Some call it The Fainting Game, others Indian Headrush - but it's all the rage amongst the girls of Class 2B. 'It makes you go all rushy. You feel like you're falling into a dream.' This is the story of Esther, who lives in the Pennines with her father. Esther is obsessed with experimenting with different ways to pass out: from snorting Daz powder at school to attempted auto-asphyxiation in a serviced apartment in north London. But what happens when you take something too far? And what has Esther's mother, a beautiful dancer wasting away in her bedroom, to do with it all?
The Sinking Middle Class challenges the “save the middle class” rhetoric that dominates our political imagination. The slogan misleads us regarding class, nation, and race. Talk of middle class salvation reinforces myths holding that the US is a providentially middle class nation. Implicitly white, the middle class becomes viewed as unheard amidst supposed concerns for racial justice and for the poor. Roediger shows how little the US has been a middle class nation. The term seldom appeared in US writing before 1900. Many white Americans were self-employed, but this social experience separated them from the contemporary middle class of today, overwhelmingly employed and surveilled. Today’s highly unequal US hardly qualifies as sustaining the middle class. The idea of the US as a middle class place required nurturing. Those doing that ideological work—from the business press, to pollsters, to intellectuals celebrating the results of free enterprise—gained little traction until the Depression and Cold War expanded the middle class brand. Much later, the book’s sections on liberal strategist Stanley Greenberg detail, “saving the middle class” entered presidential politics. Both parties soon defined the middle class to include over 90% of the population, precluding intelligent attention to the poor and the very rich. Resurrecting radical historical critiques of the middle class, Roediger argues that middle class identities have so long been shaped by debt, anxiety about falling, and having to sell one’s personality at work that misery defines a middle class existence as much as fulfillment.
Written in 1727, The Art of Sinking in Poetry was one of Alexander Pope's contributions to the literary output of the legendary Scriblerus club - a circle of writers dedicated to mocking what they perceived as a culture of mediocrity and false learning prevalent in the arts and sciences of their day. Taking the form of an ironic guide to writing bad verse, Pope's tongue-in-cheek essay is wickedly funny in its lampooning of various pompous poetasters, as well as being essential reading for any budding writer wishing to avoid sinking to the unintentionally ridiculous, and instead reach for the sublime.
From award-winning author Deborah Heiligman comes Torpedoed, a true account of the attack and sinking of the passenger ship SS City of Benares, which was evacuating children from England during WWII. Amid the constant rain of German bombs and the escalating violence of World War II, British parents by the thousands chose to send their children out of the country: the wealthy, independently; the poor, through a government relocation program called CORB. In September 1940, passenger liner SS City of Benares set sail for Canada with one hundred children on board. When the war ships escorting the Benares departed, a German submarine torpedoed what became known as the Children's Ship. Out of tragedy, ordinary people became heroes. This is their story. This title has Common Core connections.
Swoon is the first extensive study of literary swooning, homing in on swooning’s rich history as well as its potential to provide new insights into the contemporary. This study demonstrates that passing-out has had a pivotal place in English literature. Beginning with an introduction to the swoon as a marker of aesthetic sensitivity, it includes chapters on swooning and generic transformation in Chaucer and Shakespeare; morbid, femininised swoons and excessive affect in romantic, gothic, and modernist works; irony, cliché and bathos in the swoons of contemporary romance fiction. This book revisits key texts to show that passing-out has been intimately connected to explorations of emotionality, ecstasy and transformation; to depictions of sickness and dying; and to performances of gender and gendering. Swoon offers an exciting new approach the history of the body alongside the history of literary response.
A Pulitzer Prize Finalist, this powerful elegy for our disappearing coast “captures nature with precise words that almost amount to poetry” (The New York Times). Hailed as “the book on climate change and sea levels that was missing” (Chicago Tribune), Rising is both a highly original work of lyric reportage and a haunting meditation on how to let go of the places we love. With every record-breaking hurricane, it grows clearer that climate change is neither imagined nor distant—and that rising seas are transforming the coastline of the United States in irrevocable ways. In Rising, Elizabeth Rush guides readers through these dramatic changes, from the Gulf Coast to Miami, and from New York City to the Bay Area. For many of the plants, animals, and humans in these places, the options are stark: retreat or perish. Rush sheds light on the unfolding crises through firsthand testimonials—a Staten Islander who lost her father during Sandy, the remaining holdouts of a Native American community on a drowning Isle de Jean Charles, a neighborhood in Pensacola settled by escaped slaves hundreds of years ago—woven together with profiles of wildlife biologists, activists, and other members of these vulnerable communities. A Guardian, Publishers Weekly, and Library Journal Best Book Of 2018 Winner of the National Outdoor Book Award A Chicago Tribune Top Ten Book of 2018
Although never previously studied in any depth, the sinking of the Lisbon Maru was the most costly American on British ‘Friendly Fire’ incident of the Second World War. Of the 4,500 of Hong Kong’s garrison who perished during the war, 1,000 died directly or indirectly from this sinking. From American, British, Hong Kong and Japanese sources, this book reconstructs the fateful voyage of the Lisbon Maru, and the experiences of the captives, the captors, and those on board the submarine that sank her. The book will be of interest to anyone wishing to know more about the ‘Hellships’ that caused the deaths of almost 20,000 Allied Prisoners of War during the Second World War, or the experiences of Allied POWs in Japan. ‘a well-composed, far-ranging story, . . . a carefully researched book’ —International History Review ‘a Hong Kong historian eager to put a human face to the brutal history of World War II’ —China Daily ‘His thorough research enables one to learn about the “hellships” that caused the deaths of almost 20,000 allied POWs overall.’ —The Guards Magazine
At 8:43 a.m. on the morning of Sunday, October 6, 1918, HMS Kashmir rammed HMS Otranto off Islay, Scotland. Both ships were former British passenger liners from the P&O Steamship Company that had been pulled into the war to ferry American soldiers between New York and various British ports. On this stormy morning, however, they were part of Convoy HX-50 carrying troops to Liverpool. On board were 372 British officers and sailors and 701 American soldiers. The Americans were mostly Southern farm boys from Fort Screven in Savannah under the command of Lt. Sam Levy, a Georgia Tech graduate from Atlanta. The Kashmir managed to back away and follow the harsh wartime order that required her to ignore any maritime disasters that might befall her sister ships and to continue on her prescribed course rather than stop and take on survivors. Thus it was that—with winds blowing at 70 to 75 mph and waves at more than 60 feet—the severely damaged Otranto was left dead in the water with more than a thousand souls aboard. Many Were Held by the Sea: The Tragic Sinking of HMS Otranto, tells the story of what happened during that voyage—mostly from the perspective of the American soldiers—and builds to the disastrous conclusion. The narrative details the courage of the young men on board, men who, for the most part, had never seen the ocean or learned to swim. It tells of the anguish from the home front, as family members had to wait weeks to learn the fate of their relatives. In addition, Scott’s narrative tells the personal story of Lieutenant Craven of the Royal Navy, serving as Commander of the rescue ship, who was forced to gamble with the lives of those on both ships in order to save the maximum number of passengers.
