Author: Rita Mukherjee

Publisher: Cambridge Scholars Publishing

Published: 2009-01-14

Total Pages: 325

ISBN-13: 1443804274

Locality, History, Memory: The Making of the Citizen in South Asia was born out of the need to interrogate the tropes through which place, history and memory underpin notions of citizenship in present Southasia. Time as both time present and time past is framed here in two settings: as privileging both place (material or ideological site) and space. The latter refers to religion, oppression, marginalization and/or dalitisation. Time transcends both site/location and actual physical boundaries. Locality or location is therefore envisioned in terms of both actual place as well as a gateway to a larger space, in terms of a situation where historical memory negotiates the increasingly complex present. Agency and contingency therefore assume a critical importance here. Citizenship, far from being a discrete entity, is found to be multidimensional: it refers to formal status and the legal status of nationality and citizenship authenticated in the passport, but it also refers to rights and privileges; identity and solidarity, religious beliefs and a sense of belonging. Moving away from the role of the state, which has been at the centre of all inquiries on citizenship, we ask here the following questions in Locality, History, Memory: How does our history enforce or dilute the notion of the citizen? How far does memory strengthen or weaken it? What role does features not normally associated with citizenship such as access to natural resources, or ritual, faith and religion play in reinforcing such a status? History in the end is written by the historian and it was easy to map the changing methodologies used by the historians to essay the past but this is becoming increasingly difficult now. Another twist is the shift to hypertext at a popular level echoing what the late E H Carr had once called ‘bringing more and more people into history’. These so called alternative histories or people’s histories are becoming more and more popular because of the point at which we are located in time. Moreover, devices afforded by the new media enable these alternative histories to have an immediacy that the conventional historical format lacked. The collapse of state control over the new media has led to the resurgence of many archaic voices unimaginable just a decade ago.