Still in Print

Still in Print

Author: Jan Nordby Gretlund

Publisher: Univ of South Carolina Press

Published: 2013-01-23

Total Pages: 293

ISBN-13: 1611172640

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An insightful guidebook to some of the best examples of modern Southern fiction, as selected by an international group of critics In Still in Print, eighteen southern novels published since 1997 fall under the careful scrutiny of an international cast of accomplished literary critics to identify the very best of recent writings in the genre. These essays highlight the praiseworthy efforts of a pantheon of novelists celebrating and challenging regionality, unearthing manifestations of the past in the present, and looking to the future with wit and healthy skepticism. Organized around shared themes of history, place, humor, and malaise, the novels discussed here interrogate southern culture and explore the region's promise for the future. Four novels reconsider the Civil War and its aftermath as Charles Frazier, Kaye Gibbons, Josephine Humphreys, and Pam Durban revisit the past and add fresh insights to contemporary discussions of race and gender through their excursions into history. The novels by Steve Yarbrough, Larry Brown, Chris Offutt, Barry Hannah, and James Lee Burke demonstrate a keen sense of place, rooted in a South marked by fundamentalism, poverty, violence, and rampant prejudice but still capable of promise for some unseen future. The comic fiction of George Singleton, Clyde Edgerton, James Wilcox, Donald Harington, and Lewis Nordan shows how southern humor still encompasses customs and speech reflected in concrete places. Ron Rash, Richard Ford, and Cormac McCarthy probe the depths of human existence, often with disturbing results, as they write about protagonists cut off from their own humanity and desperate to reconnect with the human race. Diverse in content but unified in genre, these particular novels have been nominated by the contributors to Still in Print for long-term survival as among the best modern representations of the southern novel. Featuring: M. Thomas Inge on Charles Frazier's Cold Mountain Clara Juncker on Josephine Humphreys's Nowhere Else on Earth Kathryn McKee on Kaye Gibbons's On the Occasion of My Last Afternoon Jan Nordby Gretlund on Pam Durban's So Far Back Tara Powell on Percival Everett's Erasure Tom Dasher on Steve Yarbrough's The Oxygen Man Jean Cash on Larry Brown's Fay Carl Wieck on Chris Offutt's The Good Brother Owen W. Gilman Jr. on Barry Hannah's Yonder Stands Your Orphan Hans H. Skei on James Lee Burke's Crusader's Cross Charles Israel on George Singleton's Work Shirts for Madmen John Grammer on Clyde Edgerton's The Bible Salesman Scott Romine on James Wilcox's Heavenly Days Edwin T. Arnold on Donald Harington's Enduring Marcel Arbeit on Lewis Nordan's Lightning Song Thomas Ærvold Bjerre on Ron Rash's One Foot in Eden Robert H. Brinkmeyer Jr. on Richard Ford's The Lay of the Land Richard Gray on Cormac McCarthy's The Road


The Bayeux Tapestry and Its Contexts

The Bayeux Tapestry and Its Contexts

Author: Elizabeth Carson Pastan

Publisher: Boydell & Brewer Ltd

Published: 2014

Total Pages: 475

ISBN-13: 1843839415

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A full and provocative reappraisal of the Bayeux "Tapestry", its origins, design and patronage. Aspects of the Bayeux Tapestry (in fact an embroidered hanging) have always remained mysterious, despite much scholarly investigation, not least its design and patron. Here, in the first full-length interdisciplinary approach to the subject, the authors (an art historian and a historian) consider these and other issues. Rejecting the prevalent view that it was commissioned by Odo, the bishop of Bayeux and half-brother of William the Conqueror, or by some other comparable patron, they bring new evidence to bear on the question of its relationship to the abbey of St Augustine's, Canterbury. From the study of art-historical, archeological, literary, historical and documentary materials, they conclude that the monks of St Augustine's designed the hanging for display in their abbey church to tell their own story of how England was invaded and conquered in 1066. Elizabeth Carson Pastan is a Professor of Art History at Emory University; Stephen D. White is Asa G. Candler Professor of Medieval History (emeritus), Emory University, and an Honorary Professor of Mediaeval History at the University of St Andrews.


Continuity and Discontinuity

Continuity and Discontinuity

Author: Lena-Sofia Tiemeyer

Publisher: Vandenhoeck & Ruprecht

Published: 2014-04-24

Total Pages: 261

ISBN-13: 3647536148

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This volume of collected essays focuses on the relationship between the different texts within Isaiah 40–66. It reinvestigates and challenges the traditional division between chapters 40–55 and 56–66 and explores new ways of reading the last 27 chapters of the book of Isaiah. Each article examines Isaiah 40–55 and/or Isaiah 56–66 and highlights continuity and discontinuity within this material.Some contributions belong to the tradition of historical-critical research. They examine existing models of textual development of Isa 40–66 and offer new suggestions. They also explore the interplay between the historical development of the text and its thematic continuity and discontinuity. Is the consistent use of a theme a sign of single authorship? Alternatively, are changes in the way a given issue is treated a sign of multiple authorship? Other contributions explore the final form of Isa 40–66 and suggest reading strategies that do justice to the message of the extant text. Yet other articles make case studies of specific elements of Isa 40–66. What is the significance of these texts for the theological development of the ancient Israelite religion? Further, how do they interact with and transform other texts in the Hebrew Bible?