While Chateau’s past is no longer shrouded in mystery, a clean escape from the island remains out of sight, as her reunion with Ryang-Ha is quickly interrupted by a group of armed personnel. To end the conflict, Chateau has only one shot—either to kill the mastermind, Donny, or to avenge her father’s death. As gunshots ring out, just who will survive the Noble family’s self-destruction?
After turning himself in to Donny—the man pulling all the strings—Ryang-Ha is forced to confront his murky past. With little chance of escape, his only hope is to sow chaos among Donny's men, presenting the perfect opportunity for Chateau to break in and come to his rescue! But will she make it to Ryang-Ha in time, or will she end up another puppet on Donny's volatile stage?
A powerful, mysterious figure has captured Ryang-Ha, and it's clear he knows more than most about his target. With no way of overcoming his captor, it's up to Chateau to break in and come to his rescue, but when a fight breaks out between the two, things go from bad to worse...
Although Ryang-Ha and his mysterious acquaintance have found Chateau safe hidden in a suitcase, they are not in the clear yet; on their trail is a group of criminals who want nothing more than to exact revenge on the two boys. As the situation spirals out of control and even his allies begin to resemble threats, all Ryang-Ha has to rely on are a stolen car and a loathsome gun-but the weapon proves to be too much for him to handle...
Having been forced to kill a friend, Denji finds that his brain has turned to mush from despair. Without the motivation to keep going, he seeks help from Makima. But Makima is not what she appears, and Denji’s pain is only just beginning. -- VIZ Media
The Instant New York Times Bestseller and TikTok Sensation! As seen on THE VIEW! A BuzzFeed Best Summer Read of 2021 When a fake relationship between scientists meets the irresistible force of attraction, it throws one woman's carefully calculated theories on love into chaos. As a third-year Ph.D. candidate, Olive Smith doesn't believe in lasting romantic relationships--but her best friend does, and that's what got her into this situation. Convincing Anh that Olive is dating and well on her way to a happily ever after was always going to take more than hand-wavy Jedi mind tricks: Scientists require proof. So, like any self-respecting biologist, Olive panics and kisses the first man she sees. That man is none other than Adam Carlsen, a young hotshot professor--and well-known ass. Which is why Olive is positively floored when Stanford's reigning lab tyrant agrees to keep her charade a secret and be her fake boyfriend. But when a big science conference goes haywire, putting Olive's career on the Bunsen burner, Adam surprises her again with his unyielding support and even more unyielding...six-pack abs. Suddenly their little experiment feels dangerously close to combustion. And Olive discovers that the only thing more complicated than a hypothesis on love is putting her own heart under the microscope.
If Nene and Kou want to return to their own world, they have to kill "Amane Yugi" and "Sousuke Mitsuba"-or rather, the versions of them living within the canvas of Number Four's boundary. Faced with that cruel choice, Nene instead proposes a way to escape from this fake world to the boy she can't help but call "Hanako-kun." At the same time, Kou tries to win over Mitsuba as well-but just who exactly is this "Mitsuba"?!
After Chateau is captured by Hou, Ryang-Ha sets off to track him down and take her back. Pistol in hand, he confronts her captor, who’s more than happy to accept his challenge. But Hou’s brought a knife to a gun fight, and Ryang-Ha’s never been one to show mercy. However, with Chateau’s whereabouts yet unknown, Hou has all the leverage he needs…
No other silent film director has been so extensively studied as D. W. Griffith. However, only a small group of his more than five hundred films had been the subject of a systematic analysis. Now, for the first time in film studies, the complete creative output of Griffith - from 'Professional Jealousy '(1907) to 'The Struggle' (1931) - is explored in this multi-volume collection of contributions from an international team of leading scholars in the field. Created as a companion to the ongoing retrospective held by the Pordenone Silent Film Festival, 'The Griffith Project 'is now an indispensable guide to his work. This is the final volume of the project.
