Looking for the Proletariat is a contribution to understanding the implosion of the Marxist Imaginary. The implosion is staged in terms of the first English-language history of the French revolutionary group Socialisme ou Barbarie from 1949 to 1957. It explains why Socialisme ou Barbarie was the only Marxist organization interested by worker experience and how the group’s anti-Leninist position on organization led it to privilege first-person worker narratives in order to understand worker experience and its revolutionary possibilities. Using the only first-person accounts of working-class experience in French industry of the 1950s, the book explores the disintegration of collective investment in the Marxist Imaginary that unfolded at Renault’s Billancourt factory in the aftermath of the Hungarian Revolution and the contexts that shaped it.
Offers an analysis of Marx's controversial theory of the dictatorship of the proletariat, arguing that it can no longer be displaced or ignored as the viable democratic centre of Marxist political thought. The book traces the development of the theory from the early work of Marx and Engels to 1924.
Inspired by Mao's Little Red Book, this work is full of quotes to inspire and teach revolution. With quotes from the Combahee River Collective, Mao, Lenin, bell hooks, Assata Shakur, 2pac, Malcolm X, Stalin, Les Feinberg, Fred Hampton, Fanon, and more, this book is bound to inspire the revolutionary spirit inside you and your comrades to organize, educate, and revolt! Full list of authors: Jamil Abdullah Al-Amin Mumia Abu-Jamal Sundiata Acoli James Baldwin Amilcar Cabral Fidel Castro Che Guevara Combahee River Collective Angela Davis Dimitrov Frederick Douglass Friedrich Engels Frantz Fanon Les Feinberg Paulo Freire Anuradha Ghandy Fred Hampton Harry Haywood Ho Chi Min bell hooks Enver Hoxha Dolores Ibarruri Kim Il-Sung George Jackson Jonathan Jackson Marsha P. Johnson Claudia Jones Frida Kahlo Ghasson Kanafani Leila Khaled Martin Luther King, Jr. Alexandra Kollantai James and Grace Lee Boggs Vladimir Lenin Audre Lorde Rosa Luxemburg Nelson Mandela Mao Tse-Tung Sub Marcos José Mariátegui Carlos Marighella Karl Marx Chico Mendes Evo Morales Toni Morrison Huey P. Newton Kwame Nkrumah Michael Parenti Rashid Paul Robeson Walter Rodney Arundhati Roy Thomas Sankara Bobby Seale Chief Seattle Assata Shakur Tupac Shakur Nina Simone Bhagat Singh Joseph Stalin Sukarno Kwame Ture Malcolm X Xi Jinping Malala Yousafzai
The attempted modernization of Central Asia by the central Soviet government in the 1920's was a dramatic confrontation between radical, determined, authoritarian communists and a cluster of traditional Moslem societies based on kinship, custom, and religion. The Soviet authorities were determined to undermine the traditional social order through the destruction of existing family structures and worked to achieve this aspect of revolution through the mobilization of women. Gregory J. Massell's study of the interaction between central power and local traditions concentrates on the development of female roles in revolutionary modernization. Women in Moslem societies were segregated, exploited, and degraded; they were, therefore, a structural weak point in the traditional order—a surrogate proletariat. Through this potentially subversive group, it was believed, intense conflicts could be generated within society which would lead to its disintegration and subsequent reconstitution. The first part of the book isolates the trends that made Central Asia vulnerable to outside intervention, and examines the factors that impelled the communist elites to turn to Moslem women as potential revolutionary allies. In the second part, Professor Massed analyzes Soviet perceptions of female inferiority and of the revolutionary potential of Moslem women. Part Three is an account of specific Soviet actions based on these assumptions. The fourth part of the book deals with the variety of responses these actions evoked. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A sober examination of the historical role of the white working class and its place in the US imperialist system. With suggestions for the possibilities of developing this class into a revolutionary class as part of a broad social movement. Includes commentary from Settlers author J Sakai. Gilbert was a member of both SDS, and the Weather Underground.
