Lucas Fernandez, a Bibliography
Author: Constantine Christopher Stathatos
Publisher: Edition Reichenberger
Published: 1999
Total Pages: 82
ISBN-13: 9783931887766
DOWNLOAD EBOOKRead and Download eBook Full
Author: Constantine Christopher Stathatos
Publisher: Edition Reichenberger
Published: 1999
Total Pages: 82
ISBN-13: 9783931887766
DOWNLOAD EBOOKAuthor: John Lihani
Publisher:
Published: 1973
Total Pages: 188
ISBN-13:
DOWNLOAD EBOOKAuthor: Constantin C. Stathatos
Publisher: Rowman & Littlefield
Published: 2018-09-01
Total Pages: 127
ISBN-13: 1611462770
DOWNLOAD EBOOKThis is a compilation of contributions to the study of the Portuguese playwright Gil Vicente (1465–1536) which appeared between 2005 and 2015. Entries are grouped under three main headings: Editions and Adaptations, Translations, and Critical Studies. The scholarly interest in the father of the Portuguese theater continues unabated, as it can be seen in the great numbers of scholarly works, both editorial and critical, which appeared in the decade under question. The modest aim of this work is to alert scholars as to which of Gil Vicente’s works have not received adequate critical attention. New names are constantly added to the list of established vicentistas and new ways of looking at the dramatist’s works are introduced.
Author: Library of Congress
Publisher:
Published: 1976
Total Pages: 632
ISBN-13:
DOWNLOAD EBOOKAuthor: Melveena McKendrick
Publisher: CUP Archive
Published: 1989
Total Pages: 356
ISBN-13: 9780521429016
DOWNLOAD EBOOKThis is the first book to examine the rise of Spain's extraordinary national theatre in the sixteenth and seventeenth centuries in all its aspects - the commercial theatre, the court drama and the Corpus autos, the organisation of theatrical life, the playhouses themselves and their public, the literary and moral controversies, and the plays as literary texts. The book has been written for students of drama as well as Hispanists: Spanish theatre is set in its national and international context; Spanish titles and theatrical terms are translated. Considerable space has been devoted to the experimental drama of the sixteenth century before Lope de Vega. At the core of the book is a highly distinctive, successful national theatre which mirrored the energies, beliefs and anxieties of a great nation in crisis, yet at the same time granted full expression to the individual genius of its greatest exponents - Lope de Vega, Tirso de Molina and Calderon de la Barca.
Author: Constantine Christopher Stathatos
Publisher: Lehigh University Press
Published: 1997
Total Pages: 204
ISBN-13: 9780934223485
DOWNLOAD EBOOKThis bibliography lists those contributions to the study of Gil Vicente that were published between 1975 and 1995. It also supplements the 1940-75 Gil Vicente bibliography. Entries are organized into three main sections: editions and adaptations, translations, and critical studies.
Author: Constantine Christopher Stathatos
Publisher: Edition Reichenberger
Published: 2001
Total Pages: 138
ISBN-13: 9783935004312
DOWNLOAD EBOOKAuthor: Ronald W. Vince
Publisher: Bloomsbury Publishing USA
Published: 1989-03-27
Total Pages: 458
ISBN-13: 1440808058
DOWNLOAD EBOOKVince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.
Author: Library of Congress
Publisher:
Published: 1968
Total Pages: 712
ISBN-13:
DOWNLOAD EBOOKAuthor: Henry K. Ziomek
Publisher: University Press of Kentucky
Published: 2021-05-11
Total Pages: 323
ISBN-13: 0813183561
DOWNLOAD EBOOKSpain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.