Striking and stylish, Look Look! is the ideal first board book for babies just beginning to look and learn and a perfect gift for little hands. Look, look! Children run, fish swim, stars shine . . . all for baby's eyes to see. This sturdy board book, full of high-contrast black-and-white cut-paper art perfect for staring at, is just the thing for the eyes of the youngest babies. A few words in curving red type on each spread describe the scenes—a car races, a cat stretches, flowers bloom—and extend the book's age appeal so that it will be fascinating to older babies, too.
Poetry. Women's Studies. "Motherhood is bound both to life's joy and death's ether, which complicates a woman's relationship to her own body's emotional and physical permeablity. In LOOK LOOK LOOK Callista Buchen writes beautiful prose fragments about and the tendrils that bind her to motherhood and that intersection with mortality. This moving collection situates motherhood as a climate, a destination and reminds us that many of the connections bodies make are often as ephemeral as 'clouds made of mouths.'"--Carmen Gimenez Smith "Drawing from surrealism, the grotesque, and even horror, Callista Buchen's LOOK LOOK LOOK explores how alien one's own body--one's own self--becomes through pregnancy, childbirth, and motherhood. In these prose poems, Buchen's mother-speaker 'build[s] and dissolve[s],' is both 'double and half.' The line between self and other, the line between construction and deconstruction, and '[t]he line between making and being made' have never felt so thin, so permeable. This is a profound book of poems."--Maggie Smith "In this ravishingly honest collection of prose poems, Callista Buchen look look looks at every facet of mothering, from child loss to childbirth, from loss of self and alienation from the body to a hard-won and completely unsentimental empowerment--mother as process; 'mother as birthplace, where woman becomes location.' The poems are often dimly lit as a diorama or a womb. They embrace pregnancy's darkness, the monstrous cleaving of the birthing body, the milky flood of nursing, and the complex grief of the self that is estranged in the making of another human being. The poems have the rhythm and image-centeredness of ritual; even the book's title is a trinity, suggesting the multifocality of women's experience and functioning as an entreaty for the reader to look, please. When the speaker comes into her authority it arrives less with triumph than with danger: 'There isn't a dam you can build that I can't break. Charisma, chiasma, power. See what I will do.' This is a book about mothering like no book about mothering that has ever been mothered forth."--Diane Seuss "A mother is full of cracks, this vessel. 'Everywhere tears, everywhere salt,' writes Callista Buchen's in her stunning debut collection, LOOK LOOK LOOK. In these poems, Buchen does not look away from motherhood, body, or loss--but stares directly in its eyes. These stirring poems radiate both the beauty and burn of being a mother, two selves of a woman--they meditate, Your body is not your own. LOOK LOOK LOOK brings us, birthed and swaddled, the poems we need in the world right now. This incredible collection is fed by an honesty and a fierceness mothers and women know deep inside them--I am so dangerous. I cannot remember the last time I finished a collection and wanted to return to the start to read it again--but this is that book. I will return to these poems for years. I cannot recommend this book enough."--Kelli Russell Agodon
Three mice "borrow" a postcard which is a reproduction of a painting, and from it they learn about color, pattern, line, and shape. Includes instructions for making and sending a postcard.
Tana Hoban never ceases to mesmerize and stimulate her young admirers. Using her unmistakable full-color photographs and an intriguing die-cut format, she has created a striking concept book that will have young viewers scrutinizing and thinking about what they see -- and don't see. In the tradition of Just Look and Take Another Look, here is yet another window of discovery to our everyday world.
From the pen of Charles Spurgeon:This year we will gather heavenly fruit on earthly ground, where faith and hope have turned the desert into the Lord’s garden. If “men ate the bread of angels” (Ps. 78:25) long ago, why not today? May God grant us the grace to feed on Jesus, and thereby eat of the fruit of the land of Canaan this year!Whether you are familiar with the works of this classic Christian author or discovering him for the first time, Look Unto Me offers a treasury of spiritual insight and inspiration. Charles Haddon Spurgeon was known as the Prince of Preachers, stirring audiences from his London pulpit from 1854 to 1892. Millions more who never heard him preach read his weekly sermons. Based on Spurgeon’s original devotional, Morning by Morning, Look Unto Me has now been edited for the modern reader with updated language and additional application commentary by bestselling author, Jim Reimann. Look Unto Me offers 366 of Spurgeon’s most powerful devotions, modernizing the language without changing the meaning and adding Scripture references and quotes in the NIV. Jim Reimann, editor of updated editions of Streams in the Desert and My Utmost for His Highest, has also added thought-provoking comments to deepen your understanding of the text, other Scriptures to consider, as well as application and closing prayers. This new edition also includes these new features:• Scripture quotes referenced in the context of each devotion• Scripture and subject indexes• Hymn quotes referenced with composer names and datesThe material is profound, thought-provoking, and life-changing, but easy to follow. With Scripture references from literally every book of the Bible, this is the perfect book to help you dig deeper into God’s Word and be challenged to expand your faith. If you long for a deeper walk with Christ and a richer understanding of the Christian faith that can be applied to everyday living, Look Unto Me is the devotional you’ve been waiting for.
A chronicle of violent fury and compassion, written when Surrealism was still vigorous and doing battle with psychotic "reality," The Journal of Albion Moonlight is the American monument to engagement.
Andrew L. Yarrow tells the story of Look magazine, one of the greatest mass-circulation publications in American history, and the very different United States in which it existed. The all-but-forgotten magazine had an extraordinary influence on mid-twentieth-century America, not only by telling powerful, thoughtful stories and printing outstanding photographs but also by helping to create a national conversation around a common set of ideas and ideals. Yarrow describes how the magazine covered the United States and the world, telling stories of people and trends, injustices and triumphs, and included essays by prominent Americans such as Martin Luther King Jr. and Margaret Mead. It did not shy away from exposing the country’s problems, but it always believed that those problems could be solved. Look, which was published from 1937 to 1971 and had about 35 million readers at its peak, was an astute observer with a distinctive take on one of the greatest eras in U.S. history—from winning World War II and building immense, increasingly inclusive prosperity to celebrating grand achievements and advancing the rights of Black and female citizens. Because the magazine shaped Americans’ beliefs while guiding the country through a period of profound social and cultural change, this is also a story about how a long-gone form of journalism helped make America better and assured readers it could be better still.
Comedy is how we cope with the absurdity of life. The person who cannot step back and see how ludicrous are most of the things we encounter in life is the person who gets mired and engulfed in them. Comedy lets us step back and see the whole picture. It reminds us of what is really important which certainly includes laughing and laughing often. These four comedies each take on several situations but exaggerate them until they become enlarged and laughable. To each are added an unusual use of standard theatrical tradition. A writer of one play becomes involved with his own characters. Another play actually moves backwards in time. Another comedy is actually two separate plays that come together while another claims to be a musical but has no singing whatsoever. Come along for the fun and laughter and lighten your burdens for a while.
