The fourteenth-century anchorite known as Julian of Norwich offered fervent prayers for a deeper understanding of Christ's passion. The holy woman's petitions were answered with a series of divine revelations that she called "shewings." Her mystic visions revealed Christ's sufferings with extreme intensity, but they also confirmed God's constant love for humanity and infinite capacity for forgiveness. Julian of Norwich's Revelations of Divine Love have had a lasting influence on Christian thought. Written in immediate, compelling terms, her experiences remain among the most original and accessible expressions of medieval mysticism. This edition contains both the short text, which is mainly an account of the shewings and Julian's initial analysis of their meaning, and the long text, completed some 20 years later and offering daringly speculative interpretations.
Unlike other brief summaries of Julian's life in 14th-century Norwich, England, this book goes in-depth to uncover the political, cultural, social and religious milieu that formed and deeply influenced her development as a woman and a Christian mystic.
A fresh and contemporary translation of one of the best loved and influential mystical texts of all time, The Showings of Julian of Norwich brings the message and spirituality of this 14th century mystic to 21st century readers. Julian of Norwich, a contemporary of Geoffrey Chaucer, was an English anchoress in East Anglia. At the age of 30, suffering from a severe illness and believing she was on her deathbed, Julian had a series of intense visions of Jesus, which she recorded and then expanded on later in her life. Her message for today's readers is simply this: She reveals the feminine face of the Divine and reminds us to see God there. All our failings are an opportunity to learn and grow; that they should be honored, but not dwelled upon. God's love has nothing to do with love and retribution and everything to do with love and compassion. In spite of all appearances, all is well.
Christ's bodily resurrection is the foundation of Christian faith; at least, it is supposed to be. But how often do we really consider what that means? Living Resurrected Lives explores what it would take for Christians to understand and believe so clearly in resurrection--both Christ's glorification and the promise of our own--that our lives would be radically transformed by that faith right now. We take a daringly integrated approach, balancing careful consideration of sacred Scripture with attention to history, theology, and personal contemplative practice. We offer arguments to re-establish a firm bedrock for belief in the Gospel accounts, suggest a new theological perspective that integrates scientific insights into quantum uncertainty with reflections on the malleable nature of identity, and provide heart-stirring guided meditations for daily practice. We elucidate St. Paul's teachings on the transformation of the body and grapple with age-old conundrums about decaying corpses and the continuity of personal identity: What dies? What lives on? We revisit early Christian intuitions about the sublime qualities of the glorified body and explore how we might cultivate such qualities through our own individual practice. Thus we propose an embodied resurrection mysticism that can permeate every moment of our lives.
This is a gateway to the spirituality of the 12th century English mystic offering groundbreaking feminine images of God and the assurance that in God's unbounded love and mercy "all things will be well".
In Showing of Love, Julia Bolton Holloway provides a complete translation of Julian of Norwich's ground-breaking text, opening windows of insight into her medieval world. As a female mystic and theologian who was uniquely recognized (in a time when most women were not) for her holiness, Julian of Norwich also came to be known as a catechist, prophet, and spiritual director. Showing of Love records her own healing encounter with divine love and has for many centuries been a source of healing and inspiration for others. Readers of Julian's work find her belief that God sits in our soul as a fair city to be of profound value. That city is every city, Mary its queen, Christ its king. Julian offers these layers in rich text and variant readings. Julian dedicated years of her life to shaping Showing of Love, at the end rewriting it to preserve it from censorship. The anchoress lived in St. Julian's churchyard in Norwich. Her text was saved from destruction by nuns in Brigittine and Benedictine convents, first in England, then in exile after the Reformation. Julian's writings were later published by the Benedictines in 1670. They reveal her strong links with Benedict that continue to have lasting value for readers today. Includes two-color ink on inside pages. Julia Bolton Holloway, PhD, is a vowed hermit living in Florence, Italy. She has published seventeen other works on important historical figures.
Over six hundred years ago a woman known as Julian of Norwich wrote what is now regarded as one of the greatest works of literature in English. Based on a sequence of mystical visions she received in 1373, her book is called Revelations of Divine Love. Julian lived through an age of political and religious turmoil, as well as through the misery of the Black Death, and her writing engages with timeless questions about life, love and the meaning of suffering. But who was Julian of Norwich? And what can she teach us today? Medievalist and TV historian Janina Ramirez invites you to join her in exploring Julian’s remarkable life and times, offering insights into how and why her writing has survived, and what we can learn from this fourteenth-century mystic whose work lay hidden in the shadows of her male contemporaries for far too long.
The story of the eventful and controversial life of Margery Kempe - wife, mother, businesswoman, pilgrim and visionary - is the earliest surviving autobiography in English. Here Kempe (c.1373-c.1440) recounts in vivid, unembarrassed detail the madness that followed the birth of the first of her fourteen children, the failure of her brewery business, her dramatic call to the spiritual life, her visions and uncontrollable tears, the struggle to convert her husband to a vow of chastity and her pilgrimages to Europe and the Holy Land. Margery Kempe could not read or write, and dictated her remarkable story late in life. It remains an extraordinary record of human faith and a portrait of a medieval woman of unforgettable character and courage.
Julian of Norwich (ca. 1343&–ca. 1416), a contemporary of Geoffrey Chaucer, William Langland, and John Wyclif, is the earliest woman writer of English we know about. Although she described herself as &“a simple creature unlettered,&” Julian is now widely recognized as one of the great speculative theologians of the Middle Ages, whose thinking about God as love has made a permanent contribution to the tradition of Christian belief. Despite her recent popularity, however, Julian is usually read only in translation and often in extracts rather than as a whole. This book presents a much-needed new edition of Julian&’s writings in Middle English, one that makes possible the serious reading and study of her thought not just for students and scholars of Middle English but also for those with little or no previous experience with the language. &• Separate texts of both Julian&’s works, A Vision Showed to a Devout Woman and A Revelation of Love, with modern punctuation and paragraphing and partly regularized spelling. &• A second, analytic edition of A Vision printed underneath the text of A Revelation to show what was left out, changed, or added as Julian expanded the earlier work into the later one. &• Facing-page explanatory notes, with translations of difficult words and phrases, cross-references to other parts of the text, and citations of biblical and other sources. &• A thoroughly accessible introduction to Julian&’s life and writings. &• An appendix of medieval and early modern records relating to Julian and her writings. &• An analytic bibliography of editions, translations, scholarly studies, and other works. The most distinctive feature of this volume is the editors&’ approach to the manuscripts. Middle English editions habitually retain original spellings of their base manuscript intact and only emend that manuscript when its readings make no sense. At once more interventionist and more speculative, this edition synthesizes readings from all the surviving manuscripts, with careful justification of each choice involved in this process. For readers who are not concerned with textual matters, the result will be a more readable and satisfying text. For Middle English scholars, the edition is intended both as a hypothesis and as a challenge to the assumptions the field brings to the business of editing.
