Looking at the Comedia in the Year of the Quincentennial
Looking at the Comedia in the Year of the Quincentennial

Author: Barbara Louise Mujica

Publisher:

Published: 1993

Total Pages: 280

ISBN-13:

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This work, drawn from a symposium held at the University of Texas, El Paso, in March, 1992, brings together scholars from all over North America, as well as other parts of the world, to study diverse aspects of the comedia from an intellectual, academic perspective. Seven different aspects of the comedia are examined in detail: Spain and the New World; Staging the Comedia: Then and Now; Feminist and Gender Studies; Critical Approaches: From Philosophy to Psychology; Themes, Myths and Archetypes; The Comedia in History; The Text; and Authenticating and Editing. The variety and depth of these attests to the dynamic state of comedia studies at the end of the twentieth century, and shows that Golden Age theatre still delights us aesthetically and stimulates us intellectually. Contributors: Thomas Benedetti, Thomas E. Case, Viviana Diaz Balsera, Maria E. Moux, R. Shannon, Margaret R. Hicks, Barbara Simerka, Dawn L. Smith, Brenda Krebs, Anita K. Stoll, Sara A. Taddeo, Sharon D. Voros, Robert Hershberger, Ted E. McVay, Jr., Barbara Mujica, Matthew D. Stroud, Isaac Benabu, Shelly Chitwood, F. William Forbes, Jesus Garcia-Varela, L. Carl Johnson, Gordon Summer, Santiago Garcia-Castanon, Jose Luis Suarez Garcia, Jame W. Albrecht, and Sandra L. Nielsen. Co-published with the Golden Age Spanish Drama Symposium.

Looking at the Comedia in the Year of the Quincentennial
Looking at the Comedia in the Year of the Quincentennial

Author: Barbara Louise Mujica

Publisher: University Press of Amer

Published: 1993-01-01

Total Pages: 261

ISBN-13: 9780819193575

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This work, drawn from a symposium held at the University of Texas, El Paso, in March, 1992, brings together scholars from all over North America, as well as other parts of the world, to study diverse aspects of the comedia from an intellectual, academic perspective. Seven different aspects of the comedia are examined in detail: Spain and the New World; Staging the Comedia: Then and Now; Feminist and Gender Studies; Critical Approaches: From Philosophy to Psychology; Themes, Myths and Archetypes; The Comedia in History; The Text; and Authenticating and Editing. The variety and depth of these attests to the dynamic state of comedia studies at the end of the twentieth century, and shows that Golden Age theatre still delights us aesthetically and stimulates us intellectually. Contributors: Thomas Benedetti, Thomas E. Case, Viviana Diaz Balsera, Maria E. Moux, R. Shannon, Margaret R. Hicks, Barbara Simerka, Dawn L. Smith, Brenda Krebs, Anita K. Stoll, Sara A. Taddeo, Sharon D. Voros, Robert Hershberger, Ted E. McVay, Jr., Barbara Mujica, Matthew D. Stroud, Isaac Benabu, Shelly Chitwood, F. William Forbes, Jesus Garcia-Varela, L. Carl Johnson, Gordon Summer, Santiago Garcia-Castanon, Jose Luis Suarez Garcia, Jame W. Albrecht, and Sandra L. Nielsen. Co-published with the Golden Age Spanish Drama Symposium.

Gendering the Crown in the Spanish Baroque Comedia
Gendering the Crown in the Spanish Baroque Comedia

Author: María Cristina Quintero

Publisher: Routledge

Published: 2016-04-15

Total Pages: 261

ISBN-13: 131712961X

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The Baroque Spanish stage is populated with virile queens and feminized kings. This study examines the diverse ways in which seventeenth-century comedias engage with the discourse of power and rulership and how it relates to gender. A privileged place for ideological negotiation, the comedia provided negative and positive reflections of kingship at a time when there was a perceived crisis of monarchical authority in the Habsburg court. Author María Cristina Quintero explores how playwrights such as Pedro Calderón de la Barca, Tirso de Molina, Antonio Coello, and Francisco Bances Candamo--taking inspiration from legend, myth, and history--repeatedly staged fantasies of feminine rule, at a time when there was a concerted effort to contain women's visibility and agency in the public sphere. The comedia's preoccupation with kingship together with its obsession with the representation of women (and women's bodies) renders the question of royal subjectivity inseparable from issues surrounding masculinity and femininity. Taking into account theories of performance and performativity within a historical context, this study investigates how the themes, imagery, and language in plays by Calderón and his contemporaries reveal a richly paradoxical presentation of gendered monarchical power.

