Looking at European Ceramics

Looking at European Ceramics

Author: David Harris Cohen

Publisher: Getty Publications

Published: 1993

Total Pages: 92

ISBN-13: 9780892362165

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What is maiolica? What is the difference between hard-paste and soft-paste porcelain. What is a piatto da pompa? This book offers definitions of these and other terms related to the techniques, processes, and materials used in the making of ceramics in Europe from the Middle Ages throughout the beginning of the twentieth century. Concise and readable explanations of the technical terms most frequently encountered by the museum-goer, accompanied by numerous illustrations of works from the collections of the J. Paul Getty Museum and the British Museum, are presented in an easily portable volume. The fourth in a series of "Looking at" books co-published with the British Museum Press, this guide will be invaluable to all those wishing to increase their understanding and enjoyment of ceramics.


European Ceramics

European Ceramics

Author: R. J. C. Hildyard

Publisher: University of Pennsylvania Press

Published: 1999

Total Pages: 160

ISBN-13: 9780812235050

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The history of ceramics is extraordinarily diverse, ranging from crude clay utensils to highly decorative pieces of immense beauty and craftsmanship. This lively book traces the story of European ceramics from the end of the Middle Ages to the present day.


How to Read Chinese Ceramics

How to Read Chinese Ceramics

Author: Denise Patry Leidy

Publisher: Metropolitan Museum of Art

Published: 2015-09-01

Total Pages: 146

ISBN-13: 1588395715

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Among the most revered and beloved artworks in China are ceramics—sculptures and vessels that have been utilized to embellish tombs, homes, and studies, to drink tea and wine, and to convey social and cultural meanings such as good wishes and religious beliefs. Since the eighth century, Chinese ceramics, particularly porcelain, have played an influential role around the world as trade introduced their beauty and surpassing craft to countless artists in Europe, America, and elsewhere. Spanning five millennia, the Metropolitan Museum’s collection of Chinese ceramics represents a great diversity of materials, shapes, and subjects. The remarkable selections presented in this volume, which include both familiar examples and unusual ones, will acquaint readers with the prodigious accomplishments of Chinese ceramicists from Neolithic times to the modern era. As with previous books in the How to Read series, How to Read Chinese Ceramics elucidates the works to encourage deeper understanding and appreciation of the meaning of individual pieces and the culture in which they were created. From exquisite jars, bowls, bottles, and dishes to the elegantly sculpted Chan Patriarch Bodhidharma and the gorgeous Vase with Flowers of the Four Seasons, How to Read Chinese Ceramics is a captivating introduction to one of the greatest artistic traditions in Asian culture.


Ceramic, Art and Civilisation

Ceramic, Art and Civilisation

Author: Paul Greenhalgh

Publisher: Bloomsbury Publishing

Published: 2020-12-24

Total Pages: 512

ISBN-13: 1474239722

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In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.


A Book of Porcelain

A Book of Porcelain

Author: Bernard Rackham

Publisher:

Published: 1910

Total Pages: 232

ISBN-13:

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It is the experience probably of most Western amateurs of porcelain to pass through three successive stages of development in their appreciation of an art which, even for the uninitiated, --for those who have no knowledge of its history and little understanding of its technical aspects, --is not lacking in charm and fascination.--pg. xiii.


The Oxford Handbook of Engineering and Technology in the Classical World

The Oxford Handbook of Engineering and Technology in the Classical World

Author: John Peter Oleson

Publisher: Oxford University Press

Published: 2008

Total Pages: 884

ISBN-13: 0199734852

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Nearly every aspect of daily life in the Mediterranean world and Europe during the florescence of the Greek and Roman cultures is relevant to engineering and technology. This text highlights the accomplishments of the ancient societies, the research problems, and stimulates further progress in the history of ancient technology.


The Oxford Handbook of Neolithic Europe

The Oxford Handbook of Neolithic Europe

Author: Chris Fowler

Publisher: OUP Oxford

Published: 2015-03-26

Total Pages: 1303

ISBN-13: 0191666890

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The Neolithic --a period in which the first sedentary agrarian communities were established across much of Europe--has been a key topic of archaeological research for over a century. However, the variety of evidence across Europe, the range of languages in which research is carried out, and the way research traditions in different countries have developed makes it very difficult for both students and specialists to gain an overview of continent-wide trends. The Oxford Handbook of Neolithic Europe provides the first comprehensive, geographically extensive, thematic overview of the European Neolithic --from Iberia to Russia and from Norway to Malta --offering both a general introduction and a clear exploration of key issues and current debates surrounding evidence and interpretation. Chapters written by leading experts in the field examine topics such as the movement of plants, animals, ideas, and people (including recent trends in the application of genetics and isotope analyses); cultural change (from the first appearance of farming to the first metal artefacts); domestic architecture; subsistence; material culture; monuments; and burial and other treatments of the dead. In doing so, the volume also considers the history of research and sets out agendas and themes for future work in the field.