In 1798, English essayist and novelist William Godwin ignited a transatlantic scandal with Memoirs of the Author of "A Vindication of the Rights of Woman." Most controversial were the details of the romantic liaisons of Godwin's wife, Mary Wollstonecraft, with both American Gilbert Imlay and Godwin himself. Wollstonecraft's life and writings became central to a continuing discussion about love's place in human society. Literary radicals argued that the cultivation of intense friendship could lead to the renovation of social and political institutions, whereas others maintained that these freethinkers were indulging their own desires with a disregard for stability and higher authority. Through correspondence and novels, Andrew Cayton finds an ideal lens to view authors, characters, and readers all debating love's power to alter men and women in the world around them. Cayton argues for Wollstonecraft's and Godwin's enduring influence on fiction published in Great Britain and the United States and explores Mary Godwin Shelley's endeavors to sustain her mother's faith in romantic love as an engine of social change.
“The more I make love, the more I want revolution; the more I make revolution, the more I want to make love.†? In Paris, in May of 1968, revolution, and love are very much in the air. The barricades are going up, the students of the Sorbonne are taking to streets alive with the graffiti of revolt, and the Odeon is ablaze with speechmaking. For Annie, a young American painter, and Julian, her Portuguese lover, a banker and anarchist, the events of that Paris spring form the backdrop against which their love affair is played. Annie sees the world through an artist's eyes; she is reckless in her passions, wanting and needing love with other people. There is none of this fanciful nonsense for Julian, an anarchist disdainful of the entire human race, who thinks even the enraged students storming the streets of Paris with their posters proclaiming “open the windows of your heart†? and “revolution is the ecstasy of history†? to be hopelessly naïve and sheeplike. Ferlinghetti charts the progress of love unfolding against those heady and momentous days when the pampered children of the bourgeoisie tried to find common cause with workers who despised them, “when Julian and Annie were in the heat of their love and reason.†?
Esteya is fifteen. As war rumbles closer, Esteya's brother - an important figure in the Revolutionary Communist Party - is able to protect their family from the worst of the privations of war. Then Esteya meets an extraordinary girl, Skizi, an outcast, shunned by all. But Esteya and Skizi are drawn to each other. Slowly and wonderfully love blossoms ... And then Esteya's family are betrayed and forcibly taken away. Skizi disappears.Esteya is left deserted, heartbroken and in terrible danger. But she must find a way to escape - and to find Skizi.
A beautifully packaged edition of one of García Márquez's most beloved novels, with never-before-seen color illustrations by the Chilean artist Luisa Rivera and an interior design created by the author's son, Gonzalo García Barcha. In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs—yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.
“If online dating can blunt the emotional pain of separation, if adults can afford to be increasingly demanding about what they want from a relationship, the effect of online dating seems positive. But what if it’s also the case that the prospect of finding an ever more compatible mate with the click of a mouse means a future of relationship instability, a paradox of choice that keeps us chasing the illusive bunny around the dating track?” It’s the mother of all search problems: how to find a spouse, a mate, a date. The escalating marriage age and declining marriage rate mean we’re spending a greater portion of our lives unattached, searching for love well into our thirties and forties. It’s no wonder that a third of America’s 90 million singles are turning to dating Web sites. Once considered the realm of the lonely and desperate, sites like eHarmony, Match, OkCupid, and Plenty of Fish have been embraced by pretty much every demographic. Thanks to the increasingly efficient algorithms that power these sites, dating has been transformed from a daunting transaction based on scarcity to one in which the possibilities are almost endless. Now anyone—young, old, straight, gay, and even married—can search for exactly what they want, connect with more people, and get more information about those people than ever before. As journalist Dan Slater shows, online dating is changing society in more profound ways than we imagine. He explores how these new technologies, by altering our perception of what’s possible, are reconditioning our feelings about commitment and challenging the traditional paradigm of adult life. Like the sexual revolution of the 1960s and ’70s, the digital revolution is forcing us to ask new questions about what constitutes “normal”: Why should we settle for someone who falls short of our expectations if there are thousands of other options just a click away? Can commitment thrive in a world of unlimited choice? Can chemistry really be quantified by math geeks? As one of Slater’s subjects wonders, “What’s the etiquette here?” Blending history, psychology, and interviews with site creators and users, Slater takes readers behind the scenes of a fascinating business. Dating sites capitalize on our quest for love, but how do their creators’ ideas about profits, morality, and the nature of desire shape the virtual worlds they’ve created for us? Should we trust an industry whose revenue model benefits from our avoiding monogamy? Documenting the untold story of the online-dating industry’s rise from ignominy to ubiquity—beginning with its early days as “computer dating” at Harvard in 1965—Slater offers a lively, entertaining, and thought provoking account of how we have, for better and worse, embraced technology in the most intimate aspect of our lives.
Lessons in creative labor, solidarity, and inclusion under precarious economic conditions As writers, musicians, online content creators, and other independent workers fight for better labor terms, romance authors offer a powerful example—and a cautionary tale—about self-organization and mutual aid in the digital economy. In Love in the Time of Self-Publishing, Christine Larson traces the forty-year history of Romancelandia, a sprawling network of romance authors, readers, editors, and others, who formed a unique community based on openness and collective support. Empowered by solidarity, American romance writers—once disparaged literary outcasts—became digital publishing’s most innovative and successful authors. Meanwhile, a new surge of social media activism called attention to Romancelandia’s historic exclusion of romance authors of color and LGBTQ+ writers, forcing a long-overdue cultural reckoning. Drawing on the largest-known survey of any literary genre as well as interviews and archival research, Larson shows how romance writers became the only authors in America to make money from the rise of ebooks—increasing their median income by 73 percent while other authors’ plunged by 40 percent. The success of romance writers, Larson argues, demonstrates the power of alternative forms of organizing influenced by gendered working patterns. It also shows how networks of relationships can amplify—or mute—certain voices. Romancelandia’s experience, Larson says, offers crucial lessons about solidarity for creators and other isolated workers in an increasingly risky employment world. Romancelandia’s rise and near-meltdown shows that gaining fair treatment from platforms depends on creator solidarity—but creator solidarity, in turn, depends on fair treatment of all members.
A depiction of both love in its budding period and the eternal search for love that cuts across time and distance. A young man suffers his first pangs of romantic emotion, entangling himself in virtual relationships that lead him only to the starting point. Tom wants to possess that which can't be possessed; he yearns for love, but he's not ready for it. But he's on his way to finding the only thing worth living and dying for: love.
They say accidents happen for a reason... When she was accidently pushed into a wormhole, Allorah ‘Al’ Maines never imagined she’d be thrown back in time, land at the feet of a gorgeous Highlander… and be taken as his prisoner. Al is awestruck by the savage Scot who chained her up in his dungeon. But once she emerges from her cell, she finds herself even more captivated by the roguish Highlander he’s transformed into. An undeniably enticing manifestation of all her secret fantasies. Ones she’s tempted to explore. However, regardless of what the fairytales say, Al knows passion fades and lust dies. Keeping her heart intact and planning for a future on her own is the only way their story can end. If all women in the twenty-first century were as stubborn as Allorah Maines, Keir MacCoinnach wept for the future of man. Nay, he despaired for them. She’s utterly obtuse, difficult, aggravating… and quite possibly the most fascinating woman he’d ever met. Al offers him an intriguing peek into the future. Keeping her by his side is the key to the knowledge of the ages. Keeping her in his bed and in his heart is the key to a life of love and joy. But can Keir convince Al to share that life with him before she walks away forever? Can he prove to her the passion they discover between the sheets can surpass anything she’d ever found between the pages of her favorite novels?
