Renaissance to Rococo

Renaissance to Rococo

Author: Edgar Peters Bowron

Publisher: Yale University Press

Published: 2004-01-01

Total Pages: 192

ISBN-13: 0300102054

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"The museum's distinguished director in the 1930s and 1940s, Chick Austin, acquired notable works by Strozzi, Luca Giordano, Claude, and the first authentic Caravaggio in an American museum. Today the Atheneum can present an exhibition beginning with such renaissance masters as Piero di Cosimo and Sebastiano del Piombo, continuing with the finest examples of Baroque painting, and culminating in a blaze of rococo splendor with Tiepolo, Canaletto, Guardi, Melendez, Greuze, and Goya. This catalogue includes a history of the collection by Eric Zafran and entries on the individual paintings by distinguished scholars."--BOOK JACKET.


The Banks and the Italian Economy

The Banks and the Italian Economy

Author: Damiano Bruno Silipo

Publisher: Springer Science & Business Media

Published: 2009-04-22

Total Pages: 242

ISBN-13: 3790821128

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Damiano Bruno Silipo In the 1990s the Italian banking system underwent profound normative, institutional and structural changes. The Consolidated Law on Banking (1993) and that on Finance (1998) instituted the legal framework for a far-reaching overhaul of the Italian banking and ?nancial system: signi?cant relaxation of entry barriers, the liberalization of branching, the privatization of the Italian banks, and a massive process of mergers and acquisitions. Following the Bank of Italy’s liberalization of branching in 1990, in 10 years the number of bank branches increased by 70% in Italy, while in the rest of Europe it declined. Over the decade the average number of banks doing business in a province rose from 27 to 31, while a wave of mergers (324 operations) and acquisitions (137) revolutionized the Italian banking industry, reducing the overall number of Italian banks by 30%. To a signi?cant extent this concentration represented take-overs of troubled Southern banks by Central and Northern ones. As a result of these developments (plus a rise in banking productivity and a fall in costs), the spread between short-term lending and deposit rates fell from 7 percentage points in 1990 to 4 points in 1999. And despite an increase in concentration in a number of local credit markets, the interest-rate differential between the locally dominant and other banks generally narrowed.


Inventing Falsehood, Making Truth

Inventing Falsehood, Making Truth

Author: Malcolm Bull

Publisher: Princeton University Press

Published: 2013-12-08

Total Pages: 160

ISBN-13: 0691138842

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How the philosophy of Giambattista Vico was influenced by eighteenth-century Neopolitan painting Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy. Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed.


Luca Giordano at the Museo Nacional Del Prado

Luca Giordano at the Museo Nacional Del Prado

Author: Andrés Úbeda de los Cobos

Publisher:

Published: 2017

Total Pages: 410

ISBN-13:

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In spite of the huge number of paintings by this artist in the Prado, Luca Giordano (Naples, 1634-1705) is seldom studied and is therefore little known to the public, who often do not see beyond the cliché of his prodigious speed of execution. The present volume sets out to remedy this lack of knowledge. It begins with three introductory essays that set the Prado paintings in the context of Giordano's life, survey the painter's critical fortunes from his own time to the present day, and provide information on his Spanish period, which lasted from 1692 to 1702. These initial texts also look into specific issues, among them Giordano's relationship with his dealers, and more controversial aspects such as the commercial strategies he used to disseminate his work. The second part of the book "the catalogue raisonné proper" consists of entries for each of the paintings studied, including information on their provenance, condition, restoration history, related literature, iconography, visual sources and critical fortunes. It features a total of 99 paintings executed on different supports and in various media which span all the stages of his production except the period following his return to Naples in 1702. This catalogue is the result of many years of thorough research conducted by its author, Andrés Úbeda de los Cobos, Deputy Director for Conservation and Research at the Museo del Prado. He is a specialist on Luca Giordano and has published various articles and books on the artist's works, such as a study on the fresco of the Apotheosis of the Spanish Monarchy in the Casón del Buen Retiro in 2008, a project which, in a sense, has been brought to a successful completion by this book.


Luca's Light

Luca's Light

Author: Elena Giordano

Publisher: Core Media Group Incorporated

Published: 2022-03

Total Pages: 0

ISBN-13: 9781950465514

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The lights of our loved ones shine forth--through their physical presence and through the legacies they leave, on earth and in heaven. Elena Giordano's story of perseverance, grief, and hope will help any parent who has lost a child (or loved one) to feel less alone as they walk "through the valley of the shadow of death." Giordano's vulnerability inspires readers to fight for those they love, to move through grief with emotional honesty, and to become more aware of how the Light might be shining in the darkness.


We are All Flesh

We are All Flesh

Author: Berlinde de Bruyckere

Publisher: Mer

Published: 2013

Total Pages: 0

ISBN-13: 9789490693909

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Berlinde De Bruyckere's work prompts the viewer to respond. That is why it has a particular appeal for writers of literature: they are fascinated by the compositions of distorted parts of humans and horses that refer to horror and comfort, to a cruel death and the sublime. De Bruyckere empties the bodies. Through holes, the public notices the darkness of a world inside that both appeals and repels. There is space around her work that resonates and in which writers can indulge in creativity -not by writing about objects, but by juxtaposing the work with creative texts. The author does not remove meanings of the work by trying to explain it, but rather adds to its meaning by responding to art with art. Nobel Prize winner J.M. Coetzee rises to this challenge: together with De Bruyckere he has chosen fragments from his impassioned and unsettling novels that are full of great beauty. Thus, the two present a composition of texts and images that from inside illuminates the dark world of their work.


The Pomegranate Seeds

The Pomegranate Seeds

Author: Nathaniel Hawthorne

Publisher: BoD - Books on Demand

Published: 2023-11-08

Total Pages: 28

ISBN-13:

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"The Pomegranate Seeds" is a short story written by the American author Nathaniel Hawthorne. It is one of Hawthorne's works of short fiction, known for its moral and allegorical themes. The story is based on a classic myth from Greek mythology, the myth of Persephone, which explains the changing of the seasons. In Hawthorne's version, he explores the idea of temptation and the consequences of yielding to it. The story centers around the character of Ceres, the goddess of agriculture, and her daughter Proserpina, who is lured by a demon to eat pomegranate seeds from the underworld. As a result, Proserpina must spend part of each year in the underworld, leading to the changing of the seasons. Hawthorne's adaptation of the myth is notable for its moral and allegorical elements, exploring themes of temptation, loss, and the cycles of nature. It reflects his interest in retelling and reinterpreting classic myths and legends within his own literary context.