The first-ever chronological survey of the greatest examples of log houses designed in Europe and the United States includes photographs, plans, and little-known drawings from such celebrated Modern-era architects as Eliel Saarinen, Adolf Loos, Le Corbusier, Richard Neutra, and others.
Master of the cut and paste art technique, Giles Laroche takes readers on a storytelling journey around the world that celebrates the diversity of homes and the people who are shaped by them. Step into unique homes from around the world and discover the many fascinating ways in which people live and have lived. If you lived in the mountains of southern Spain, your bedroom might be carved out of a mountain. If you lived in a village in South Africa, the outside of your house might tell the story of your family. And if you lived in a floating green house in the Netherlands, you could rotate your house to watch both the sunrise and sunset. With intricate bas-relief collages, Giles Laroche uncovers the reason why each home was constructed the way in which it was, then lets us imagine what it would be like to live in homes so different from our own. Showing the tremendous variety of dwellings worldwide—log cabins, houses on stilts, cave dwellings, boathouses, and yurts—this book addresses why each house is build the way that it is. Reasons—such as blending into the landscape, confusing invaders, being able to travel with one's home, using whatever materials are at hand—are as varied as the homes themselves. List of Houses included: Dogtrot log house, based on dogtrots built in the southern U.S. Chalet, based on chalets built in the Austrian Alps. Pueblo, Taos, New Mexico Connected barn, based on connected barns common in northern New England. Cave dwelling, Guadix, Andalucia, Spain Palafitos (house on stilts), Chiloe Island, Chile Palazzo Dario, Venice, Italy Chateau La Brede, Bordeaux, France Tulou, Hangkeng village, Yongding, China Half-timbered houses, Miltenberg am Main, Germany Greek island village houses, Astipalaia Island, Greece Decorated houses of Ndebele, Pretoria, Transvaal, South Africa Yurt, based on yurts in Mongolia and other parts of central Asia. Airstream trailer, USA Floating house, Middleburg, the Netherlands Tree house, USA
"Waselkov's collection of essays on Native American log cabins in the southeast stems from a session presented for the Southeastern Archaeological Conference (SEAC) in Athens, Georgia. The essays range in focus from Cherokee domestic space to Seminole architecture to the influence of enslaved Africans in the region"--
The idea that 'home' is a special place, a separate place, a place where we can be our true selves, is so obvious to us today that we barely pause to think about it. But, as Judith Flanders shows in this revealing book, 'home' is a relatively new concept. When in 1900 Dorothy assured the citizens of Oz that 'There is no place like home', she was expressing a view that was a culmination of 300 years of economic, physical and emotional change. In The Making of Home, Flanders traces the evolution of the house across northern Europe and America from the sixteenth to the early twentieth century, and paints a striking picture of how the homes we know today differ from homes through history. The transformation of houses into homes, she argues, was not a private matter, but an essential ingredient in the rise of capitalism and the birth of the Industrial Revolution. Without 'home', the modern world as we know it would not exist, and as Flanders charts the development of ordinary household objects - from cutlery, chairs and curtains, to fitted kitchens, plumbing and windows - she also peels back the myths that surround some of our most basic assumptions, including our entire notion of what it is that makes a family. As full of fascinating detail as her previous bestsellers, The Making of Home is also a book teeming with original and provocative ideas.
For generations, children have loved playing with LINCOLN LOGS building sets and discovering just how inventive they can be. The brainchild of John Lloyd Wright (son of the famous architect), these interlocking logs open up endless possibilities for kids: anything a child can dream up, he or she can build. Plus, every time kids place the logs in position, they’re enhancing their manual dexterity. But there is one thing this wonderful plaything has never had: a detailed manual that explains exactly how to create specific projects. Finally, it’s here, complete with an interactive, easy-to-use CD-ROM that lets children (and probably more than a few grownups with fond memories!) go straight to the directions they need. Blueprints lay out every step that goes into constructing a bank, barn, farmhouse, firehouse, frontier tower, multiple cabins, and much more.
