Wheeler Dixon examines the lost films and directors of the 1950s. Contrasting traditional themes of love, marriage, and family, the author's 1950s film world unveils once-taboo issues and television shows such as 'Captain Midnight' are juxtaposed with the cheerful world of 'I Love Lucy'.
The narrative approach is a relevant and enriching technique for uncovering, describing and interpreting the meaning of experience. This collection explores the challenges of performing narrative work in an academic setting, writing about it in an ethical and revealing fashion, and drawing meaningful conclusions. This stellar collection of scholars examine such topics as: how the larger construct of `personality' can read out of a life story; the development of multicultural identity as a dynamic process; the transition away from delinquent behaviour; the importance of cultural continuity for understanding loneliness in elderly refugees; race relations and how it relates to the meaning of the decade in which the interviewee
Wheeler Dixon examines the lost films and directors of the 1950s. Contrasting traditional themes of love, marriage, and family, the author's 1950s film world unveils once-taboo issues and television shows such as 'Captain Midnight' are juxtaposed with the cheerful world of 'I Love Lucy'.
Originally broadcast on American television between 1952 and 1969, the 30 situation comedies in this work are seldom seen today and receive only brief and often incomplete and inaccurate mentions in most reference sources. Yet these sitcoms (including Angel, The Governor and J.J., It's a Great Life, I'm Dickens ... He's Fenster and Wendy and Me), and the stories of the talented people who made them, are an integral part of television history. With a complete list of production credits and rare publicity stills, this volume, based on multiple screenings of episodes, corrects other sources and expand our knowledge of television history.
The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.
Movie Time is a study of temporal mythmaking in American popular movies. The work is rooted in American pragmatic philosophy and contemporary traditions of inquiry in the social sciences and humanities. It proceeds on the premise that social beings and social orders are interested in the mediation of time, and attempt to make sense of their present world through the reconstruciton of important pasts of interest in the present, develop new presents with the help of popular expressions which define new situations and responses for a new time, and foresee possible futures which impinge upon life in the here-and-now. In particular, the work focuses on the subsequent treatment of the American 1950's in films set in that era, beginning in the 1970's and continuing, with an effort to create a rough taxonomy of mythemes in such retrospective films, and why it is that future times would find the Fifties to be so important that people wish to revisit it. Too, the mediation of time includes the development of a new present, in this case the emergence of conservatism as a social force in the 1970's and beyond. The movies were an important form of expression in the dramatization of the conservative myth, leading to the pervasion of conservative leaders and ideologies into the new century. Finally, the unrealized but imminent future of the country and world was increasingly on people's minds, as both millennial hopes and fears and unanticipated threats began to emerge at century's end, so movies which anticipated alternative futures appeared in response to that prospective interest. It is hoped that this present inquiry will stimulate further work on the social relevance of popular expression and in particular the social mediation of time.
Introduction: Seeing in the dark -- Gay rights: "To be nobody but yourself" -- Feminism: "Meet Jane Crow" -- Civil rights: The war after the wars -- Ecology: Before we knew -- Epilogue: The best of us.
It was a time of honored traditions and tight-knit communities ... an era where neighborhood schools thrived, and children played simple games in the fresh outdoors. Finding Lost Marbles: Remembering the 50s in River City is a whimsical look back at what once was, before technological gadgetry wired our youth, and a reflective consideration of how we can reach back and resurrect some of the values that made the Fifties so fabulous.
A comprehensive filmography, this book is composed of lengthy entries on about 75 films depicting legendary New Mexico outlaw Billy the Kid--from the lost Billy the Kid (1911) to the blockbuster Young Guns (1988) to the direct-to-video 1313: Billy the Kid(2012) and everything in between. Each entry gives a synopsis, cast and credits, critical reception, and a discussion of the events of the films compared to the historical record. Among the entries are made-for-TV and direct-to-video films, foreign movies, and continuing television series in which Billy the Kid made an appearance.