A collection of love letters written by Hall to Evguenia Souline from 1934 to 1942 offering insights into the artistic and political ideas of the 20th century's most famous lesbian novelist. The letters convey the obsessional love and betrayal of which good drama is made and which editor Glasgow argues was the cause of Hall's creative decline. Additionally, the letters supply important critical information about the author's views on her novel The Well of Loneliness (banned in 1928 by the British government), her ideas about politics, religion, and the literary scene. Annotation copyrighted by Book News, Inc., Portland, OR
“Dear Ava, I loved your book.” —Award-winning actress Emma Watson For fans of Kathleen Glasgow and Amber Smith, Ava Dellaira writes about grief, love, and family with a haunting and often heartbreaking beauty in this emotionally stirring, critically acclaimed debut novel, Love Letters to the Dead. It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more—though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was—lovely and amazing and deeply flawed—can she begin to discover her own path.
Lily, who has attention-deficit hyperactivity disorder, and Abelard, who has Asperger's, meet in detention and discover a mutual affinity for love letters--and, despite their differences, each other.
This "electrifying debut" (Los Angeles Times) arms women of color with the tools and knowledge they need to find success on their own terms For generations, Brown girls have had to push against powerful forces of sexism, racism, and classism, often feeling alone in the struggle. By founding Latina Rebels, Prisca Dorcas Mojica Rodríguez has created a community to help women fight together. In For Brown Girls with Sharp Edges and Tender Hearts, she offers wisdom and a liberating path forward for all women of color. She crafts powerful ways to address the challenges Brown girls face, from imposter syndrome to colorism. She empowers women to decolonize their worldview, and defy "universal" white narratives, by telling their own stories. Her book guides women of color toward a sense of pride and sisterhood and offers essential tools to energize a movement. May it spark a fire within you.
An inspired collection of new fiction from some of today’s most celebrated writers, exploring the charm, potency and seductive powers of a classic genre . . . the love letter. When did you last receive a love letter? Have emails and text messages taken over from this romantic form of communication? Would a love letter by a novelist or poet be better than one written by you or me? How would the literary traits of a writer shape the love letters he or she writes? And might a love letter tell us something about its author their other writing could not? Editors Joshua Knelman and Rosalind Porter have assembled an exciting and unique collection of new fiction: they’ve asked some of our most celebrated contemporary writers to explore the distinctive form of the love letter to remind us how enticing words can be and perhaps even to resurrect a dying custom. Each of the pieces in this anthology is radically different from the others, each is a testimony to the creative powers of our leading writers today, and each is guaranteed to seduce. Four Letter Word brings us work from 35 of today’s best writers, including Margaret Atwood, Miriam Toews, David Bezmozgis, Douglas Coupland, Michel Faber, A.L. Kennedy, Audrey Niffenegger, Lionel Shriver, Jan Morris, Jeanette Winterson, Chimamanda Ngozi Adichie, Joseph Boyden, Panos Karnezis, Jonathan Lethem, Graham Roumieu, M.G. Vassanji and Neil Gaiman.
"Like most great letter-writers, Thomas had the gift of writing as if his correspondent stood in front of him. Sensual and earthy, like so much of his poetry, his letters were all designed to secure Thomas's place in his lover's heart and memory - the purpose of all true love letters."--BOOK JACKET.
Trekkie Ritchie Parsons, a painter and book illustrator, was married to the publisher Ian Parsons. When she met and fell in love with Leonard Woolf, rather than splitting with Ian, convinced both men that life would be best if Leonard moved in next door. Trekkie spent the weekends with Ian and the week with Leonard, living this way for 25 years. When Trekkie and Leonard were not together they talked through quick letters, which she then sealed up, and were opened after her death. Linked by excerpts from her diary, the letters shine with details of daily life and tell the story of two contrasting personalities, their love for one another, and their unusual and creative domestic arrangement.
"[A] long, beautiful, heart-breaking love letter to potential and possibilities and hope, to the pain we survive in youth and carry with us into adulthood."--NPR Book Reviews One week. That's all Jessie said. A one-week break to get some perspective before graduation, before she and her boyfriend, Chris, would have to make all the big, scary decisions about their future -- decisions they had been fighting about for weeks. Then, Chris vanishes. The police think he's run away, but Jessie doesn't believe it. Chris is popular and good-looking, about to head off to college on a full-ride baseball scholarship. And he disappeared while going for a run along the river -- the same place where some boys from the rival high school beat him up just three weeks ago. Chris is one of the only black kids in a depressed paper mill town, and Jessie is terrified of what might have happened. As the police are spurred to reluctant action, Jessie and others speak up about the harassment Chris experienced and the danger he could be in. But there are people in Jessie's town who are infuriated by the suggestion that a boy like Chris would be a target of violence. They smear Chris's character and Jessie begins receiving frightening threats. Every Friday since they started dating, Chris has written Jessie a love letter. Now Jessie is writing Chris a letter of her own to tell him everything that's happening while he's gone. As Jessie searches for answers, she must face her fears, her guilt, and a past more complicated than she would like to admit.
The love story between Christopher Isherwood and Don Bachardy—in their own words The English novelist and screenwriter Christopher Isherwood was already famous as the author of Goodbye to Berlin when he met Don Bachardy, a California teenager, on the beach in Santa Monica in 1952. Within a year, they began to live together as an openly gay couple, defying convention in the closeted world of Hollywood. Isherwood was forty-eight; Bachardy was eighteen. The Animals is the testimony in letters to their extraordinary partnership, which lasted until Isherwood's death in 1986—despite the thirty year age gap, affairs and jealousy (on both sides), the pressures of increasing celebrity, and the disdain of twentieth-century America for love between two men. The letters reveal the private world of the Animals: Isherwood was "Dobbin," a stubborn old workhorse; Bachardy was the rash, playful "Kitty." Isherwood had a gift for creating a safe and separate domestic milieu, necessary for a gay man in midtwentieth-century America. He drew Bachardy into his semi-secret realm, nourished Bachardy's talent as a painter, and launched him into the artistic career that was first to threaten and eventually to secure their life together. The letters also tell of public achievements—the critical acclaim for A Single Man, the commercial success of Cabaret—and the bohemian whirl of friendships in Los Angeles, London, and New York with such stars as Truman Capote, Julie Harris, David Hockney, Vanessa Redgrave, Gore Vidal, and Tennessee Williams. Bold, transgressive, and playful, The Animals articulates the devotion, in tenderness and in storms, between two uniquely original spirits.
When her bookshop closes its doors, Laura agrees to help organize a literary festival. Her initial excitement is followed by panic when she realizes that an innocent mistake has led the festival committee to believe that she is a personal friend of the reclusive writer Dermot Flynn. Even though Laura has been infatuated with Dermot since her college days, traveling to Ireland to persuade him to come out of hiding is not what she had in mind. Nevertheless, she sets off to charm her literary hero into headlining the festival. Unfortunately, Dermot is maddening, temperamental, and up to his ears in a nasty case of writer's block. But he's also infuriatingly attractive.... With all the warmth and wit that have made Katie Fforde's novels huge bestsellers in the U.K., Love Letters is an irresistible tale of love and literature and the quest for a happy ending.
