After a terrorist attack leaves the citizens of Metro City reeling, an enigmatic stranger emerges from the wake of the destruction to wage war on local crime lord Robert Latham. In the midst of this, Max Horton, The Wraith's right-hand man, vanishes without a trace. Searching for Max, and for those responsible for the devastation, The Wraith sets out for answers and is sent into a whirlwind of mystery that hits him closer to home than ever before. It's up to the Dread Avenger of the Underworld to stop this new menace before Latham and Metro City pay the ultimate price.
"Men, Women, and Ghosts" is a short story collection by Elizabeth Phelps that deals with primarily the supernatural but also a whole host of topics never publicly addressed at the time. Apart from a few stories such as ‘The Day of My Death’, the ghosts here aren’t the stereotypical clanking chains and wailing type, they’re beleaguered, frustrated souls who have suffered great hardship. "One of the Elect" reads like a changeling story, but gradually becomes a tale dealing with sentimentality and the pains of prostitution. One of the strongest tales is ‘Kentucky’s Ghost’, an old sailors tale of bullying and revenge at sea combined with a compelling and gripping narrative. Elizabeth Stuarts Phelps Ward (1844-1911) was one of the first feminist, American writers of the 19th century who vehemently opposed the traditional view of women in society. Much of her views are expressed in her novels, targeting the oppressive contemporary view of marriage and the family unit. Even her marriage to Herbert Ward, a journalist seventeen years her junior, was another act of rebellion against the status-quo. Her novels are primarily focused on the topics of religion and equality, mixing spiritualist themes with poignant social issues. She was a prolific author of more than 50 volumes of fiction, essays, and poetry. Phelps’ most popular works include "The Gates Ajar", "Trixy", "Men, Women, and Ghosts", and "The Silent Partner".
Inside and outside marriage, what happens to the woman betrayed? How do abandoned wives or lovers feel? What happens when the battle between the sexes becomes a triangle? The plots in this collection of eighteen stories written between the 1840s and 1980s are infinitely variable, and the outcomes will enrage, shock, amuse, and sometimes hearten. In some stories, women forge links with other women in solidarity. In others, women fight for their men and win. In many stories, the betrayal ultimately enriches the central character, who learns through the loss of her man the value of her own life.
Our Square and the People in It is a collection of short stories by Samuel Hopkins Adams. Adams was best known for his investigative and reformative journalism. Contents: The Chair That Whispered Maclachan Of Our Square The Great 'Peacemaker Orpheus A Tale Of White Magic In Our Square The Meanest Man In Our Square Paula Of The Housetop The Little Red 'Doctor Of Our Square
But, as I was going to say, when I started to talk about '41, --to tell the truth, Johnny, I'm always a long while coming to it, I believe. I'm getting to be an old man, --a little of a coward, maybe, and sometimes, when I sit alone here nights, and think it over, it's just like the toothache, Johnny. As I was saying, if she had cut that wick straight, I do believe it wouldn't have happened, --though it isn't that I mean to lay the blame on her now.
Magic awakens in Early America. The Red Wraith is born.Cast into exile by his tribe for being spawn of human and spirit, Naysin is lost in a world of change as pale men from the sea arrive to plunder the riches of the New World. Guided only by the devious facets of his spirit father, Naysin has no choice but to master his powers to survive the destruction of his people. But the nature of those talents is both light and dark.And so the legend of the Red Wraith begins.On the island of Bimshire, Naysin inspires a slave rebellion before abandoning it; near his former home, he marches European settlers to their deaths; and in the forests of Edgeland, he ends a battle by massacring both sides. Such acts cause much of the New World to see him as an indigenous monster who delights in butchering white innocents. The infamy is well-earned, but when Naysin encounters a group of fellow magic-users, he realizes he may yet have a chance to set things right.He just has to conquer the only thing that ensures his survival: the dual facets of his father.