Staging Doubt
Staging Doubt

Author: Leonie Pawlita

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-09-02

Total Pages: 839

ISBN-13: 3110660547

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This volume considers the influential revival of ancient philosophical skepticism in the 16th and early 17th centuries and investigates, from a comparative perspective, its reception in early modern English, Spanish and French drama, dedicating detailed readings to plays by Shakespeare, Calderón, Lope de Vega, Rotrou, Desfontaines, and Cervantes. While all the plays employ similar dramatic devices for "putting skepticism on stage", the study explores how these dramas, however, give different "answers" to the challenges posed by skepticism in relation to their respective historico-cultural and "ideological" contexts.

Women Warriors in Early Modern Spain
Women Warriors in Early Modern Spain

Author: Susan L. Fischer

Publisher: University of Virginia Press

Published: 2019-07-18

Total Pages: 420

ISBN-13: 1644530171

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Although scholars often depict early modern Spanish women as victims, history and fiction of the period are filled with examples of women who defended their God-given right to make their own decisions and to define their own identities. The essays in Women Warriors in Early Modern Spain examine many such examples, demonstrating how women battled the status quo, defended certain causes, challenged authority, and broke barriers. Such women did not necessarily engage in masculine pursuits, but often used cultural production and engaged in social subversion to exercise resistance in the home, in the convent, on stage, or at their writing desks. Distributed for the University of Delaware Press

Education and Women in the Early Modern Hispanic World
Education and Women in the Early Modern Hispanic World

Author: Elizabeth Teresa Howe

Publisher: Routledge

Published: 2016-04-29

Total Pages: 334

ISBN-13: 1317145860

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Considering the presence and influence of educated women of letters in Spain and New Spain, this study looks at the life and work of early modern women who advocated by word or example for the education of women. The subjects of the book include not only such familiar figures as Sor Juana and Santa Teresa de Jesús, but also of less well known women of their time. The author uses primary documents, published works, artwork, and critical sources drawn from history, literature, theatre, philosophy, women's studies, education and science. Her analysis juxtaposes theories espoused by men and women of the period concerning the aptitude and appropriateness of educating women with the actual practices to be found in convents, schools, court, theaters and homes. What emerges is a fuller picture of women's learning in the early modern period.

Crosscurrents
Crosscurrents

Author: Mindy Badía

Publisher: Bucknell University Press

Published: 2006

Total Pages: 184

ISBN-13: 9780838756225

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The term "crosscurrents" seems especially fitting for a volume of essays that explores the cultural exchanges that resulted from the encounter between Spain and the New World. The nautical metaphor alludes to the actual crossing of ships that occurred during the discovery, conquest, and colonization of the Americas by the Spanish as it emphasizes the changes that occurred at these cultural intersections.

Neither Saints Nor Sinners
Neither Saints Nor Sinners

Author: Kathleen Ann Myers

Publisher: Oxford University Press

Published: 2003-08-07

Total Pages: 292

ISBN-13: 9780195348095

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This book brings together the portraits and autobiographical texts of six 17th-century Latin American women, drawing on primary sources that include Inquisition and canonization records, confessional and mystic journals, and legal defenses and petitions.

Autobiographical Writing by Early Modern Hispanic Women
Autobiographical Writing by Early Modern Hispanic Women

Author: Elizabeth Teresa Howe

Publisher: Routledge

Published: 2016-04-08

Total Pages: 373

ISBN-13: 131717691X

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Women’s life writing in general has too often been ignored, dismissed, or relegated to a separate category in those few studies of the genre that include it. The present work addresses these issues and offers a countervailing argument that focuses on the contributions of women writers to the study of autobiography in Spanish during the early modern period. There are, indeed, examples of autobiographical writing by women in Spain and its New World empire, evident as early as the fourteenth-century Memorias penned by Doña Leonor López de Cordóba and continuing through the seventeenth-century Cartas of Sor Juana Inés de la Cruz. What sets these accounts apart, the author shows, are the variety of forms adopted by each woman to tell her life and the circumstances in which she adapts her narrative to satisfy the presence of male critics-whether ecclesiastic or political, actual or imagined-who would dismiss or even alter her life story. Analyzing how each of these women viewed her life and, conversely, how their contemporaries-both male and female-received and sometimes edited her account, Howe reveals the tension in the texts between telling a ’life’ and telling a ’lie’.

(A)wry Views
(A)wry Views

Author: David R. Castillo

Publisher: Purdue University Press

Published: 2001

Total Pages: 212

ISBN-13: 9781557532275

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The term anamorphosis, from the greek ana (again) and morphe (shape), designates a variety of perspective experiments that can be traced back to the artistic developments of the 1500's and 1600's. Anamorphic devices challenge viewers to experience different forms of perceptual oscillation and uncertainty. Images shift in front of the eyes of puzzled spectators as they move from the center of the representation to the margins, or from one side to the other. (A) Wry Views demonstrates that much of the literature of the Spanish Golden Age is susceptible, and indeed requires, oblique readings (as in anamorphosis).