Nineteenth Century Louisiana Painters and Paintings

Nineteenth Century Louisiana Painters and Paintings

Author:

Publisher: Pelican Publishing

Published: 1971

Total Pages: 136

ISBN-13: 9781455609659

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The W.E. Groves Collection contains some fifteen hundred paintings, prints, and watercolors, daguerreotypes and miniatures, including 155 portraits and 217 landscapes pertaining to Louisiana. From these Wiesendanger has selected the material in this book. Lightning Print on Demand Title


The Academy and French Painting in the Nineteenth Century

The Academy and French Painting in the Nineteenth Century

Author: Albert Boime

Publisher:

Published: 1986

Total Pages: 330

ISBN-13: 9780300244458

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"Using words and works of both pupils and masters of the French Academy of Beaux-Arts, this fascinating book provides a wealth of information about the environment and studio practices of French official art from 1830 to 1890. Albert Boime describes the training of new pupils in the Academic ateliers, from the time they began and were set to copy engravings and casts to their copying of the old masters in the Louvre to their work before the live model and landscape painting out-of-doors. Boime's account includes not only a history of the transition from guild-controlled arts sanctioned by the church to an academic system sponsored by the state but also a reassessment of the positive role played by the Academy's teaching program in the evolution of the independent movements of the nineteenth century"--Publisher's description.


Expressions of Place

Expressions of Place

Author: John R. Kemp

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9781496808257

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Contemporary artists revealing the state's urban landscapes, southwestern swamps, central prairies, verdant forests, and northern fields


Inventing Acadia

Inventing Acadia

Author: Katie A. Pfohl

Publisher: Other Distribution

Published: 2019

Total Pages: 0

ISBN-13: 9780300247312

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A wide-ranging study of Louisiana landscape painting that places art from the region into a broader national and global context With its dense forests and swamps, Louisiana captured the imagination of writers and painters who viewed its landscape as a fascinating, untamed wilderness. Starting in the 1820s when French émigrés brought the Barbizon school to New Orleans, the state attracted artists from Europe, Latin America, the Caribbean, and the greater United States who shared ideas and experimented with approaches to the enigmatic scenery. Although Louisiana was in many ways an artists' paradise, the land also bore the scars of colonialism and the forced migrations of slavery. Inventing Acadia explores this complex history, following the rise of Louisiana landscape art and situating it amid the cultural shifts of the 19th century. The authors engage not only with artworks but also with the issues that informed them--representations of race and industry, international trade, and climate change. These issues are then carried into the present with a look at the work of contemporary artist Regina Agu. Inventing Acadia establishes Louisiana's role in creating a new vision for American art and highlights the continued relevance of landscape and representation. Distributed for the New Orleans Museum of Art Exhibition Schedule: New Orleans Museum of Art (November 16, 2019-January 26, 2020)


Marie Adrien Persac

Marie Adrien Persac

Author: Marie Adrien Persac

Publisher: LSU Press

Published: 2000

Total Pages: 164

ISBN-13: 9780807126417

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Marie Adrien Persac (1823-1873) was a French-born Louisiana artist who worked in a range of mediums to produce a unique view of the lower Mississippi Valley at midcentury. In the first catalogued exhibition devoted solely to this multifaceted but overlooked talent, paintings, drawings, maps, and photographs from numerous holdings have been brought together to present fresh insights and reevaluate this artist's place in the annals of American history and material culture. Due in part to his broad talents artist, cartographer, architect, civil engineer, photographer, and art teacher Persac's work is of major importance to Southern history researchers and art historians. His paintings of south Louisiana plantation houses have captured that now-varnished lifestyle in minute detail, approximating the exactitude of architectural drafting. Today this series is invaluable to scholars of the period, as is Persac's painting of a steamboat interior -- the only one known to exist -- and another French Opera House, which burned to the ground in 1919.


Nineteenth Century Louisiana Painters

Nineteenth Century Louisiana Painters

Author: Martin Wiesendanger

Publisher: Pelican Publishing

Published: 1971-12

Total Pages: 0

ISBN-13: 9780911116533

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Samples of art from the W. E. Groves Collection, which contains paintings, prints, watercolors, daguerreotypes, and miniatures, including 155 portraits and 217 landscapes. Louisiana painting of the 19th century exhibits literal subjectivism- hard-core reality flavored with an exuberant romanticism and seasoned with the shudder of a Gothic novel. In this volume entitled Nineteenth Century Louisiana Painters and Paintings are samples of art from the W.E. Groves Collection, which contains some 1,500 paintings, prints, watercolors, daguerreotypes, and miniatures, including 155 portraits and 217 landscapes pertaining to Louisiana.


Louisiana

Louisiana

Author: Michael Sheridan

Publisher:

Published: 2017

Total Pages: 360

ISBN-13: 9788792877864

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As you walk around 'Louisiana' today, the location of buildings and landscape seems to be firm and unchanging, as if it had always been such. But under the apparently self-evident environment lies an epic story of creation and innovation that goes back to the Napoleonic Wars. The museum now publishes a comprehensive and groundbreaking book, 'Louisiana: Architecture and Landscape', where the American architect, author and expert on modern Nordic architecture Michael Sheridan tells the story of the museum's long creation. It is the story of a museum that has grown organically in keeping with the evolution of contemporary art and the vision of the museum?s founder, Knud W. Jensen. Today, everyone wants to be like the museum in Humlebæk but how did Louisiana become Louisiana?