objects—and in subtler ways as well, such as social milieus and modes of living. In a period of social unrest and extreme wealth disparity between the common worker and those at the helm of capitalist enterprises generating immense profits, architects envisioned modern designs providing solutions for a more equitable future. Robin Schuldenfrei exposes the disconnect between modernism's utopian discourse and its luxury objects and elite architectural commissions. Despite the movement's egalitarian rhetoric, many modern designs addressed the desires of the privileged individual. Yet as Schuldenfrei demonstrates, luxury was integral not only to how modern buildings and objects were designed, manufactured, and sold, but has contributed to modernism's appeal to this day. This beautifully illustrated book provides a new interpretation of modern architecture and design in Germany during the heyday of the Bauhaus and the Werkbund, tracing modernism's lasting allure to its many manifestations of luxury. Schuldenfrei casts the work of legendary figures such as Peter Behrens, Walter Gropius, and Ludwig Mies van der Rohe in an entirely different light, revealing the complexities and contradictions inherent to modernism's promotion and consumption.


Luxury and Modernism

Luxury and Modernism

Author: Robin Schuldenfrei

Publisher: Princeton University Press

Published: 2018-06-05

Total Pages: 329

ISBN-13: 1400890489

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While modernism was publicized as a fusion of technology, new materials, and rational aesthetics to improve the lives of ordinary people, it was often out of reach to the very masses it purportedly served. Luxury and Modernism shows how luxury was present in bold, literal forms in modern designs—from lavish materials and costly technologies to deluxe buildings and household objects—and in subtler ways as well, such as social milieus and modes of living. In a period of social unrest and extreme wealth disparity between the common worker and those at the helm of capitalist enterprises generating immense profits, architects envisioned modern designs providing solutions for a more equitable future. Robin Schuldenfrei exposes the disconnect between modernism's utopian discourse and its luxury objects and elite architectural commissions. Despite the movement's egalitarian rhetoric, many modern designs addressed the desires of the privileged individual. Yet as Schuldenfrei demonstrates, luxury was integral not only to how modern buildings and objects were designed, manufactured, and sold, but has contributed to modernism's appeal to this day. This beautifully illustrated book provides a new interpretation of modern architecture and design in Germany during the heyday of the Bauhaus and the Werkbund, tracing modernism's lasting allure to its many manifestations of luxury. Schuldenfrei casts the work of legendary figures such as Peter Behrens, Walter Gropius, and Ludwig Mies van der Rohe in an entirely different light, revealing the complexities and contradictions inherent to modernism's promotion and consumption.


Modern Luxury

Modern Luxury

Author: Richard Mishaan

Publisher:

Published: 2009

Total Pages: 215

ISBN-13: 9781580932288

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Interior designer Richard Mishaan believes that all good furniture and art can be combined successfully regardless of style, period, or price. Drawing on his international background and love of travel, he combs the world to find exquisite, unique pieces for his clients. Mishaan skillfully brings together furnishings and objects from myriad periods—Italian neoclassic, seventeenth-century French, African tribal, Art Deco, Biedermeier—in a contemporary fusion style that has become his signature. Mishaan approaches his projects with the knowing eye of a curator, integrating art and objects into the flow of everyday life. A proponent of introducing an element of luxury into all spaces, even the most utilitarian, the designer shares his inspiring ideas for how to infuse every room—from well-appointed formal dining and reception spaces to private spheres for relaxation and work—with personality and generosity of spirit. This lavish color presentation showcases dozens of completed projects, from elegant townhouses to pied-à-terre apartments, spacious second homes, and corporate offices. Mishaan's extensive knowledge of the fine arts, architecture, and modern and historic furnishings is revealed in engaging commentary that details his creative process, discloses his most valuable tips, and explains how his experiences have informed the creation of his own custom furniture and retail line. A directory of the designer's favorite sources from around the country and around the globe encourages those interested in creating eclectic and sophisticated interiors of their own to begin.


