This is an adaptation of the thirteenth-century zaju play Liu Yi Chuan Shu, which was itself based on an eighth-century fairy tale about a failed examination candidate's encounter with a shepherdess in distress who turns out to be the youngest daughter of the Dragon King of Lake Dongting. The young man's help is rewarded with riches, immortality and marriage to the beautiful princess. It is a wish-fulfillment fantasy written with charm and a certain ironical edge. This adaptation consists of the freely-translated lyrics of the zaju with new, original dialogue, including an on-stage narrator. There is a long introduction with synopses of the Chinese text of the zaju and the original story it was based on. There is also an appendix explaining the use of "padding words" in zaju.
Focusing specifically on the stories of the Han Chinese (the largest ethnic group in China, numbering over a billion people), this collection presents more than 50 tales, both well known and obscure—from Monkeys Fishing the Moon and The Butterfly Lovers to Painted Skin and Dragon Princess. These are stories that will enchant listeners of all ages, while providing a glimpse into Chinese traditions and ways of thought. To further enhance cultural understanding, the tales are supplemented with historical and cultural background, notes on storytelling, crafts and games, recipes, proverbs, color photos, a map, a glossary, and more. In the past decades, the doors between China and the West have been flung open. Explosive economic growth and massive increases in travel and immigration have engendered curiosity and interest in this burgeoning nation. Yet modernization has a dark side too, threatening traditional Chinese culture, including stories and storytelling. This new gathering of stories from a variety of sources, captures the fading storytelling traditions of a vast and diverse country. Focusing specifically on the stories of the Han Chinese (the largest ethnic group in China, numbering over a billion people), the collection presents more than 50 tales, both well known and obscure—from Monkeys Fishing the Moon and The Butterfly Lovers to Dragon Princess and Painted Skin. These are stories that will enchant listeners of all ages, while providing a glimpse into Chinese traditions and ways of thought. Tales are organized into seven sections: Animal Tales; Tales of Magic, Love and Romance; Myths, Legends and Immortals; Moral Stories; How Things Came to Be; and Proverbial Tales. To further enhance cultural understanding, the stories are supplemented with historical and cultural background, notes on storytelling and other folk traditions, recipes, proverbs, color photos, a map, a glossary, and more. All grade levels.
Eight studies examine key features of Chinese visual and material cultures, ranging from tomb design, metalware, ceramic pillows, and bronze mirrors, to printed illustrations, calligraphic rubbings, colophons, and paintings on Buddhist, landscape, and narrative themes. Questions addressed include how artists and artisans made their works, the ways both popular literature and market forces could shape ways of looking, and how practices and imagery spread across regions. The authors connect visual materials to funeral and religious practices, drama, poetry, literati life, travel, and trade, showing ways visual images and practices reflected, adapted to, and reproduced the culture and society around them. Readers will gain a stronger appreciation of the richness of the visual and material cultures of Middle Period China.
A history of Chinese literature from its early beginnings through the end of the Qing dynasty, this recent work from Professor Luo Yuming of China’s Fudan University seeks to provide, by adopting new theoretical perspectives and using updated research, a coherent, panoramic description of the development of Chinese literature and its major characteristics. As one of the very few English translations of such works by Chinese authors it seeks to inform the Western audience of the recent viewpoints and scholarship on the topic from a leading Chinese scholar. It may also provide some grounds of comparison and contrast with equivalent works in the West.
Adopting new theoretical perspectives and using updated research, this book by a leading Chinese scholar seeks to provide a coherent, panoramic description of the development of premodern Chinese literature and its major characteristics.
This anthology features translations of ten seminal plays written during the Yuan dynasty (1279Ð1368), a period considered the golden age of Chinese theater. By turns lyrical and earthy, sentimental and ironic, Yuan drama spans a broad emotional, linguistic, and stylistic range. Combining sung arias with declaimed verses and doggerels, dialogues and mime, and jokes and acrobatic feats, Yuan drama formed a vital part of ChinaÕs culture of performance and entertainment in the thirteenth and fourteenth centuries. To date, few Yuan-dynasty plays have been translated into English. Well-known translators and scholars have supervised the making of this collection and add a short description to each play. A general introduction situates all selections within their cultural and historical contexts.
Zhang Longxi, an internationally renowned scholar of Chinese and comparative literature, is your guide to the three-millennia-long history of Chinese literature from the remote antiquity of oracle bones to contemporary works. Professor Zhang charts the development of the major literary forms in Chinese, including poetry, prose, song lyrics, and plays, and introduces the most famous poets and writers and their representative texts. Taking a period-based approach through the major dynasties, he places these forms, texts, and authors within their historical contexts and tells the fascinating story of Chinese literature with copious examples in English translation. He writes in a clear and accessible style and assumes no prior knowledge of Chinese history or Chinese literature. This book is an ideal introduction for students and the general readers who want to get a broad but thorough overview of Chinese literature in all its richness and diversity.
LITERATURE A WORLD HISTORY An exploration of the history of the world’s literatures and the many varieties of literary expression Literature: A World Historyencompasses all the world’s major literary traditions, emphasizing the interrelationship of local and national cultures over time. Spanning global literature from the beginnings of recorded history to the present day, this expansive four-volume set examines the many varieties of the world’s literatures in their social and intellectual contexts. Its four volumes are devoted to literature before 200 CE, from 200 to 1500, from 1500 to 1800, and from 1800 to 2000, with four dozen contributors providing new insights into the art of literature, and addressing the situation of literature in the world today. Organized throughout in six broad regions—Africa, the Americas, East Asia, Europe, South Asia, Southeast Asia, and Oceania, and West and Central Asia—Literature: A World History offers readers a clear and consistent treatment of diverse forms of literary expression across time and place. Throughout the text, particular emphasis is placed on literary institutions within different regional and linguistic cultures and on the relations between literature and a spectrum of social, political, and religious contexts. Features work by an international panel of leading scholars from around the globe, in Africa, the Middle East, South and East Asia, Australia and New Zealand, Europe, and the United States Provides a balanced overview of national and global literature from all major regions of the world from antiquity to the present Highlights the specificity of regional and local cultures throughout much of literary history, together with cross-cutting essays on topics such as different writing systems, court cultures, and utopias Literature: A World History is an invaluable reference work for undergraduate and graduate students as well as scholars looking for a wide-ranging overview of global literary history.
In traditional China, upper-class literati were inevitably strongly influenced by Confucian doctrine and rarely touched upon such topics as love and women in their writings. It was not until the mid-Tang, a generation or two after the An Lushan rebellion, that literary circles began to engage in overt discussion of the issues of love and women, through the use of the newly emerging genres of zhiguai and chuanqi fiction. The debate was carried out with an unprecedented enthusiasm, since the topics were considered to be the key to understanding the crisis in Chinese civilization. This book examines the repertoire of chuanqi and zhiguai written during the Six Dynasties and Tang periods and analyzes the key themes, topics, and approaches found in these tales, which range from expressions of male fantasy, sympathy, fear, and anxiety, to philosophical debate on the place of the feminine in patriarchal Chinese society. Many of these stories reflect tensions between masculine and feminine aspects of civilization as seen, for example, in the conflict of male aspiration and female desire, as well as the ultimate longing for reconciliation of these divisions. These stories form a crucial chapter in the history of love in China and would provide much of the foundation for further explorations during the late imperial period, as seen in seminal works such as The Peony Pavilion and Dream of the Red Chamber.
