Luce Irigaray is one of the world's most influential theorists. From her early ground-breaking work on linguistics to her later revolutionary work on the ethics of sexual difference, Irigaray has positioned herself as one of the essential thinkers of our time. This collection of key writings, selected by Luce Irigaray herself, presents a complete picture of her work to date across the fields of Philosophy, Linguistics, Spirituality, Art and Politics. An indispensable work for students of philosophy, literary theory, feminist theory, linguistics and cultural studies.
Luce Irigaray is one of the world's most important and influential contemporary theorists and this book presents a collection of essays exploring the full range of her work from an international team of academics in many different fields.
L U C E I R I G A R A Y LIPS, KISSING AND THE POLITICS OF SEXUAL DIFFERENCE An exploration of the often controversial French thinker and feminist Luce Irigaray. Kelly Ives discusses Luce Irigaray's relation with Friedrich Nietzsche, Sigmund Freud, Jacques Lacan, and other feminists. Irigaray's provocative notions include: labial lips embracing; sexual difference; the speculum; 'sexuate rights' and sexual ethics; women's language and power; angels; and female mystics. Luce Irigaray was born May 3, 1932 in Belgium (some sources say 1930). She studied at the University of Louvain; she worked on a master's degree in psychology at the University of Paris (1959-62); and at the Institut de Psychologie de Paris (1962). From 1962-64 she worked at the Foundation Nationale de la Recherche Scientifique in Belgium, and then at the Centre National de la Recherche Scientifique in Pars, where she eventually became Director of Research. She produced a doctoral degree in linguistics (University of Paris X at Nanterre, 1968), and in philosophy (University of Paris VIII, 1974). Irigaray was, famously, a member of the Ecole Freudienne, presided over by Jacques Lacan. Irigaray's second dissertation (Speculum de l'autre femme) created some controversy among the members of the Freudian School, and Irigaray became an outcast from the Ecole Freudienne. This was a key setback in her academic career. In the 1970s and 1980s, Luce Irigaray taught at Rotterdam, Bologna, Toronto and Paris, among other places. With books such as Ce Sexe qui n'en est pas un, Et l'une ne bouge pas sans l'autre, Amante Marine: De Friedrich Nietzsche, Sexes et parentes, Sexes et genres a travers les langues and Le Oubli de l'air: Chez Martin Heidegger, Irigaray became a major international philosopher. The text has been revised and updated for this edition. Illustrated, with a revised text. European Writers Series. Bibliography and notes. 120pp. ISBN 9781861714510. www.crmoon.com CONTENTS Abbreviations 9 Preface 15 PART ONE: FRENCH FEMINISM 1 Introduction 21 2 French Feminist Poetics: Feminist and Women's Art 27 3 Luce Irigaray, French Feminism, Sexuality, and Sexual Difference 45 PART TWO: LUCE IRIGARAY 4 "Kiss My Lips" Luce Irigaray's Philosophy of Sexual Difference 69 Illustrations 89 Notes 99 Bibliography 105 KELLY IVES has written widely on feminism, philosophy and art. Her previous books include Cixous, Irigaray, Kristeva: The Jouissance of French Feminism, Julia Kristeva, Helene Cixous and Wild Zones: Pornography, Art and Feminism.
A brilliant new work by Luce Irigaray, one of the greatest living French thinkers, in which she deepens her arguments in relation to sexuate difference.
The Way of Love asks the question: How can we love each other? Here Luce Irigaray, one of the world's foremost philosophers, presents an extraordinary exploration of desire and the human heart. If Western philosophy has claimed to be a love of wisdom, it has forgotten to become a wisdom of love. We still lack words, gestures, ways of doing or thinking to approach one another as humans, to enter into dialogue, to build a world where we can live together.
The work of French Philosopher Luce Irigaray has exerted a profound influence on feminist thinking of recent decades and provides a far-reaching challenge to western philosophy's entrenched patriarchal norms. This book guides the reader through Irigaray's critical and creative transformation of western thought. Through detailed analysis of her most important text, Speculum of the Other Woman, Rachel Jones carefully examines Irigaray's transformative readings of such icons of the western tradition as Plato, Descartes, Kant and Hegel. She shows that these readings underpin Irigaray's claim that western philosophy has been dependent on the forgetting of both sexual difference and of our singular beginnings in birth. In response, Irigaray seeks to recover a positive account of sexual difference which would release woman from her traditional position as the 'other' of the subject and allow her to speak as a subject in her own right. In a sensitive reading of Irigaray's work, Jones shows why this distinctively feminist project necessarily involves the transformation of the fundamental terms of western metaphysics. By foregrounding Irigaray's approach to questions of otherness and alterity, she concludes that, for Irigaray, cultivating an ethics of sexuate difference is the condition of ethical relations in general. Lucidly and persuasively written, this book will be an invaluable resource for students and scholars seeking to understand Irigaray's original contribution to philosophical and feminist thought.
In this book, one of the foremost contemporary scholars in the fields of feminist thought and linguistics, explores the possibility of a new liberating language and hence a new relationship between the sexes. In I Love to You, Luce Irigaray moves from the critique of patriarchy to an exploration of the ground for a possible inter-subjectivity between the two sexes. Continuing her rejection of demands for equality, Irigaray poses the question: how can we move to a new era of sexual difference in which women and men establish lasting relations with one another without reducing the other to the status of object?
In eleven acute and widely ranging essays, Irigaray reconsiders the question of female sexuality in a variety of contexts that are relevant to current discussion of feminist theory and practice.
A radically subversive critique brings to the fore the masculine ideology implicit in psychoanalytic theory and in Western discourse in general: woman is defined as a disadvantaged man, a male construct with no status of her own.
Specifically for architects, the third title in the Thinkers for Architects series examines the relevance of Luce Irigaray’s work for architecture. Eight thematic chapters explore the bodily, spatio-temporal, political and cultural value of her ideas for making, discussing and experiencing architecture. In particular, each chapter makes accessible Irigaray’s ideas about feminine and masculine spaces with reference to her key texts. Irigaray’s theory of ‘sexed subjects’ is explained in order to show how sexuality informs the different ways in which men and women construct and inhabit architecture. In addition, her ideas about architectural forms of organization between people, exterior and interior spaces, touch and vision, philosophy and psychoanalysis are explored. The book also suggests ways in which these strategies can enable architectural designers and theorists to create ethical architectures for the user and his or her physical and psychological needs. Concisely written, this book introduces Irigaray’s work to practitioners, academics, undergraduate and postgraduate students in architectural design and architectural history and theory, helping them to understand the value of cross- and inter-disciplinary modes of architectural practice.
