Donizetti and His Operas

Donizetti and His Operas

Author: William Ashbrook

Publisher: Cambridge University Press

Published: 1982

Total Pages: 766

ISBN-13: 9780521276634

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The series will include both new and recent titles drawn from the whole range of the Press's very substantial publishing programs.


The Cricket in Times Square

The Cricket in Times Square

Author: George Selden

Publisher: Farrar, Straus and Giroux (BYR)

Published: 2014-02-25

Total Pages: 143

ISBN-13: 1466863625

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After Chester lands, in the Times Square subway station, he makes himself comfortable in a nearby newsstand. There, he has the good fortune to make three new friends: Mario, a little boy whose parents run the falling newsstand, Tucker, a fast-talking Broadway mouse, and Tucker's sidekick, Harry the Cat. The escapades of these four friends in bustling New York City makes for lively listening and humorous entertainment. And somehow, they manage to bring a taste of success to the nearly bankrupt newsstand. Join Chester Cricket and his friends in this classic children's book by George Selden, with illustrations by Garth Williams. The Cricket in Times Square is a 1961 Newbery Honor Book.


Smallwood's Piano Tutor

Smallwood's Piano Tutor

Author: William Smallwood

Publisher: Faber & Faber

Published: 2005-06

Total Pages: 0

ISBN-13: 9780571527687

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Smallwood's Piano Tutor starts by introducing beginner players to the very basics of musical theory: measures, names of notes, clefs, time, etc. The player is then guided through elementary daily exercises and eventually introduced to major and minor scales with complimentary short pieces which makes use of the appropriate scale progression. This tutor also includes a very useful dictionary of musical terms.


Technology and the Diva

Technology and the Diva

Author: Karen Henson

Publisher: Cambridge University Press

Published: 2016-09-12

Total Pages: 245

ISBN-13: 1316760448

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In Technology and the Diva, Karen Henson brings together an interdisciplinary group of scholars to explore the neglected subject of opera and technology. Their essays focus on the operatic soprano and her relationships with technology from the heyday of Romanticism in the 1820s and 1830s to the twenty-first-century digital age. The authors pay particular attention to the soprano in her larger than life form, as the 'diva', and they consider how her voice and allure have been created by technologies and media including stagecraft and theatrical lighting, journalism, the telephone, sound recording, and visual media from the painted portrait to the high definition simulcast. In doing so, the authors experiment with new approaches to the female singer, to opera in the modern - and post-modern - eras, and to the often controversial subject of opera's involvement with technology and technological innovation.


Opera on the Road

Opera on the Road

Author: Katherine K. Preston

Publisher: University of Illinois Press

Published: 1993

Total Pages: 508

ISBN-13: 9780252070020

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"Leads the reader on an operatic tour of pre-Civil War America in this cultural study of what was an almost ubiquitous art form. It covers orchestral and choral musicians as well as stars, impresarios, business methods, repertories, advertising techniques, itineraries, sizes of companies, and methods of travel." -- Publisher's description


Opera, Or, The Undoing of Women

Opera, Or, The Undoing of Women

Author: Catherine Clement

Publisher: U of Minnesota Press

Published: 1988

Total Pages: 228

ISBN-13: 9780816635269

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This was the first work to have applied a systematised feminist theory to opera. It concentrates on the stories & text of opera, that perhaps have more relevence today in a growing literature than it had when it was the "sacrilegious" pioneering work.


The Walter Scott Operas

The Walter Scott Operas

Author: Jerome Mitchell

Publisher:

Published: 1977

Total Pages: 440

ISBN-13:

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The Walter Scott Operas is a study of the approximately 50 operas that are based on the works of Sir Walter Scott, who, except for Shakespeare, inspired more operas than any other writer. Professor Mitchell's scholarly method is literary-historical (rather than "critical") and unabashedly antiquarian. He shows what happened to a Scott novel when it was turned into an opera and how that opera compared and contrasted with others based on the same novel -- all this leading to a fresh slant on Scott's characters and the structure of his novels. The Scott operas are all products of the nineteenth century, and indeed span the century from Rossini's La Donna del Lago (1819) to several done in the 1890s. The operas vary in style from typical early nineteenth-century romantic opera and opera comique to the Wagner-influenced works of the latter part of the century. Each discussion of an opera begins with a brief account of its performance history, but the major part of the discussion is concerned with what "happened" to the novel (poem, novella, or historical work) when it was transformed into an opera. What did the librettist do to the original story -- how did he reshape it -- to make it something the operatic composer could felicitously handle? The concluding chapter brings together for final discussion the elements in Scott's works that are conducive to good opera -- the pictorial element; the theme of "opposing fanaticism," often brought vividly to life in one or more major scenes of drama; the well-drawn characters, from both high and low life; the theatrical direct discourse, including soliloquies. In addition, the concluding chapter tries to determine what influence the Scott operas have had on others now in the standard repertoire. Many parallels can be observed because of the use of certain operatic conventions that are part of the common stock of virtually all librettists and composers. Other parallels, however, are directly traceable to the Scott operas. - Jacket flap.