'Love and Freindship [sic]' is a juvenile story by Jane Austen. While aged 11–18, Austen wrote her tales in three notebooks. In form, the story resembles a fairy tale in featuring wild coincidences and turns of fortune, but Austen is determined to lampoon the conventions of romantic stories, down to the utter failure of romantic fainting spells, which always turn out badly for the female characters. The story shows the development of Austen's sharp wit and disdain for romantic sensibility, characteristic of her later novels.
The new hit movie Love and Friendship starring Kate Beckinsale is based on two early works by Jane Austen, Lady Susan and Love and Freindship - both of which are included here. Fans of the movie will find the bulk of the plot has been taken from Lady Susan and the title from Love and Freindship.
We live in an age of economics. We are encouraged not only to think of our work but also of our lives in economic terms. In many of our practices, we are told that we are consumers and entrepreneurs. What has come to be called neoliberalism is not only a theory of market relations; it is a theory of human relations. Friendship in an Age of Economics both describes and confronts this new reality. It confronts it on some familiar terrain: that of friendship. Friendship, particularly close or deep friendship, resists categorization into economic terms. In a sustained investigation of friendship, this book shows how friendship offers an alternative to neoliberal relationships and can help lay the groundwork for resistance to it.
With an Introduction, explanatory notes, and annotated bibliography by Nicholas Seager. This collection brings together Jane Austen's earliest experiments in the art of fiction and novels that she left incomplete at the time of her premature death in 1817. Her fragmentary juvenilia show Austen developing her own sense of narrative form whilst parodying popular kinds of fiction of her day. Lady Susan is a wickedly funny epistolary novel about a captivating but unscrupulous widow seeking to snare husbands for her daughter and herself. The Watsons explores themes of family relationships, the marriage market, and attitudes to rank, which became the hallmarks of her major novels. In Sanditon, Austen exercises her acute powers of social observation in the setting of a newly fashionable seaside resort. These novels are here joined by shorter fictions that survive in Austen's manuscripts, including critically acclaimed works like Catharine, Love and Freindship [sic], and The History of England.
In Profane Friendship, Harold Brodkey tells an odd and strangely beautiful Venetian love story, sounding its depths with the suppleness and virtuosity of style that in recent years have won him worldwide admiration as a uniquely gifted American writer. Growing up in Venice in the 1930s, Niles O'Hara, the son of an expatriate American novelist, loves a Venetian boy named Giangiacomo Gallieni, fondly known as Onni. After the Second World War, Niles and his mother return to Venice, and he becomes involved in a complex on-again, off-again affair with his childhood friend, now an adolescent with a wartime history of sexual trespass. Profane Friendship is a remarkable depiction of an intense and enduring relationship conducted in the triumphantly alluring setting of the world's most beautiful city. Searching, comic, romantic, and ironic. Harold Brodkey's novel is at once the most sumptuous modern evocation of Venice and a truly singular exploration of human emotion and passion. Growing up in Venice in the 1930s, Niles O'Hara, the son of an expatriate writer, befriends a Venetian boy. After the war, Niles and his family return, and he becomes involved in a kind of semi-affair with his childhood friend, who is now an adolescent with a wartime history of sexual trespass.
