Sandy Petrey explores the factors accounting for such consequential innovations in so short a time, so restricted a space. In Petrey's view, these disparate events betoken a common recognition of society's capacity to make and unmake what it recognizes as real."--Jacket.
The "July Revolution" of 1830 in France overthrew the King, brought down the Bourbon dynasty, and ended the fifteen-year era known as the Restoration. lt established the "July Monarchy" of Louis-Philippe, citizen King of the Hause of Orleans, a regime also destined for extinction eighteen years later. Although the 1848 revolt is of somewhat greater domestic political importance and considerably greater in its European scope and its social implications, the July Revolution of 1830 should not be relegated to the lower Ievels of historical consciousness. Yet, in modern times, even in France, relatively few works have been published concerning either the Restoration or the revolution which terminated it. New interpretations, such as the excellent works of Bertier de Sauvigny and David Pinkney have awakened the enthusiasm of scholars; but in general, the intrinsic importance of this period has been slighted for nearly a century. There are reasons for this inattention: At first glance, the era seems retrograde, born of a conservative reaction; and placid - it falls between Napoleon's giant earthquake on one side, and on the other, the dynamics of European nationalism, imperialism, and the class struggle. But the Restoration was neither archaic nor calm. lt was, for all its manifest anachronisms, an age of rapid political, cultural, and social growth. France, during these years, was maturing and ripening toward nationhood - and toward the collision of many complex forces, culminating in revolution.
An extensive and authoritative study that examines the economic, social and political crises of France during the revolution of 1848. Using analysis of original sources and recent research, Fortescue here offers new interpretations of events leading up to and after the second republic was declared. Looking at Louis Philippe's overthrow, the proclamation of manhood suffrage and the unexpected success of the right-wing in the subsequent elections, this book evaluates the political history of France in 1848 and the French political culture of the time. This should be read by all students of nineteenth century history, political scientists and all those with an interest in the historical development of French political culture.
"The revolution of July 1830 brought Louis-Philippe to the throne as King of the French; eighteen years later he and his government were driven out by the revolution of 1848. The intervening period - "The July Monarch" - has been strangely neglected by historians, yet it is crucial to an understanding of the development of modern France, and its personalities, complexities and contradictions are of absorbing interest in their own right. This important new book is the only modern study in English to survey the whole period in detail. It centres on political and diplomatic history, but also offers thoughtful analyses of the society, culture and economy of the age; and it provides the necessary context for evaluating such important figures as Talleyrand, Lafayette, Guizot, Thiers, de Tocqueville, Lamartine, Hugo, Daumier, Delacroix, Berlioz and the King himself. The book begins by depicting the fragmentation of French society following the July Revolution itself. These divisions were to remain fundamental to the whole period. Even as they took up the task of revising their constitution, Frenchmen fell out over what the revolution had actually meant. During the July Monarchy all aspects of life seemed to emerge as battlegrounds: socialism arose to confront older loyalties like legitimism; economic development increased the gap between rich and poor; liberal Catholics clashed with the more orthodox. A fractious press heightened these antagonisms; and, above all else, the French came to believe in a 'mal du siecle', and conclude that life was better in the past." -- Book jacket
Paris between 1814 and 1852 was the capital of Europe, a city of power and pleasure, a magnet for people of all nationalities that exerted an influence far beyond the reaches of France. Paris was the stage where the great conflicts of the age, between nationalism and cosmopolitanism, revolution and royalism, socialism and capitalism, atheism and Catholicism, were fought out before the audience of Europe. As Prince Metternich said: When Paris sneezes, Europe catches cold. Not since imperial Rome has one city so dominated European life. Paris Between Empires tells the story of this golden age, from the entry of the allies into Paris on March 31, 1814, after the defeat of Napoleon I, to the proclamation of his nephew Louis-Napoleon, as Napoleon III in the Hôtel de Ville on December 2, 1852. During those years, Paris, the seat of a new parliamentary government, was a truly cosmopolitan capital, home to Rossini, Heine, and Princess Lieven, as well as Berlioz, Chateaubriand, and Madame Recamier. Its salons were crowded with artisans and aristocrats from across Europe, attracted by the freedom from the political, social, and sexual restrictions that they endured at home. This was a time, too, of political turbulence and dynastic intrigue, of violence on the streets, and women manipulating men and events from their salons. In describing it Philip Mansel draws on the unpublished letters and diaries of some of the city's leading figures and of the foreigners who flocked there, among them Lady Holland, two British ambassadors, Lords Stuart de Rothesay and Normanby, and Charles de Flahaut, lover of Napoleon's step-daughter Queen Hortense. This fascinating book shows that the European ideal was as alive in the nineteenth century as it is today.
