Louisiana Architecture

Louisiana Architecture

Author: Jonathan Fricker

Publisher: University of Louisiana

Published: 1998

Total Pages: 124

ISBN-13:

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Introduction to architectural styles that have shaped Louisiana's landscapes.


Religious Architecture in Louisiana

Religious Architecture in Louisiana

Author: Robert Heck

Publisher: LSU Press

Published: 1996-01-01

Total Pages: 158

ISBN-13: 9780807119778

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An enormous number of churches and other religious structures have been built in Louisiana over the past 250 years, many of which still stand. Today, in New Orleans alone, there are more than 850 churches representing more than seventy denominations. The state's religious buildings encompass not only a wide range of faiths but also a striking diversity of architectural forms. In Religious Architecture in Louisiana, author Robert W. Heck and photographer Otis B. Wheeler provide the first photographic survey of this rich architectural heritage. Their goal has been not to document every religious building in the state (a nearly impossible task) but to isolate prime examples of the historically and architecturally significant. Robert W. Heck presents a brief history of Louisiana's religious architecture. He describes the dominating influence of Catholicism during the eighteenth century, during which time the original Church of St. Louis was built on the site of the present Cathedral of St. Louis, King of France, in New Orleans. He then discusses the burgeoning construction that accompanied the expansion of religious freedom following the Louisiana Purchase in 1803 as Protestants and Jews erected their own places of worship. The author also considers the various architectural influences that have marked Louisiana's religious buildings, from the Colonial style of the eighteenth century, to the Classical Revival and Gothic Revival styles that predominated during the middle part of the nineteenth century, to the Eclectic style that gained currency after the Civil War and persisted until about 1930. The great part of the book is devoted to 162 religious buildings located throughout the state. In addition to presenting photographs of the structures, each place of worship is identified by name, address, date of construction (when known), and architectural style. For each building the author also provides comments on design, construction materials, and structural and decorative details. To enhance the usefulness of the book, a glossary of architectural terms and an appendix that lists those religious buildings in the state included in the National Register of Historic Places is included as well as another appendix that lists known early religious structures that are no longer standing. Religious Architecture in Louisiana will prove a valuable resource for architects, religious congregations, historic preservationists, and religious and architectural historians.


A. Hays Town and the Architectural Image of Louisiana

A. Hays Town and the Architectural Image of Louisiana

Author: Carol McMichael Reese

Publisher:

Published: 2021-10

Total Pages: 200

ISBN-13: 9781946160812

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Featuring color photography by Philip Gould and architectural drawings, A. Hays Town and the Architectural Image of Louisiana by Carol McMichael Reese traces the evolution of Town's career, including his work on the Historic American Buildings Survey, his award-winning Modernist designs, and his later houses that came to define Louisiana's residential architecture. This work accompanies an exhibition that originated at the Hilliard Art Museum - University of Louisiana at Lafayette in 2018 and has since traveled to additional venues.


Louisiana

Louisiana

Author: Michael Sheridan

Publisher:

Published: 2017

Total Pages: 360

ISBN-13: 9788792877864

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As you walk around 'Louisiana' today, the location of buildings and landscape seems to be firm and unchanging, as if it had always been such. But under the apparently self-evident environment lies an epic story of creation and innovation that goes back to the Napoleonic Wars. The museum now publishes a comprehensive and groundbreaking book, 'Louisiana: Architecture and Landscape', where the American architect, author and expert on modern Nordic architecture Michael Sheridan tells the story of the museum's long creation. It is the story of a museum that has grown organically in keeping with the evolution of contemporary art and the vision of the museum?s founder, Knud W. Jensen. Today, everyone wants to be like the museum in Humlebæk but how did Louisiana become Louisiana?


Henry Howard

Henry Howard

Author: Robert S. Brantley

Publisher: Princeton Architectural Press

Published: 2015-06-09

Total Pages: 0

ISBN-13: 9781616892784

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Few nineteenth-century architects ventured far from the pattern-book styles of their time. One architect not constrained by tradition was the Irish-born American Henry Howard, who started as a carpenter and stair builder in 1836 New York and arrived in New Orleans the following year, soon establishing a reputation for distinctive designs that blended American and European trends. His career gained momentum as he went on to design an extraordinarily diverse portfolio of magnificent residences and civic buildings in New Orleans and its environs. Henry Howard is a lavishly produced clothbound volume featuring hundreds of contemporary and archival images and a comprehensive analysis of his built work. The first book to examine the forty-year career of the architect, Henry Howard establishes a clear lineage of his aesthetic contributions to the urban and rural environments of the South. Princeton Architectural Press co-publishes Henry Howard with The Historic New Orleans Collection: a museum, research center, and publisher dedicated to the study and preservation of the history and culture of New Orleans and the Gulf South.


