The social system of 'courtly love' soon spread after becoming popularized by the troubadours of southern France in the twelfth century. This book codifies life at Queen Eleanor's court at Poitiers between 1170 and 1174 into "one of those capital works which reflect the thought of a great epoch, which explain the secret of a civilization."
"A great virtue of this reader is the length of its selections--not just snippets, but long enough portions for students to get a real sense of how the text works." - Ruth Mazo Karras, University of Minnesota
As one of the most important, influential and capacious genres of the middle ages, the romance was exploited for a variety of social and cultural reasons: to celebrate and justify war and conflict, chivalric ideologies, and national, local and regional identities; to rationalize contemporary power structures, and identify the present with the legendary past; to align individual desires and aspirations with social virtues. But the romance in turn exploited available figures of value, appropriating the tropes and strategies of religious and historical writing, and cannibalizing and recreating its own materials for heightened ideological effect. The essays in this volume consider individual romances, groups of writings and the genre more widely, elucidating a variety of exploitative manoeuvres in terms of text, context, and intertext. Contributors: Neil Cartlidge, Ivana Djordjevic, Judith Weiss, Melissa Furrow, Rosalind Field, Diane Vincent, Corinne Saunders, Arlyn Diamond, Anna Caughey, Laura Ashe
A brilliant new anthology that shows how fiction was reinvented in the twelfth century after an absence of hundreds of years. Essential for all students of medieval literature, Early Fiction in England includes extracts by Geoffrey of Monmouth, Wace, Marie de France, Chaucer and many others, in new translations and with illuminating introductions. Before the twelfth century, fiction had completely disappeared in Europe. In this important and provocative book, Laura Ashe shows how English writers brought it back, composing new tales about King Arthur, his knights and other heroes and heroines in Latin, French and English. Why did fiction disappear, and why did it come to life again to establish itself the dominant form of literature ever since? And what do we even mean by the term 'fiction'? Gathering extracts from the most important texts of the period by Wace, Marie de France, Chaucer and others, this volume offers an absorbing and surprising introduction to the earliest fiction in England. The anthology includes a general introduction by Laura Ashe, introductions to each extract, explanatory notes and other useful editorial materials. All French and Latin texts have been newly translated, while Middle English texts include helpful glosses. Laura Ashe is a University Lecturer in English and Fellow of Worcester College, Oxford. Her first book Fiction and History in England, 1066-1200 (Cambridge University Press, 2007) has been followed by numerous articles and edited collections; she is now writing the newOxford English Literary History vol. 1: 1000-1350 (Oxford University Press).
Discover an original, entertaining and illuminating guide to a completely different world: England in the Middle Ages. Imagine you could travel back to the fourteenth century. What would you see, and hear, and smell? Where would you stay? What are you going to eat? And how are you going to test to see if you are going down with the plague? In The Time Traveller's Guide Ian Mortimer's radical new approach turns our entire understanding of history upside down. History is not just something to be studied; it is also something to be lived, whether that's the life of a peasant or a lord. The result is perhaps the most astonishing history book you are ever likely to read; as revolutionary as it is informative, as entertaining as it is startling. 'Ian Mortimer is the most remarkable medieval historian of our time' The Times 'After The Canterbury Tales this has to be the most entertaining book ever written about the middle ages' Guardian
This is a set of essays from many of the leading scholars in the world of medieval studies, which addresses a wide diversity of texts and genres and their diverse perspectives on love. Attention is given to interaction between English writings and putative continental and international influences, with particular emphasis on the works of Chaucer.
The Welsh Marches, 1460 In the eerie depths of Llanwardine Priory, Elizabeth de Lacy is about to take the veil when she is told she must wed her family's sworn enemy! Lord Richard Malinder must produce an heir, and a union with the de Lacy family could prove advantageous—if only to keep his enemies close…. The heat of anticipation rises as they make their way to the bridal chamber….
Returning home triumphant from the Crusades, Dominic le Sabre is determined to claim the bride promised to him by the king, but the high-born Celtic beauty is equally determined to resist him.
