Lute concerti

Lute concerti

Author: Silvius Leopold Weiss

Publisher: A-R Editions, Inc.

Published: 2004-01-01

Total Pages: 138

ISBN-13: 0895795515

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xxii + 102 pp.Performance part (lute) available from publisher.


The Concerto

The Concerto

Author: Stephan D. Lindeman

Publisher: Taylor & Francis

Published: 2006

Total Pages: 666

ISBN-13: 0415976197

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Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.


The Concerto

The Concerto

Author: Abraham Veinus

Publisher: Courier Corporation

Published: 1964-01-01

Total Pages: 337

ISBN-13: 0486211789

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The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.


The Cambridge Companion to the Concerto

The Cambridge Companion to the Concerto

Author: Simon P. Keefe

Publisher: Cambridge University Press

Published: 2005-10-27

Total Pages: 591

ISBN-13: 113982726X

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No musical genre has had a more chequered critical history than the concerto and yet simultaneously retained as consistently prominent a place in the affections of the concert-going public. This volume, one of very few to deal with the genre in its entirety, assumes a broad remit, setting the concerto in its musical and non-musical contexts, examining the concertos that have made important contributions to musical culture, and looking at performance-related topics. A picture emerges of a genre in a continual state of change, re-inventing itself in the process of growth and development and regularly challenging its performers and listeners to broaden the horizons of their musical experience.


Los Romeros

Los Romeros

Author: Walter Aaron Clark

Publisher: University of Illinois Press

Published: 2018-06-13

Total Pages: 488

ISBN-13: 0252050592

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Spanish émigré guitarist Celedonio Romero gave his American debut performance on a June evening in 1958. In the sixty years since, the Romero Family—Celedonio, his wife Angelita, sons Celín, Pepe, and Angel, as well as grandsons Celino and Lito—have become preeminent in the world of Spanish flamenco and classical guitar in the United States. Walter Aaron Clark's in-depth research and unprecedented access to his subjects have produced the consummate biography of the Romero family. Clark examines the full story of their genius for making music, from their outsider's struggle to gain respect for the Spanish guitar to the ins and outs of making a living as musicians. As he shows, their concerts and recordings, behind-the-scenes musical careers, and teaching have reshaped their instrument's very history. At the same time, the Romeros have organized festivals and encouraged leading composers to write works for guitar as part of a tireless, lifelong effort to promote the guitar and expand its repertoire. Entertaining and intimate, Los Romeros opens up the personal world and unfettered artistry of one family and its tremendous influence on American musical culture.


Music for a Mixed Taste

Music for a Mixed Taste

Author: Steven David Zohn

Publisher: Oxford University Press

Published: 2015

Total Pages: 721

ISBN-13: 0190247851

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This first full-length study of Telemann's concertos, sonatas, and suites focuses on his imaginative mixing of styles and genres. Special attention is also devoted to the extra musical meanings and humor of his programmatic overture-suites, his unprecedented self-publishing enterprise, and the social resonances of his Polish-style works.


New Music Matters 11-14

New Music Matters 11-14

Author: Chris Hiscock

Publisher: Heinemann

Published: 1999

Total Pages: 68

ISBN-13: 9780435810917

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This series takes a project-based approach to performing and composing, listening and appraising. The student book contains background information and illustrations to support the projects; scores for performing and listening and appraising work; and listening questions and tasks for homework. (Adapted from back cover).


Classical Music

Classical Music

Author: Phil G. Goulding

Publisher: Ballantine Books

Published: 2011-03-16

Total Pages: 657

ISBN-13: 0307760464

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MAKE A SOUND INVESTMENT IN CLASSICAL MUSIC Who are the ten most important classical composers? Who in the world was Palestrina? Why did Stravinsky's "Rite of Spring" cause a riot? Which five of each important composer's works should you buy? What is a concerto and how does it differ from a sonata? Maybe you don't know the answers to these questions; author Phil Goulding certainly didn't. When Goulding first tried to learn about classical music, he found himself buried in an avalanche of technical terms and complicated jargon--so he decided to write the book he couldn't find. The result is a complete classical music education in one volume. Comprehensive, discriminating, and delightfully irreverent, Classical Music provides such essential information as: * Rankings of the top 50 composers (Bach is #1. Borodin is #50) * A detailed and anecdotal look at each composer's life and work * The five primary works of each composer and specific recommended CDs for each. * Further great works of each composer--if you really like him * Concise explanations of musical terminology, forms, and periods * A guide to the parts and history of the symphony orchestra "This book uses every conceivable gimmick to immerse readers in the richness of classical music: lists, rankings, sidebars devoted to lively anecdotes, and catchy leads." --The Washington Post "One terrific music appreciation book...The information is surprisingly detailed but concisely presented. Goulding's writing style is breezy yet mature....[He] has raised music appreciation from a racket to a service." --The Arizona Daily Star