Love's Victory, a Tragicomedy
Author: William Chamberlayne
Publisher:
Published: 1914
Total Pages: 152
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: William Chamberlayne
Publisher:
Published: 1914
Total Pages: 152
ISBN-13:
DOWNLOAD EBOOKAuthor: William Chamberlayne
Publisher:
Published: 1914
Total Pages: 152
ISBN-13:
DOWNLOAD EBOOKAuthor: Frank Humphrey Ristine
Publisher:
Published: 1910
Total Pages: 288
ISBN-13:
DOWNLOAD EBOOKAuthor: William Chamberlayne
Publisher:
Published: 1914
Total Pages: 152
ISBN-13:
DOWNLOAD EBOOKAuthor: William Chamberlayne
Publisher:
Published: 1914
Total Pages: 107
ISBN-13:
DOWNLOAD EBOOKAuthor: K. Larson
Publisher: Springer
Published: 2015-02-04
Total Pages: 514
ISBN-13: 1137473347
DOWNLOAD EBOOKApproaching the writings of Mary Wroth through a fresh 21st-century lens, this volume accounts for and re-invents the literary scholarship of one of the first "canonized" women writers of the English Renaissance. Essays present different practices that emerge around "reading" Wroth, including editing, curating, and digital reproduction.
Author: Susan Zimmermann
Publisher: Fairleigh Dickinson Univ Press
Published: 2005-10
Total Pages: 338
ISBN-13: 9780838640753
DOWNLOAD EBOOK'Shakespeare Studies' is an international volume containing essays & studies by critics & cultural historians from both hemispheres. Volume 33 continues the series in which specialists in theatrical traditions in the time of Shakespeare discuss the state of scholarly study in their areas.
Author: Paul Salzman
Publisher: Routledge
Published: 2014-10-10
Total Pages: 190
ISBN-13: 1317655680
DOWNLOAD EBOOKOver the last twenty five years, scholarship on Early Modern women writers has produced editions and criticisms, both on various groups and individual authors. The work on Mary Wroth has been particularly impressive at integrating her poetry, prose and drama into the canon. This in turn has led to comparative studies that link Wroth to a number of male and female writers, including of course, William Shakespeare. At the same time no single volume has attempted a comprehensive comparative analysis. This book sets out to explore the ways in which Wroth negotiated the discourses that are embedded in the Shakespearean canon in order to develop an understanding of her oeuvre based, not on influence and imitation, but on difference, originality and innovation.
Author: Arthur F. Kinney
Publisher: John Wiley & Sons
Published: 2008-04-15
Total Pages: 648
ISBN-13: 0470998911
DOWNLOAD EBOOKThis expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. Gives readers facts and data along with up-to-date interpretation of the plays. Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.
Author: Naomi Miller
Publisher: University Press of Kentucky
Published: 2021-10-21
Total Pages: 441
ISBN-13: 0813185165
DOWNLOAD EBOOKLady Mary Wroth (c. 1587-1653) wrote the first sonnet sequence in English by a woman, one of the first plays by a woman, and the first published work of fiction by an Englishwoman. Yet, despite her status as a member of the distinguished Sidney family, Wroth met with disgrace at court for her authorship of a prose romance, which was adjudged an inappropriate endeavor for a woman and was forcibly withdrawn from publication. Only recently has recognition of Wroth's historical and literary importance been signaled by the publication of the first modern edition of her romance, The Countess of Mountgomeries Urania. Naomi Miller offers an illuminating study of this significant early modern woman writer. Using multiple critical/theoretical perspectives, including French feminism, new historicism, and cultural materialism, she examines gender in Wroth's time. Moving beyond the emphasis on victimization that shaped many previous studies, she considers the range of strategies devised by women writers of the period to establish voices for themselves. Where previous critics have viewed Wroth primarily in relation to her male literary predecessors in the Sidney family, Miller explores Wroth's engagement with a variety of discourses, reading her in relation to a broad range of English and continental authors, both male and female, from Sidney, Spenser, and Shakespeare to Aemilia Lanier, Elizabeth Cary, and Marguerite de Navarre. She also contextualizes Wroth's writing in relation to a variety of nonliterary texts of the period, both political and domestic. Thanks to Miller's sensitive readings, Wroth's writings provide a lens through which to view gender relations in the early modern period.