In the wake of Mexico’s revolution, artists played a fundamental role in constructing a national identity centered on working people and were hailed for their contributions to modern art. Picturing the Proletariat examines three aspects of this artistic legacy: the parallel paths of organized labor and artists’ collectives, the relations among these groups and the state, and visual narratives of the worker. Showcasing forgotten works and neglected media, John Lear explores how artists and labor unions participated in a cycle of revolutionary transformation from 1908 through the presidency of Lázaro Cárdenas (1934–1940). Lear shows how middle-class artists, radicalized by the revolution and the Communist Party, fortified the legacy of the prerevolutionary print artisan José Guadalupe Posada by incorporating modernist, avant-garde, and nationalist elements in ways that supported and challenged unions and the state. By 1940, the state undermined the autonomy of radical artists and unions, while preserving the image of both as partners of the “institutionalized revolution.” This interdisciplinary book explores the gendered representations of workers; the interplay of prints, photographs, and murals in journals, in posters, and on walls; the role of labor leaders; and the discursive impact of the Spanish Civil War. It considers “los tres grandes”—Rivera, Siquieros, and Orozco—while featuring lesser-known artists and their collectives, including Saturnino Herrán, Leopoldo Méndez, Santos Balmori, and the League of Revolutionary Writers and Artists (LEAR). The result is a new perspective on the art and politics of the revolution.
In 2021, the Chinese Communist Party celebrated a century of existence. Since the Party's humble beginnings in the Marxist groups of the Republican era to its current global ambitions, one thing has not changed for China's leaders: their claim to represent the vanguard of the Chinese working class. Spanning from the night classes for workers organised by student activists in Beijing in the 1910s to the labour struggles during the 1920s and 1930s; from the turmoil of the Cultural Revolution to the social convulsions of the reform era to China's global push today, this book reconstructs the contentious history of labour in China from the early twentieth century to this day (and beyond). This will be achieved through a series of essays penned by scholars in the field of Chinese society, politics, and culture, each one of which will revolve around a specific historical event, in a mosaic of different voices, perspectives, and interpretations of what constituted the experience of being a worker in China in the past century. Contributors: Corey Byrnes, Craig A. Smith, Xu Guoqi, Zhou Ruixue, Lin Chun, Elizabeth J. Perry, Tony Saich, Wang Kan, Gail Hershatter, Apo Leong, S.A. Smith, Alexander F. Day, Yige Dong, Seung-Joon Lee, Lu Yan, Joshua Howard, Bo renlund Srensen, Brian DeMare, Emily Honig, Po-chien Chen, Yi-hung Liu, Jake Werner, Malcolm Thompson, Robert Cliver, Mark W. Frazier, John Williams, Christian Sorace, Zhu Ruiyi, Ivan Franceschini, Chen Feng, Ben Kindler, Jane Hayward, Tim Wright, Koji Hirata, Jacob Eyferth, Aminda Smith, Fabio Lanza, Ralph Litzinger, Jonathan Unger, Covell F. Meyskens, Maggie Clinton, Patricia M. Thornton, Ray Yep, Andrea Piazzaroli Longobardi, Joel Andreas, Matt Galway, Michel Bonnin, A.C. Baecker, Mary Ann O'Donnell, Tiantian Zheng, Jeanne L. Wilson, Ming-sho Ho, Yueran Zhang, Anita Chan, Sarah Biddulph, Jude Howell, William Hurst, Dorothy J. Solinger, Ching Kwan Lee, Chlo Froissart, Mary Gallagher, Eric Florence, Junxi Qian, Chris King-chi Chan, Elaine Sio-Ieng Hui, Jenny Chan, Eli Friedman, Aaron Halegua, Wanning Sun, Marc Blecher, Huang Yu, Manfred Elfstrom, Darren Byler, Carlos Rojas, Chen Qiufan.
Between the end of World War I and the Great Depression, over 58,000 Mexicans journeyed to the Midwest in search of employment. Many found work in agriculture, but thousands more joined the growing ranks of the industrial proletariat. Relating the experiences of Mexicans in the workplace and neighborhood, and showing the roles of Mexican women, the Catholic Church, and labor unions, Vargas enriches our knowledge of immigrant urban life.--Publisher's description.
Löwy's book is the first attempt to analyze, in a systematic way, how the theories of uneven and combined development, and of the permanent revolution &mdash inseparably linked &mdash emerged in the writings of thinkers such as Karl Marx and Leon Trotsky. Such radical reflections permit us to understand modern economic development across continents as a process of ferocious change, in which "advanced" and "backward" elements fuse, come into tension, and collide &mdash and how the resulting ruptures make it possible for the oppressed and exploited to change the world.
