Lights of Summer: The Run for Glory
Lights of Summer: The Run for Glory

Author: Alexander Rebelle

Publisher: Lulu.com

Published: 2014-11-08

Total Pages: 317

ISBN-13: 1312656077

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After receiving the news that he must report back to Cape Cod, Massachusetts, Aries Constantine finds himself with Eva on a flight back to Hyannis. Joining the duo, are their old close friends, Lucas and Vera. The task at hand for Aries, is to solve the problem that ails him. As the struggle for redemption begins, it is inevitable that Aries must confront his nemesis. The run for glory begins. Will Aries redeem himself in the wake of his struggles? And what will become of him in the coming confrontation with his rival? Lights of Summer: The Run for Glory is the third and final installment in the Lights of Summer series, a thrilling and uplifting tale of hope, love, sex, rediscovered dreams, and the sport of baseball.

Tales from Shakespeare
Tales from Shakespeare

Author: Graham Holderness

Publisher: Cambridge University Press

Published: 2014-07-03

Total Pages: 263

ISBN-13: 1107071291

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Combines the critical and the creative, looking at the collisions that arise when Shakespeare texts are recreated in contemporary contexts.

Devotional Music in the Iberian World, 1450-1800
Devotional Music in the Iberian World, 1450-1800

Author: Tess Knighton

Publisher: Routledge

Published: 2017-07-05

Total Pages: 490

ISBN-13: 1351569473

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From the fifteenth century to the beginning of the nineteenth century, devotional music played a fundamental role in the Iberian world. Songs in the vernacular, usually referred to by the generic name of 'villancico', but including forms as varied as madrigals, ensaladas, tonos, cantatas or even oratorios, were regularly performed at many religious feasts in major churches, royal and private chapels, convents and in monasteries. These compositions appear to have progressively fulfilled or supplemented the role occupied by the Latin motet in other countries and, as they were often composed anew for each celebration, the surviving sources vastly outnumber those of Latin compositions; they can be counted in tens of thousands. The close relationship with secular genres, both musical, literary and performative, turned these compositions into a major vehicle for dissemination of vernacular styles throughout the Iberian world. This model of musical production was also cultivated in Portugal and rapidly exported to the Spanish and Portuguese colonies in America and Asia. In many cases, the villancico repertory represents the oldest surviving source of music produced in these regions, thus affording it a primary role in the construction of national identities. The sixteen essays in this volume explore the development of devotional music in the Iberian world in this period, providing the first broad-based survey of this important genre.

"Propalladia" and Other Works of Bartolome de Torres Naharro, Volume 4

Author: Joseph E. Gillet

Publisher: University of Pennsylvania Press

Published: 2016-11-11

Total Pages: 660

ISBN-13: 1512801925

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In this fourth volume of Joseph E. Gillet's monumental study, Propalladia and Other Works of Bartolomé De Torres Naharro, all students of Renaissance drama will find a wealth of material on the origins of the modern European theater. Torres Naharro created the cloak-and-sword play almost a century before Lope de Vega. The common­places of romantic comedy appeared, for the first time on any stage, in his Comedia Ymenea published at Naples in 1517. Two of his works, the Soldadesca and the Tinellaria—evocations of the roistering life of the barracks and of a cardinal's scullery—are remarkable examples of dramatic realism avant Ia lettre. The influence of Torres Naharro and his work on the Spanish drama of the sixteenth century was all pervasive. In this volume, all the material gleaned by Dr. Gillet in extensive research is brought into clear focus to show Torres Naharro as a man of the Renaissance and a man of the theater. Of the greatest interest is the exposition of his intuition of the distinction between poetic and historic truth—commedias a fantasia and a noticia—long before the recovery of the true text of Aristotle's Poetics, and of the substratum of primitivism in many of his plays: ritual societies, the medicine man, the right to tribute, social discipline, name changing, loss of memory, sports, games, acrobatics, sorcery, riddles, genealogies, weddings, propitiation and death song, resuscitation, license and chastity, and so on. And this dramatic activity occurred early, antedating most of the Italian plays of the sixteenth century.

A Companion to the Medieval Theatre
A Companion to the Medieval Theatre

Author: Ronald W. Vince

Publisher: Bloomsbury Publishing USA

Published: 1989-03-27

Total Pages: 421

ISBN-13:

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Vince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.