__________________ London Clay explores the hidden layers that make up this city. Armed with just his tattered Streetfinder map, Chivers leads his reader down forgotten waterways into abandoned catacombs and buried stations, exploring the nooks and crannies of a forgotten city. His network of journeys combine together to produce a compelling interrogation of London's past. In a route that covers much of his own personal history, this is a bold exploration of the city's secrets and asks us also to consider important questions about its future.
Concluding the trilogy on geological materials in construction, this authoritative volume reviews many uses of clays, ranging from simple fills to sophisticated products. Comprehensive and international coverage is achieved by an expert team, including geologists, engineers and architects. Packed with information prepared for a wide readership, this unique handbook is also copiously illustrated. The volume is dedicated to the memory of Professor Sir Alec Skempton. Various definitions of 'clay' are explored. Clay mineralogy is described, plus the geological formation of clay deposits and their fundamental materials properties. World and British clay deposits are reviewed and explained. New compositional data are provided for clay formations throughout the stratigraphic column. Investigative techniques and interpretation are considered, ranging from site exploration to laboratory assessment of composition and engineering performance. Major civil engineering applications are addressed, including earthworks, earthmoving and specialized roles utilizing clays. Traditional earthen building is included and shown to dominate construction in places. Clay-based construction materials are detailed, including bricks, ceramics and cements. The volume also includes a comprehensive glossary.
'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.
Originally published in 1939, this book contains an assessment of the historical evidence provided by ancient Babylonian cuneiform tablets. The text is accompanied by a number of photographs of the tablets, as well as of important archaeological sites and Babylonian artefacts. Chiera's enthusiasm for his subject is clear, as the text is accessibly written and contains many Babylonian legends and assesses their relationship to biblical texts. This book will be of value to anyone with an interest in Assyriology and the ancient Middle East.
"The catalogue ... is truly excellent and makes an important contribution to the study of Greek Art." --Bryn Mawr Classical Review "An overwhelming volume. The subject matter ... is described in great detail in nine chapters. Essential." --Choice This catalogue documents a major exhibition at the Getty Villa that was the first ever to focus on ancient Athenian terracotta vases made by techniques other than the well-known black- and red-figure styles. The exhibition comprised vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's technique, as well as examples with added clay and gilding, and plastic vases and additions. The Colors of Clay opens with an introductory essay that integrates the diverse themes of the exhibition and sets them within the context of vase making in general; a second essay discusses conservation issues related to several of the techniques. A detailed discussion of the techniques featured in the exhibition precedes each section of the catalogue. More than a hundred vases from museums in the United States and Europe are described in depth.
Ten papers address both empirical and analytical aspects of clay and shale slope instability. Among the topics discussed in detail are: limit equilibrium stability analysis, shear strength of clay and clayey colluvium, use of triaxial test data to evaluate viscoplastic slope movements, numerical modeling of pore pressure distribution in heterogeneous soils, rational analysis of rainfall and landslide movement patterns, the effects of hydrothermal alteration on slope stability, mudrock durability and stability considerations, and regional clay and shale slope stability problems in Italy.
