"In this innovative look at nineteenth-century London, Lynda Nead offers a fresh account of modernity and metropolitan life. Taking a highly interdisciplinary approach, Nead charts the relationship between London's formation into a modern city in the 1860s and the emergence of new ways of producing and consuming visual culture."--BOOK JACKET.
Degrading daliances in dungeons. A lavishly illustrated European import that goes behind the scenes of a nineteenth century London feminist witches' coven. - Face London, in the last third of the 19th century. After bringing death to her mother in childbirth, and shame and suicide to her father due to her illegitimacy, young Lilian Cunnington is shipped off her aunts near Conventry. As it turns out, Lilian's aunts are the leaders of a coven of witches, whose twisted rituals frequently involve their nubile charges in grotesque exhibitions. Soon, Lilian, tapping into both her unsuspectedly powerful psychic abilities and her omnisexual potential, begins to uncover the darker secrets of the coven, and the resultant battle of wills ends in a climactic conflagration. Illustrated by the interationally renowned South American cartoonist F. Solano Lopez (creator of such acclaimed graphic novels as Deep City and Ana), Young Witches is a tale of magic and power, of sex and sadism, of witches and mutants - a supernatural thriller that will scare you and arouse you at the same time. pages of sizzling, explicit sex action created especially for this edition!
Note biographique : Eva Cancik-Kirschbaum, Freie Universität Berlin; Joachim Marzahn, Vorderasiatisches Museum, Berlin;Margarete van Ess, Deutsches Archäologisches Institut, Orient-Abteilung, Berlin
Babylon: for eons its very name has been a byword for luxury and wickedness. 'By the rivers of Babylon we sat down and wept', wrote the psalmist, 'as we remembered Zion'. One of the greatest cities of the ancient world, Babylon has been eclipsed by its own sinful reputation. For two thousand years the real, physical metropolis lay buried while another, ghostly city lived on, engorged on accounts of its own destruction. More recently the site of Babylon has been the centre of major excavation: yet the spectacular results of this work have done little displace the many other fascinating ways in which the city has endured and reinvented itself in culture. Saddam Hussein, for one, notoriously exploited the Babylonian myth to associate himself and his regime with its glorious past. Why has Babylon so creatively fired the human imagination, with results both good and ill? Why has it been so enthralling to so many, and for so long? In exploring answers, Michael Seymour' s book ranges extensively over space and time and embraces art, archaeology, history and literature. From Hammurabi and Nebuchadnezzar, via Strabo and Diodorus, to the Book of Revelation, Brueghel, Rembrandt, Voltaire, William Blake and modern interpreters like Umberto Eco, Italo Calvino and Gore Vidal, the author brings to light a carnival of disparate sources dominated by the powerful and intoxicating idea of depravity. Yet captivating as this dark mythology was and has continued to be, at its root lies a remarkable and sophisticated imperial civilization whose complex state-building, law- making and religion dominated Mesopotamia and beyond for millennia, before its incorporation into the still wider empire of the Achaemenid kings.
Lilian and Agatha thought they'd been through the worst kind of hell humans could imagine. They were wrong. Presenting the most eagerly awaited sequel in the history of erotic graphic literature.
Ever since the archaeological rediscovery of the Ancient Near East, generations of scholars have attempted to reconstruct the "real Babylon,” known to us before from the evocative biblical account of the Tower of Babel. After two centuries of excavations and scholarship, Mario Liverani provides an insightful overview of modern, Western approaches, theories, and accounts of the ancient Near Eastern city.
To read Revelation for meaning today we need to recognize and accept that the Christian community itself has often become the wearer of Babylon's Cap of oppression. This is a reading of Revelation that seeks to hear the voices of postcolonial pain, while never pretending to be a postcolonial analysis.
The enemy is among us, waging a war of world political domination against us. We must fight to strike it at its core, or else we will be in serious trouble. The Demystify Sin spiritual manual series deals with a simple brand of truth that exposes the deep darkness and equips us to overcome it in our objective reality. It discusses practical techniques to help us stand on our feet spiritually. This volume explores spiritual dynamics leading to a clear and potentially grave destination as predefined in the Word of God. It serves as the Spirit of God shining the light of the Word into the darkness, revealing the enemy at work, and it offers ways to defend ourselves against that enemy. God has called and appointed author Ola Faseku to undermine and expose the darkness, and Jesus Christ gave him wisdom, revelation, knowledge, and understanding of scriptures and the times, which he shares as truth without fear. This spiritual guide tells how we will deal with the antichrist and his war that is in progress; how we will contain and dismantle Babylon: satan’s kingdom of darkness on earth.
How was the ancient Middle East—including Egypt, Babylonia, and Persia— imagined and employed for artistic, scholarly, and political purposes in Europe, the Caribbean, and Latin America, circa 1600–1800 ?
Technology is changing money: it has been transformed from physical objects to intangible information. With the arrival of smart cards, mobile phones and Bitcoin it has become easier than ever to create new forms of money. Crucially, money is also inextricably connected with our identities. Your card or phone is a security device that can identify you – and link information about you to your money. To see where these developments might be taking us, David Birch looks back over the history of money, spanning thousands of years. He sees in the past, both recent and ancient, evidence for several possible futures. Looking further back to a world before cash and central banks, there were multiple ‘currencies’ operating at the level of communities, and the use of barter for transactions. Perhaps technology will take us back to the future, a future that began back in 1971, when money became a claim backed by reputation rather than by physical commodities of any kind. Since then, money has been bits. The author shows that these phenomena are not only possible in the future, but already upon us. We may well want to make transactions in Tesco points, Air Miles, Manchester United pounds, Microsoft dollars, Islamic e-gold or Cornish e-tin. The use of cash is already in decline, and is certain to vanish from polite society. The newest technologies will take money back to its origins: a substitute for memory, a record of mutual debt obligations within multiple overlapping communities. This time though, money will be smart. It will be money that reflects the values of the communities that produced it. Future money will know where it has been, who has been using it and what they have been using it for.