Little Alabama Coon

Little Alabama Coon

Author: Hattie Starr

Publisher:

Published: 1893

Total Pages: 10

ISBN-13:

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Song in stereotypical dialect of a Black baby telling of the lullaby his mother sang to him.


Little Homespun

Little Homespun

Author: Ruth Ogden

Publisher: Good Press

Published: 2023-11-01

Total Pages: 100

ISBN-13:

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"Little Homespun" by Ruth Ogden. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.


All Coons Look Alike to Me

All Coons Look Alike to Me

Author: Ernest Hogan

Publisher:

Published: 1896

Total Pages: 8

ISBN-13:

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Comic song of a man's complaints that his girlfriend left him for another man, in dialect.


American Negro Folk-songs

American Negro Folk-songs

Author: Newman Ivey White

Publisher:

Published: 1928

Total Pages: 520

ISBN-13:

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While his father works in the city over the winter, a young boy thinks of some good times they've shared and looks forward to his return to their South African home in the spring.


The Frank C. Brown Collection of NC Folklore

The Frank C. Brown Collection of NC Folklore

Author: Newman Ivey White

Publisher: Duke University Press

Published: 2013-07-23

Total Pages: 688

ISBN-13: 0822382857

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Frank C. Brown organized the North Carolina Folklore Society in 1913. Both Dr. Brown and the Society collected stores from individuals—Brown through his classes at Duke University and through his summer expeditions in the North Carolina mountains, and the Society by interviewing its members—and also levied on the previous collections made by friends and members of the Society. The result was a large mass of texts and notes assembled over a period of nearly forty years and covering every aspect of local tradition.


Living Racism

Living Racism

Author: Theresa Rajack-Talley

Publisher: Lexington Books

Published: 2017-12-15

Total Pages: 223

ISBN-13: 1498544320

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Living Racism is based on the premise that race and racism are well-entrenched elements of US society. The contributors of this volume argue that race and racism are more than mere concepts; instead, they see and treat these as part of the fabric that constitutes and organizes everyday life. Consequently, race and racism are maintained through structures such as social institutions (e.g., schools, criminal justice system, media, etc.) and are carried by individual actors through racial ideologies and a racial etiquette (beliefs, practices, traditions, and customs) that inform how people relate to and interact with one another (or not). As expressed throughout this book, the notion of living racism is twofold. On the one hand, living racism denotes the ways in which racism is embodied and active, much like a living organism. On the other hand, living racism connects with the ways that people must navigate racism in their individual and collective lives.


Black Like You

Black Like You

Author: John Strausbaugh

Publisher: Penguin

Published: 2007-08-16

Total Pages: 388

ISBN-13: 9781585425938

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A refreshingly clearheaded and taboo-breaking look at race relations reveals that American culture is neither Black nor White nor Other, but a mix-a mongrel. Black Like You is an erudite and entertaining exploration of race relations in American popular culture. Particularly compelling is Strausbaugh's eagerness to tackle blackface-a strange, often scandalous, and now taboo entertainment. Although blackface performance came to be denounced as purely racist mockery, and shamefacedly erased from most modern accounts of American cultural history, Black Like You shows that the impact of blackface on American culture was deep and long-lasting. Its influence can be seen in rock and hiphop; in vaudeville, Broadway, and gay drag performances; in Mark Twain and "gangsta lit"; in the earliest filmstrips and the 2004 movie White Chicks; on radio and television; in advertising and product marketing; and even in the way Americans speak. Strausbaugh enlivens themes that are rarely discussed in public, let alone with such candor and vision: - American culture neither conforms to knee-jerk racism nor to knee-jerk political correctness. It is neither Black nor White nor Other, but a mix-a mongrel. - No history is best forgotten, however uncomfortable it may be to remember. The power of blackface to engender mortification and rage in Americans to this day is reason enough to examine what it tells us about our culture and ourselves. - Blackface is still alive. Its impact and descendants-including Black performers in "whiteface"-can be seen all around us today.