Inventing American Modernism

Inventing American Modernism

Author: Jill E. Pearlman

Publisher: University of Virginia Press

Published: 2007

Total Pages: 300

ISBN-13: 9780813926025

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"In this book Jill Pearlman argues that Gropius did not effect changes alone and, further, that the Harvard Graduate School of Design was not merely an offshoot of the Bauhaus. - She offers a crucial missing piece to the story - and to the history of modern architecture - by focusing on Joseph Hudnut, the school's dean and founder."--BOOK JACKET.


Architecture After Modernism

Architecture After Modernism

Author: Diane Yvonne Ghirardo

Publisher: Thames & Hudson

Published: 1996

Total Pages: 240

ISBN-13: 9780500202944

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Since the Modern Movement began to be challenged in the late 1960s, architecture has followed a number of widely divergent paths. In this thoughtful and eloquent book, Diane Ghirardo examines the architectural world of the last quarter-century and its theories in the crucial context of social and political issues. Within a survey of a broad range of buildings, she focuses on specific 'megaprojects' as paradigms for discussion. In the realm of public space, she argues, the key questions are raised by the Disney empire and its amusement parks; in domestic space, by the IBA in Berlin, with projects ranging from new structures to rehabilitation and residents' self-build. When it comes to reconfiguring the urban sphere, the megaproject is London's Docklands, the most ambitious and politically sensitive development in postwar Britain. Her text ranges world-wide, and she considers the work of lesser-known designers and women architects as well as famous international stars.


Modernism the Lure of Heresy

Modernism the Lure of Heresy

Author: Peter Gay

Publisher: W. W. Norton & Company

Published: 2008

Total Pages: 664

ISBN-13: 9780393052053

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This is a brilliant, provocative long essay on the rise and fall and survival of modernism, by the English-languages' greatest living cultural historian.


Madness and Modernism

Madness and Modernism

Author: Louis Arnorsson Sass

Publisher: International Perspectives in

Published: 2017

Total Pages: 0

ISBN-13: 9780198779292

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Madness and Modernism provides a phenomenological study of schizophrenic disorders, criticizing some standard conceptions of these disorders. Sass argues that many aspects of this group of disorders can actually involve more sophisticated (albeit dysfunctional) forms of mind and experience.


Modern Architecture

Modern Architecture

Author: Alan Colquhoun

Publisher: OUP Oxford

Published: 2002-04-25

Total Pages: 288

ISBN-13: 0191592641

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This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun explores the evolution of the movement fron Art Nouveau in the 1890s to the megastructures of the 1960s, revealing the often contradictory demands of form, function, social engagement, modernity and tradition.


Modernism in Art, Design and Architecture

Modernism in Art, Design and Architecture

Author: Christopher Crouch

Publisher: Bloomsbury Publishing

Published: 1998-11-20

Total Pages: 212

ISBN-13: 134927058X

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This text summarises and contextualises the ideas that formed visual arts practices this century. Art, design and architecture are located in their social and political contexts, and the ideas of modernism are traced from the development of industrialised Europe at the turn of the century to the post-industrial, post-colonial present. The complex relationship between modernism and postmodernism in the visual arts is examined and the book concludes with a review of the global impact of the new technologies on art and design production.


Luxury and Modern Architecture in Germany, 1900--1933

Luxury and Modern Architecture in Germany, 1900--1933

Author: Robin Schaefer Schuldenfrei

Publisher:

Published: 2008

Total Pages: 624

ISBN-13:

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This dissertation examines the tension between the modern movement's theories and self-conceptions and its artistic output by studying the discourses of intellectuals and architects who framed the period debates and the architectural and domestic objects the movement produced. The lens through which it examines them is the period notion of luxury, rarely thought central to modernism given its interest in mass housing and mass production. The dissertation argues instead that modernism was conceived and sold through a combination of conformity to bourgeois expectations of luxury and redefinition of them--responding to and seeking to satisfy, but also reshape, the norms and desires of elites. It considers the foremost artists and architects of the period, who discussed the object's role in society while designing products, looking specifically at the design and marketing of electrical appliances by Peter Behrens at the AEG and in its Berlin stores, the relationship between consumption of Bauhaus objects and efforts at their mass production, and notions of interiority in the domestic commissions of Ludwig Mies van der Rohe.