Behind the dirty, cast-iron facades of nineteenth-century loft buildings, an elegant style of life developed during the 1960s and 1970s. This style of life -- of using the city as a consumption mode -- was tied to the presence of artists, whose "happenings," performances, and studio spaces shaped a public perception of the good life at the center of the city.
Lofts, by definition, are former commercial spaces that have been converted for residential use and living/work environments. But lofts, by design, are vast silent expanses, soaring arches, stalwart steel girders, massive beams, and all the powerful drama of a curtain-time stage set. Lofts are a designer's dream. The importance of urban loft design for the architectural and design world is highlighted in this collection of the finest, most dramatic of these transformed spaces. Lofts: New Designs for Urban Living takes you on an intimate tour of residential lofts in the major cities of the world including New York, Los Angeles, Sydney, London, Toronto, Paris, and Tokyo. Projects include work from cutting-edge designers: Roto, Fred Fisher, Peter Anders, Neil Frankel, Briggs/Iacucci, Peter Tow, Kar Ho, Moneo/Brock, Belmont Freeman, Lotek, Brayton & Hughes and more. Complete with informative text, Lofts features full-color photographs, plans, and a valuable resource guide for anyone who has every dreamed of converting a commercial building into a residential loft.
With text covering the history of the phenomenon and giving a description of the architecture and decoration, as well as the lifestyle they offer, this is a collection of panoramic photographs of selected lofts from New York to Milan, London, Peking and Paris.
A groundbreaking look at the transformation of SoHo. American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions under which it evolved into an upper-income, gentrified area. Introducing the idea—still potent in city planning today—that art could be harnessed to drive municipal prosperity, SoHo was the forerunner of gentrified districts in cities nationwide, spawning the notion of the creative class. In The Lofts of SoHo, Aaron Shkuda studies the transition of the district from industrial space to artists’ enclave to affluent residential area, focusing on the legacy of urban renewal in and around SoHo and the growth of artist-led redevelopment. Shkuda explores conflicts between residents and property owners and analyzes the city’s embrace of the once-illegal loft conversion as an urban development strategy. As Shkuda explains, artists eventually lost control of SoHo’s development, but over several decades they nonetheless forced scholars, policymakers, and the general public to take them seriously as critical actors in the twentieth-century American city.
Indianapolis Monthly is the Circle City’s essential chronicle and guide, an indispensable authority on what’s new and what’s news. Through coverage of politics, crime, dining, style, business, sports, and arts and entertainment, each issue offers compelling narrative stories and lively, urbane coverage of Indy’s cultural landscape.
The apartments and lofts featured here highlight the latest architecture and design innovations, with an emphasis on open space and materials such as glass, plastic, steel, and stone. The book explores the joy of living in carefully designed spaces, showcasing a range of styles from modern to traditional. This exciting collection includes innovative and exciting designs sure to inspire and amaze.
Volume contains: (Reynolds Metals Co v Stor-Aid, Inc) (Reynolds Metals Co v Stor-Aid, Inc) (Reynolds Metals Co v Stor-Aid, Inc) (Edward E. Rhatigan v James Allen Curry) (Edward E. Rhatigan v James Allen Curry) (Edward E. Rhatigan v James Allen Curry) (Edward E. Rhatigan v James Allen Curry) (Ppl ex rel. Riverside 95th St. Inc v William Wirt Mills, et al) (Ppl ex rel. Riverside 95th St. Inc v William Wirt Mills, et al) (Ppl ex rel. Riverside 95th St. Inc v William Wirt Mills, et al) (Ppl ex rel. Riverside 95th St. Inc v William Wirt Mills, et al) (Ppl ex rel. Riverside 95th St. Inc v William Wirt Mills, et al) (Ppl ex rel. Riverside 95th St. Inc v William Wirt Mills, et al) (John J. Robinson & James O'Reilly v Joseph A. McNamara et al) (John J. Robinson & James O'Reilly v Joseph A. McNamara et al) (John J. Robinson & James O'Reilly v Joseph A. McNamara et al) (Saul Rosenblatt v G.A..& A. Taxi Inc & Thomas Johnson) (Saul Rosenblatt v G.A..& A. Taxi Inc & Thomas Johnson) (Saul Rosenblatt v G.A..& A. Taxi Inc & Thomas Johnson) (Suzanne Auclert Roth v Simon I. Patino & Albino R. De Patino et al) (Suzanne Auclert Roth v Simon I. Patino & Albino R. De Patino et al) (Suzanne Auclert Roth v Simon I. Patino & Albino R. De Patino et al) (Louis Rubenstein v Philip Morris Dress Manufacturing Co., Inc) (Louis Rubenstein v Philip Morris Dress Manufacturing Co., Inc) (Louis Rubenstein v Philip Morris Dress Manufacturing Co., Inc) (Louis Rubenstein v Philip Morris Dress Manufacturing Co., Inc) (Louis Rubenstein v Philip Morris Dress Manufacturing Co., Inc) (Louis Rubenstein v Philip Morris Dress Manufacturing Co., Inc) (William Rubin v M.S.W. Hotels Inc, David Phillips & Morton S. Wolf) (William Rubin v M.S.W. Hotels Inc, David Phillips & Morton S. Wolf) (William Rubin v M.S.W. Hotels Inc, David Phillips & Morton S. Wolf)