The Modernist Architecture of Samuel G. and William B. Wiener

The Modernist Architecture of Samuel G. and William B. Wiener

Author: Karen Kingsley

Publisher: LSU Press

Published: 2016-03-09

Total Pages: 0

ISBN-13: 0807161624

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In 1933, architect William B. Wiener collaborated with his half-brother Samuel G. Wiener to design a weekend home for his family on the shore of Cross Lake, just outside Shreveport, Louisiana. A year later the house appeared in the pages of Architectural Forum, the leading architectural journal of its day, as a foremost example of the new modernist style yet to take hold in the United States. The featured home would mark the first in a series of buildings -- residential, commercial, and institutional -- designed by Samuel (1896--1977) and William (1907--1981) that incorporated the forms and materials found in the new architecture of Europe, later known as the International Style. These buildings, located in Shreveport and its vicinity, composed one of the largest and earliest clusters of modernist buildings by American-born architects and placed the unexpected area of northern Louisiana in the forefront of architectural innovation in the mid-twentieth century. Authors Karen Kingsley and Guy W. Carwile examine the work of the Wiener brothers from the 1920s through the 1960s, detailing the evolutionary process of their designs and exploring why modern architecture appeared so early in this southern city. Throughout, architectural descriptions of the buildings, archival images, recent photographs and discussion of the surrounding social and economic culture of northern Louisiana inform a deeper appreciation for the Wieners' role in establishing modernism in the United States. Drawing on extensive research, Kingsley and Carwile assess the influence of the Wieners' travel in Europe, particularly their visit to the Bauhaus, and the ways in which the brothers adapted European modernism to fit the cultural and physical demands of construction in Louisiana. Their personal involvement in the local Jewish community, the authors show, also proved to be a critical factor in their success. Kingsley and Carwile braid a broader history of modern architecture together with details about the Wieners' commissions and cultural milieu, allowing readers to consider the brothers' remarkable careers in the context of their contemporaries and modernist architectural trends in the nation as a whole. As a result, The Modernist Architecture of Samuel G. and William B. Wiener illuminates this internationally significant yet little-known legacy of Louisiana.


The Louisiana Houses of A. Hays Town

The Louisiana Houses of A. Hays Town

Author: Cyril E. Vetter

Publisher: LSU Press

Published: 1999-03-01

Total Pages: 192

ISBN-13: 0807123714

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A. Hays Town changed the face of the Louisiana house. In a career that includes designing more than five hundred homes, he led architects, builders, and homeowners to embrace the finest elements of Louisiana's architectural past. Almost every home built in Louisiana during the last twenty years is in some way inspired by Town's work. The Louisiana Houses of A. Hays Town honors his legacy as Louisiana's premier residential architect. Color photographs of numerous homes -- including Town's own -- by Philip Gould combined with an illuminating text by Cyril E. Vetter produce a volume that captures the appeal and beauty of the state's finest architectural tradition. Born and raised in rural southwest Louisiana, Hays Town graduated from Tulane University with a degree in architecture in 1926 and worked for a firm in Jackson, Mississippi, for many years. He established his own successful commercial practice in Baton Rouge in 1939, but in the 1960s, Town turned to his abiding passion -- residential architecture. Throughout this chapter of his career, he perfected his inimitable style and emerged as one of the most prominent architects in the South. Town's residential designs are perceptibly influenced by the diverse culture of south Louisiana. His synthesis of the classic Acadian cottage, Spanish courtyards, and exterior French doors with Creole-influenced full-length shutters achieves an original confluence of seemingly disparate yet elegantly balanced themes and forms. Other Town trademarks include pigeonniers, tree alleys, thirteen-foot ceilings, heavy use of such woods as cypress and heart of pine, plantation-style separate structures, and brick floors with a special beeswax finish. The Louisiana Houses of A. Hays Town illuminates the momentous effect Town has had on the look of Louisiana. Crafted from the perspective of two people, Vetter and Gould, who are not architects but admirers of one man's exceptional talent, this delightful book demonstrates that each Town house is a work of art that fits both person and terrain. At the door of each home, proud owners hang a bronze plaque that says it all: A. Hays Town, Architect.


Compassion in Architecture

Compassion in Architecture

Author: Stephen Verderber

Publisher: University of Louisiana

Published: 2005

Total Pages: 360

ISBN-13:

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Detailed analysis of what components are necessary and vital to a community's public health facility.


Robert W. Tebbs, Photographer to Architects

Robert W. Tebbs, Photographer to Architects

Author: Richard Anthony Lewis

Publisher: LSU Press

Published: 2011-12-05

Total Pages: 623

ISBN-13: 0807142204

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One of the finest architectural photographers in America, Robert W. Tebbs produced the first photographic survey of Louisiana's plantations in 1926. From those images, now housed in the Louisiana State Museum, and not widely available until now, 119 plates showcasing fifty-two homes are featured here. Richard Anthony Lewis explores Tebbs's life and career, situating his work along the line of plantation imagery from nineteenth-century woodcuts and paintings to later twentieth-century photographs by John Clarence Laughlin, among others. Providing the family lineage and construction history of each home, Lewis discusses photographic techniques Tebbs used in his alternating panoramic and detail views. A precise documentarian, Tebbs also reveals a poetic sensibility in the plantation photos. His frequent emphasis on aspects of decay, neglect, incompleteness, and loss lends a wistful aura to many of the images -- an effect compounded by the fact that many of the homes no longer exist. This noticeable vacillation between objectivity and sentiment, Lewis shows, suggests unfamiliarity and even discomfort with the legacy of slavery. Poised on the brink of social and political reforms, Louisiana in the mid-1920s had made significant strides away from the slave-based agricultural economy that the plantation house often symbolized. Tebbs's Louisiana plantation photographs capture a literal and cultural past, reflecting a burgeoning national awareness of historic preservation and presenting plantations to us anew. Select plantations included: Ashland/Belle Helene, Avery Island, Belle Chasse, Belmont, Butler-Greenwood, L'Hermitage, Oak Alley, Parlange, René Beauregard House, Rosedown, Seven Oaks, Shadows-on-the-Teche, The Shades, and Waverly.