Between 1830 and 1848, Paris was rocked by two successful revolutions, three failed insurrections, and seven serious assassination attempts against King Louis-Phillippe and his sons. The June Days of 1848 - the worst urban insurrection in history until that time - finally brought this period to a close. Using a wide variety of sources, including detailed court records and hundreds of depositions of witnesses and suspects, Jill Harsin examines revolutionary republicanism during the violent underground movement of the July Monarchy, and describes these events in vivid detail. The lives of 'ordinary men' are captured in their own words as Harsin illuminates the political aspirations of the working class. Harsin's original writing style and compelling discussions shed new light on the particular turbulence of this era, a period of disruption that stemmed from the contemporary working class codes of masculinity and honour.
Fighting to reclaim the French crown for the Bourbons, the duchesse de Berry faces betrayal at the hands of one of her closest advisors in this dramatic history of power and revolution. The year was 1832, a cholera pandemic raged, and the French royal family was in exile, driven out by yet another revolution. From a drafty Scottish castle, the duchesse de Berry -- the mother of the eleven-year-old heir to the throne -- hatched a plot to restore the Bourbon dynasty. For months, she commanded a guerilla army and evaded capture by disguising herself as a man. But soon she was betrayed by her trusted advisor, Simon Deutz, the son of France's Chief Rabbi. The betrayal became a cause célèbre for Bourbon loyalists and ignited a firestorm of hate against France's Jews. By blaming an entire people for the actions of a single man, the duchess's supporters set the terms for the century of antisemitism that followed. Brimming with intrigue and lush detail, The Betrayal of the Duchess is the riveting story of a high-spirited woman, the charming but volatile young man who double-crossed her, and the birth of one of the modern world's most deadly forms of hatred. !--EndFragment--
Charles Philipon (1800-1862) was the founder of the satirical illustrated press in France. With the newspapers he owned and directed, La Caricature and Le Charivari, he led an unprecedentedly coherent and vitriolic campaign of disrespect against King Louis-Philippe and his regime. Using a group of young caricaturists (the most talented of whom were Daumier, Grandville, and Travies) and the collaboration of a gifted team of writers (including Balzac) he crafted a new language of opposition. This book is the first full scholarly study of the structure of the illustrated press in the 1830s, its contribution to political debate in France, the dissemination of caricature and its potential as political propaganda, and the links between caricature and other forms of political-cultural discourse under the July Monarchy.
The vivid story of the creation, renovation, and enduring legacy of the most famous building in France: the palace of Versailles Nothing represents the glorious and fraught history of France quite like the Palace of Versailles. Made famous by the absolutist king Louis XIV, Versailles became legendary for the splendor of its revels -- but then, after the Revolution of 1789, it fell into disrepute as a reminder of royal excess and abuse of power. Subsequent French governments struggled with how to handle the opulent palace and grounds -- should the site be memorialized, trivialized, rehabilitated, or even destroyed outright? Drawing on a new wave of recent research, historian Colin Jones masterfully traces the evolution of Versailles as a space of royal politics and aristocratic pleasures, a building of mythic status, and one of the world's great tourist destinations. Accessible and compelling, this book is a must-read for all Francophiles.