Drawing on the work of Eric Gans and René Girard, novelist and literary scholar Dennis (U. of Ottawa) contends that British poet Byron (1788-1824) changed his ideas about what could and should be desired during the course of his writing career. He considers victory and defeat in the eastern tales, heroic victimhood in Prometheus and The Prisoner of Chillon, Byron's sincerity, and the market in Don Juan. Only names and titles are indexed.
The subject of Romanticism, Memory, and Mourning could not be timelier with Žižek’s recent proclamation that we are ‘living in the end times’ and in an era which is preoccupied with the process and consequences of ageing. We mourn both for our pasts and futures as we now recognise that history is a continuation and record of loss. Mark Sandy explores the treatment of grief, loss, and death across a variety of Romantic poetic forms, including the ballad, sonnet, epic, elegy, fragment, romance, and ode in the works of poets as diverse as Smith, Hemans, Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, and Clare. Romantic meditations on grief, however varied in form and content, are self-consciously aware of the complexity and strength of feelings surrounding the consolation or disconsolation that their structures of poetic memory afford those who survive the imaginary and actual dead. Romantic mourning, Sandy shows, finds expression in disparate poetic forms, and how it manifests itself both as the spirit of its age, rooted in precise historical conditions, and as a proleptic power, of lasting transhistorical significance. Romantic meditations on grief and loss speak to our contemporary anxieties about the inevitable, but unthinkable, event of death itself.
Fiona MacCarthy makes a breakthrough in interpreting Byron's life and poetry drawing on John Murray's world-famous archive. She brings a fresh eye to his early years: his childhood in Scotland, embattled relations with his mother, the effect of his deformed foot on his development. She traces his early travels in the Mediterranean and the East, throwing light on his relationships with adolescent boys - a hidden subject in earlier biographies. While paying due attention to the compelling tragicomedy of Byron's marriage, his incestuous love for his half-sister Augusta and the clamorous attention of his female fans, she gives a new importance to his close male friendships, in particular that with his publisher John Murray. She tells the full story of their famous disagreement, ending as a rift between them as Byron's poetry became more recklessly controversial. Byron was a celebrity in his own lifetime, becoming a 'superstar' in 1812, after the publication of Childe Harold. The Byron legend grew to unprecedented proportions after his death in the Greek War of Independence at the age of thirty-six. The problem for a biographer is sifting the truth from the sentimental, the self-serving and the spurious. Fiona MacCarthy has overcome this to produce an immaculately researched biography, which is also her refreshing personal view.
This text examines Byron's "lordship" - his singularity as a literary success and as one of the great British aristocratic poets. Drawing on contemporary literary, political and social theory, this study of Byron also re-examines the romanticism of Coleridge, Wordsworth, Scott, Hazlitt and Shelley.
The Complete Works of Lord Byron (Including Biography) provides readers with a comprehensive collection of the renowned poet's literary masterpieces. Lord Byron's works, which range from romantic poetry to satirical verse, showcase his skillful use of language and his ability to evoke powerful emotions in his readers. The compilation includes works such as 'Childe Harold's Pilgrimage' and 'Don Juan', offering a glimpse into Byron's tumultuous life and complex personality. The book also includes a biography that delves into the personal experiences and influences that shaped Byron's writing. This literary collection is a valuable resource for anyone interested in exploring the romantic era and the works of one of its most iconic poets. Lord Byron's unique blend of romanticism and skepticism makes his poetry both timeless and thought-provoking. Readers will appreciate the depth of emotion and vivid imagery found in his works, as well as the insight provided by the accompanying biography.
Draws upon literature, cinema, and popular romance to show how the changing position of women has shaped their dreams about men, from Lord Byron in the early nineteenth century to boy-bands in the early twenty-first. Reflecting on the history of women as consumers and on the nature of fantasy, escapism, and 'fandom', Dyhouse takes us deep into the world of gender and the imagination. A great deal of feminist literature has shown women as objects of the 'male gaze': this book looks at men through the eyes of women.
A collection bringing together in a single volume a number of the best twentieth-century essays on Byron’s dramas, together with comprehensive bibliographies on each of them.
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