Durable, esthetically pleasing, and environmentally friendly. These are just some of the features of a handcrafted Northern European log house. And the dovetail is one of the oldest traditional corner notch types used in their construction--even today, builders recommend this fairly easy technique for long-lasting and fully scribed log houses. This is the second book in the Traditional Finnish Log House series. Inside you'll find detailed instructions on how to make the dovetail notch when building a log home's shell, one log at a time. Whether you're are an experienced builder or a novice to the craft of log building, this book is a great way to get started on your own project. The dovetail notch type is an ancient Scandinavian log house building method developed over centuries by masters of the craft. The only changes have been the preferred tools used--like chainsaws and log scribes--primarily adopted for ease of use and speed. As you'll soon see, it's most important to always make sure each log is properly placed before drawing cut lines. But the real secret of the building technique described in this book is its efficiency--each phase has to be done only once avoiding unnecessary steps. But don't be deceived by this fact, there's still plenty of challenge left when building a traditional wooden house using a dovetail notch.
Explore the beauty, tradition, and stylish renovation of rustic mountain homes across the Southern Appalachians in this gorgeously photographed book. The cool, wooded mountains of the South are dotted with log cabins, each with its own rich history and aesthetic charm. In The Southern Rustic Cabin, photographer Emily Followill captures the rugged beauty and unique personality of thirteen mountain homes located across Tennessee, Georgia, North Carolina, Alabama, and Virginia. The homeowners have lovingly preserved the age-old qualities of their cabins while renovating, revitalizing, and redecorating them to support modern living and reflect their personal style. Alongside her stunning photography of interiors and exteriors, Followill tells the story of how each cabin and owner came together; as the owners changed their cabins, the cabins invariably changed the owners as well.
2015 Reprint of 1945 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. If you want to build your own fireplace, or your own cabin in the woods with its wood-burning fireplaces, this book contains cabin plans and detailed instructions you will need. Written for the novice, it not only tells about cabins and fireplaces and how to build them, but about back garden fireplaces, designs for rustic furniture, out-door cooking menus, gateways, guard-rails and fences. It is filled with philosophy and wisdom on living in the out-of-doors. Meinecke was a well-known master cabin builder and do-it-yourself man. He not only wrote the book, but he printed the original edition himself on a small press in his own home and bound it in craft cloth laced together with stout cord. Still considered a classic work.
American architect Hank Schubart was regarded as a genius for finding the perfect site for a house and for integrating its design into the natural setting, so that his houses appear to be as native to the forest around them as the trees and rocks. Salt Spring Island, one of the Gulf Islands in British Columbia, Canada, offered him a place to create the kind of architecture that responded to its surroundings, and Schubart-designed homes populate the island. Built of wood and glass, suffused with light, and oriented to views, they display characteristic features: random-width cedar siding, exposed beams, rusticated stonework. Over time, Schubart’s homes on Salt Spring Island came to be considered uniquely Gulf Islands homes. This inviting book offers the first introduction to the life and architecture of West Coast modernist Henry A. Schubart, Jr. (1916–1998). While still in his teens, Schubart persuaded Frank Lloyd Wright to accept him as a Taliesin Fellow, and his year’s apprenticeship in the master’s workshop taught him principles of designing in harmony with nature that he explored throughout the rest of his life. Michele Dunkerley traces Schubart’s career from his early practice in San Francisco at the noted firm Wurster, Bernardi & Emmons, to his successful firm with Howard Friedman, to his most lasting professional achievements on Salt Spring Island, where he became the de facto community architect, designing more than 230 residential, commercial, educational, and religious projects. Drawing lessons from his mentors over his decades on the island, he forged an everyday architecture with his mastery of detail and inventiveness. In doing so, he helped define how the island could grow without losing its soul. Color photographs and site plans display Schubart’s remarkable homes and other commissions.