Lully's Armide at the Paris Opéra: Chapter I-V (xiv, p. 1-339)
Author: Lois Rosow
Publisher:
Published: 1981
Total Pages: 788
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Lois Rosow
Publisher:
Published: 1981
Total Pages: 788
ISBN-13:
DOWNLOAD EBOOKAuthor: Rebecca Harris-Warrick
Publisher: Cambridge University Press
Published: 2016-10-27
Total Pages: 505
ISBN-13: 1107137896
DOWNLOAD EBOOKExamines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.
Author: David Charlton
Publisher: Cambridge University Press
Published: 2012-10-25
Total Pages: 437
ISBN-13: 0521887607
DOWNLOAD EBOOKA wide-ranging account of opera on stage and in society in the age of Rousseau, from Rameau to Gluck.
Author: New York Public Library. Reference Department
Publisher:
Published: 1964
Total Pages: 788
ISBN-13:
DOWNLOAD EBOOKAuthor: New York Public Library. Research Libraries
Publisher:
Published: 1967
Total Pages: 970
ISBN-13:
DOWNLOAD EBOOKAuthor: F. Noske
Publisher: Springer Science & Business Media
Published: 2012-12-06
Total Pages: 428
ISBN-13: 9401010870
DOWNLOAD EBOOKThe studies collected in this volume deal with the interpretation of opera. In most cases the results are based on structural analysis, a concept which may require some clarification in this context. During the past de cade 'structure' and 'structural' have become particularly fashionable terms lacking exact denotation and used for the most divergent purposes. As employed here, structural analysis is concerned with such concepts as 'relationship', 'coherence' and 'continuity', more or less in contrast to formal analysis which deals with measurable material. In other words, I have analysed the structure of an opera by seeking and examining factors in the musico-dramatic process, whereas analysts of form are generally preoccupied with the study of elements contained in the musical object. Though admittedly artificial, the dichotomy of form and structure may elucidate the present situation with regard to the study of opera. Today, nearly one hundred years after the death of Wagner, the proclaimed anti thesis of Oper und Drama is generally taken for what it really was: a means to propagate the philosophy of its inventor. The conception of opera (whether 'continuous' or composed of 'numbers') as a special form of drama is no longer contested. Nevertheless musical scholarship has failed to draw the consequences from this view and few scholars realize the need to study general theory of drama and more specifically the dramatic experience.
Author: Otto Jahn
Publisher: Library of Alexandria
Published: 2020-09-28
Total Pages: 2127
ISBN-13: 1465582304
DOWNLOAD EBOOKWOLFGANG AMADE MOZART came of a family belonging originally to the artisan class. We find his ancestors settled in Augsburg early in the seventeenth century, and following their calling there without any great success. His grandfather, Johann Georg Mozart, a bookbinder, married, October 7, 1708, Anna Maria Peterin, the widow of another bookbinder, Augustin Banneger. From this union sprang two daughters and three sons, viz.: Fr. Joseph Ignaz, Franz Alois (who carried on his father's trade in his native town), and Johann Georg Leopold Mozart, bom on November 14, 1719, the father of the Mozart of our biography. Gifted with a keen intellect and firm will he early formed the resolution of raising himself to a higher position in the world than that hitherto occupied by his family; and in his later years he could point with just elation to his own arduous efforts, and the success which had crowned them, when he was urging his son to the same steady perseverance. When Wolfgang visited Augsburg in 1777, he gathered many particulars of his father's youth which refreshed the recollections of Leopold himself. We find him writing to his son (October 10, 1777) how, as a boy, he had sung a cantata at the monastery of St. Ulrich, for the wedding of the Hofrath Oefele, and how he had often climbed the broken steps to the organ loft, to sing treble at the Feast of the Holy Cross (November 29, 1777). He afterwards became an excellent organist: a certain Herr von Freisinger, of Munich, told Wolfgang (October 10, 1777) that he knew his father well, he had studied with him, and "had the liveliest recollections of Wessobrunn where my father (this was news to me) played the organ remarkably well. He said: 'It was wonderful, to see his hands and feet going together, but exceedingly fine—yes, he was an extraordinary man. My father thought very highly of him. And how he used to jeer at the priests, when they wanted him to turn monk.'" This last must have been of peculiar interest to Wolfgang, who knew his father only as a devout and strict observer of the Catholic religion. But Leopold remembered the days of his youth, and wrote to his wife (December 15, 1777): "Let me ask, if Wolfgang has not of late neglected to go to confession? God should ever be first in our thoughts! to Him alone must we look for earthly happiness, and we should ever keep eternity in view; young people, I know, are averse to hearing of these things; I was young myself once; but God be thanked, I always came to myself after my youthful follies, fled from all dangers to my soul, and kept steadily in view God, and my honour, and the dangerous consequences of indulgence in sin." Long-continued exertions and self-denial laid the foundation of Leopold Mozart's character in a conscientious earnestness and devotion to duty in great things as in small; they had the effect also of rendering his judgment of others somewhat hard and uncompromising. This is observable in his relations as an official, and as a teacher, and in his dealings on matters of religion. He was a strict Catholic, and feared nothing so much for his children as the influence which a prolonged stay in Protestant countries might exert on their faith; he remarked with surprise that his travelling companions, Baron Hopfgarten and Baron Bose, had often edified him with their discourse, although they were Lutherans (Paris, April 1, 1764).
Author: Curtis Price
Publisher: Springer
Published: 1993-11-09
Total Pages: 411
ISBN-13: 1349112941
DOWNLOAD EBOOKAuthor: Newberry Library
Publisher: Boston : G. K. Hall
Published: 1977
Total Pages: 628
ISBN-13:
DOWNLOAD EBOOKAuthor: Jacqueline Letzter
Publisher: Univ of California Press
Published: 2001-08-12
Total Pages: 360
ISBN-13: 0520226534
DOWNLOAD EBOOKAt the same time it demonstrates how the Revolution fostered many dreams and ambitions for women that would be doomed to disappointment in the repressive post-Revolutionary era.".