Armchair travelers and globetrotters alike will appreciate these lavishly illustrated, informative volumes which will rekindle old memories and inspire new flights of fancy. Combining the story of Scotland's turbulent past and its many celebrated heroes with information on the nation as it is today, the author gives the reader a tour of this fabled land, traveling from region to region and enjoying their sights and history.
The elegant, intelligent amateur sleuth Lord Peter Wimsey is one of detective literature's most popular creations. Ian Carmichael is the personification of Dorothy L. Sayers' charming investigator in this BBC Radio 4 full-cast dramatization. When Sandy Campbell's body is found at the foot of a cliff near the small town of Kircdubright, the local constabulary are convinced that the argumentative painter is a victim of a tragic accident. But when Lord Peter Wimsey turns up, the hunt begins for an ingenious killer. Faced with six men, all of whom have a motive for murder, the aristocratic amateur sleuth must deduce which are the five red herrings and which has blood on his hands.
Drawing from two political and several literary homelands, this collection presents a remarkable series of trenchant essays, demonstrating the full range and force of Salman Rushdie's remarkable imaginative and observational powers. With candour, eloquence and indignation he carefully examines an expanse of topics; including the politics of India and Pakistan, censorship, the Labour Party, Palestinian identity, contemporary film and late-twentieth century race, religion and politics. Elsewhere he trains his eye on literature and fellow writers, from Julian Barnes on love to the politics of George Orwell's 'Inside the Whale', providing fresh insight on Kipling, V.S. Naipaul, Graham Greene, John le Carré, Raymond Carver, Philip Roth and Thomas Pynchon among others. Profound, passionate and insightful, Imaginary Homelands is a masterful collection from one of the greatest writers working today.
One of the most astounding aftershocks of the collapse of the Soviet Union was the massive immigration of Russian Jews to Israel. Today, Russian speakers constitute one-sixth of Israel's total population. No other country in the world has absorbed such a prodigious number of immigrants in such a short period. The implications of this phenomenon are immense both locally (given the geopolitical situation in the Middle East) and globally (as multicultural and multiethnic states become the rule rather than the exception). For a growing number of immigrants worldwide, the experience of living across different cultures, speaking different languages, and accommodating different--and often incompatible--identities is a daily reality. This reality is a challenge to the scholar striving to understand the origin and nature of cultural identity. Languages can be learned, economic constraints overcome, social mores assimilated. But identity persists through generations, setting immigrants and their children apart from their adoptive country. The story of the former Russians in Israel is an illuminating example of this global trend. The Russian Jews who came to Israel were initially welcomed as prodigal sons coming home. Their connection to their "historical motherland" was seemingly cemented not only by their Jewish ethnicity, but also by a potent Russian influence upon Zionism. The first Zionist settlers in Palestine were mostly from Russia and Poland, and Russian literature, music, and sensibility had had a profound effect upon the emerging Hebrew culture. Thus, it seemed that while facing the usual economic challenges of immigrations, the "Russians," as they came to be known, would have little problem acclimatizing in Israel. The reality has been quite different, marked by mutual incomprehension and cultural mistranslation. While achieving a prominent place in Israeli economy, the Russians in Israel have faced discrimination and stereotyping. And their own response to Israeli culture and society has largely been one of rejection and disdain. If Israel has failed to integrate the newcomers, the newcomers have shown little interest in being integrated. Thus, the story of the post-Soviet Jews in Israel illustrates a general phenomenon of cultural divergence, in which history carves different identities out of common stock. Besides marking a turning point in the development of Israel, it belongs to the larger picture of the contemporary world, profoundly marked by the collapse of the catastrophic utopias of Nazism and Communism. And yet this story has not adequately been dealt with by the academy. There have been relatively few studies of the Russian immigration to Israel and none that situates the phenomenon in a cultural, rather than purely sociological, context. Elana Gomel's book, The Pilgrim Soul: Being Russian in Israel, is an original and exciting investigation of the Russian community in Israel. It analyzes the narratives through which Russian Jewry defines itself and connects them to the legacy of Soviet history. It engages with such key elements of the Russian-Israeli identity as the aversion from organized religion, the challenge of bilingualism, the cult of romantic passion, and even the singular fondness for science fiction. It provides factual information on the social, economic, and political situation of the Russians in Israel but relates the data to an overall interpretation of the community's cultural history. At the same time, the book goes beyond the specificity of its subject by focusing on the theoretical issues of identity formation, historical trauma, and utopian disillusionment. The Pilgrim Soul is an important book for all collections in cultural studies, ethnic and immigrant studies, Israeli studies, and Soviet studies. It will appeal to a variety of readers interested in the issues of immigration, multiculturalism, and identity formation.
The last three decades have seen unprecedented flourishing of creativity across the Scottish literary landscape, so that contemporary Scottish poetry constitutes an internationally renowned, award-winning body of work. At the heart of this has been the work of poets. As this poetry makes space for its own innovative concerns, it renegotiates the poetic inheritance of preceding generations. At the same time, Scottish poetry continues to be animated by writing from other places. The Edinburgh Companion to Contemporary Scottish Poetry is the definitive guide to this flourishing poetic scene. Its chapters examine Scottish poetry in all three of the nation's languages. It analyses many thematic preoccupations: tradition and innovation; revolutions in gender; the importance of place; the aesthetic politics of devolution. These chapters are complemented by extended close readings of the work of key poets that have defined this era, including Edwin Morgan, Kathleen Jamie, Don Paterson, Aonghas MacNeacail and John Burnside.
By combining historical spread with a thematic structure, this volume explores the ways in which gender has shaped literary output and addresses the changing situations in which Scottish women lived and wrote.
This volume reassesses working-class poetry and poetics in Victorian Britain, using Scotland as a focus and with particular attention to the role of the popular press in fostering and disseminating working-class verse cultures. It studies a very wide variety of writers who are unknown to scholarship, and assesses the political, social, and cultural work which their poetry performed. During the Victorian period, Scotland underwent unprecedented changes in terms of industrialization, the rise of the city, migration, and emigration. This study shows how poets who defined themselves as part of a specifically Scottish tradition responded to these changes. It substantially revises our understanding of Scottish literature in this period, while contributing to wider investigations of the role of popular verse in national and international cultures.
