Luchino Visconti

Luchino Visconti

Author: Gaia Servadio

Publisher: London : Weidenfeld & Nicolson

Published: 1981

Total Pages: 296

ISBN-13:

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Levensbeschrijving van de Italiaanse filmregisseur (1906-1976)


Luchino Visconti

Luchino Visconti

Author: Laurence Schifano

Publisher: HarperCollins

Published: 1990

Total Pages: 488

ISBN-13:

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Winner of the French Academy's prize for biography in 1988, this book describes the passionate life of the great opera, theatre and film director. He was both a reactionary and a rebel, a Catholic and an iconoclast, a homosexual Don Juan and friend of a galaxy of international figures.


Luchino Visconti, a Biography

Luchino Visconti, a Biography

Author: Gaia Servadio

Publisher: Franklin Watts

Published: 1983

Total Pages: 262

ISBN-13: 9780531098103

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Recounts the life of the Italian theater, opera, and film director and discusses his approach to film making


Luchino Visconti

Luchino Visconti

Author: Claretta Tonetti

Publisher: MacMillan Publishing Company

Published: 1997

Total Pages: 0

ISBN-13: 9780805716412

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From the early cinematic career of Frank Capra to the psychologically revealing films of Martin Scorsese, the books in this series offer an authoritative guide to the study of film and its trends by studying individual filmmakers and cinematic movements.


Visconti

Visconti

Author: Henry Bacon

Publisher: Cambridge University Press

Published: 1998-03-28

Total Pages: 304

ISBN-13: 9780521599603

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The first thorough study of the Italian filmmaker, Luchino Visconti.


Luchino Visconti

Luchino Visconti

Author: Geoffrey Nowell-Smith

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 258

ISBN-13: 1838716971

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Aristocrat and Marxist, master equally of harsh realism and sublime melodrama, Luchino Visconti (1906-1976) was without question one of the greatest European film directors. His career as a film-maker began in the 1930s when he escaped the stifling culture of Fascist Italy to work with Jean Renoir in the France of the Popular Front. Back in his native country in the 40s he was one of the founders of the neo-realist movement. In 1954, with Senso, he turned his hand to a historical spectacular. The result was both glorious to look at and a profound reinterpretation of history. In Rocco and His Brothers (1960) he returned to his neo-realist roots and in The Leopard (1963), with Burt Lancaster, Claudia Cardinale and Alain Delon, he made the first truly international film. He scored a further success with Death in Venice (1971), a sensitive adaptation of Thomas Mann's story about a writer (in the film, a musician) whose world is devastated when he falls in love with a young boy. A similar homo-erotic theme haunts Ludwig (1973), a bio-pic about the King of Bavaria who prefers art to politics and the company of stableboys to the princess he is supposed to marry. Geoffrey Nowell-Smith's classic study of the director was first published in 1967 and revised in 1973. It is now updated to include the last three films that Visconti made before his death, together with some reflections on the 'auteur' theory of which the original edition was a key example.


Luchino Visconti

Luchino Visconti

Author: Joan Ramon Resina

Publisher: Bloomsbury Publishing

Published: 2022-02-10

Total Pages: 241

ISBN-13: 1350185795

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Luchino Visconti (1906-1976) was one of Europe's most prestigious filmmakers, who rose to prominence as part of the Italian neo-realist movement, alongside contemporaries Vittorio De Sica and Roberto Rossellini. Famous for his elegant lifestyle, as friend of Jean Renoir and Coco Chanel amongst others, his vibrant technicolour dramas are also known for their decadence and stunning display of aesthetic mastery and sensory pleasure. Looking beyond this colourful façade, however, Resina explores the philosophical implications of decadence with a particular focus on three films from the late phase in Visconti's production, Damned (1969), Death in Venice (1971), and Ludwig (1972). From the incestuous relationship between decadence and power to decadence as an outcome of straining toward formal perfection, Resina uncovers the unity and philosophical cohesiveness of these films that deal with different subjects and historical periods. Reading these films and their decadence in light of the time of filming and Visconti's own sense of cultural doom, Resina further demonstrates the relevance of Visconti's philosophy today and how much they still have to say to our contemporary situation.


Death in Venice

Death in Venice

Author: Will Aitken

Publisher: arsenal pulp press

Published: 2011-11-15

Total Pages: 178

ISBN-13: 1551524198

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A Queer Film Classic on Luchino Visconti’s lyrical 1971 film adaptation of the Thomas Mann novel.


Luchino Visconti

Luchino Visconti

Author: Geoffrey Nowell-Smith

Publisher: British Film Institute

Published: 2003-05-28

Total Pages: 264

ISBN-13:

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Luchino Visconti's career as a film-maker began in the 1930s when he escaped the culture of fascist Italy to work with Jean Renoir in the France of the Popular Front. This is a study of this director.


The Leopard

The Leopard

Author: Giuseppe Tomasi Di Lampedusa

Publisher: Everyman's Library

Published: 1991-10-15

Total Pages: 346

ISBN-13: 067940757X

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SOON TO BE A NETFLIX ORIGINAL SERIES • “A majestic, melancholy, and beautiful novel” (The New Yorker), THE LEOPARD is one of the best-selling Italian novels of the twentieth century and an acclaimed masterpiece of world literature. This beautiful hardcover edition, translated by Archibald Colquhoun, also includes two short stories and a brief memoir of the author’s childhood. Set in Sicily in the 1860s, during the tumult of Italian unification, THE LEOPARD tells the spellbinding story of a decadent, fading aristocracy threatened by the approaching forces of revolution and democracy. Its author, Giuseppe Tomasi di Lampedusa, who was the last in a line of Sicilian princes, wrote the novel in the 1950s, inspired by the decline of his own family. Don Fabrizio Corbera, Prince of Salina, remains skeptical and stoic as he finds himself beset by civil war, social change, and his family’s loss of wealth and status. While his beloved nephew, Tancredi, more practical and flexible than he, joins the nationalist rebels and marries the ambitious daughter of a newly rich upstart, Don Fabrizio takes refuge in his love of astronomy, gazing at the unchanging stars while the world as he has known it crumbles around him. The dramatic sweep and richness of Lampedusa’s observation, his seamless intertwining of public and private worlds, and his sure grasp of human frailty imbue THE LEOPARD with its melancholy beauty and power. “No novel in Italian literature has aroused so much passion or caused so much argument… The book is more than the memorable invocation of a certain place in a certain epoch. It is a work of art that will survive, long after the last sad palaces of Palermo have gone, because it deals with the central problems of the human experience.” —from the Introduction by David Gilmour "The genius of its author and the thrill it gives the reader are probably for all time."—The New York Times Book Review "A masterwork . . . A superb novel in the great tradition and the grand manner."—Newsweek Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.