Read and Download eBook Full
Author: Julie Grossman
Publisher: Springer
Published: 2015-09-01
Total Pages: 239
ISBN-13: 1137399023
DOWNLOAD EBOOKThis book posits adaptations as 'hideous progeny,' Mary Shelley's term for her novel, Frankenstein . Like Shelley's novel and her fictional Creature, adaptations that may first be seen as monstrous in fact compel us to shift our perspective on known literary or film works and the cultures that gave rise to them.
Author: Julie Grossman
Publisher: Springer
Published: 2015-09-01
Total Pages: 225
ISBN-13: 1137399023
DOWNLOAD EBOOKThis book posits adaptations as 'hideous progeny,' Mary Shelley's term for her novel, Frankenstein . Like Shelley's novel and her fictional Creature, adaptations that may first be seen as monstrous in fact compel us to shift our perspective on known literary or film works and the cultures that gave rise to them.
Author: Angela M. Smith
Publisher:
Published: 2011
Total Pages: 336
ISBN-13: 9786613792150
DOWNLOAD EBOOKTwisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted such traits as symptoms of sexual repression, or as metaphors for other kinds of marginalized identities, but Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. Presenting an altogether different reading, she finds in the narrative and spectacle of classic 1930s horror a fascination with eugenics and physical and
Author: Julie Grossman
Publisher: Springer Nature
Published: 2023-01-30
Total Pages: 287
ISBN-13: 3031121805
DOWNLOAD EBOOKThis edited collection is the first book-length critical study of the Showtime-Sky Atlantic television series Penny Dreadful (2014-2016), which also includes an analysis of Showtime’s 2020 spin-off City of Angels. Chapters examine the status of the series as a work of twenty-first-century cable television, contemporary Gothic-horror, and intermedial adaptation, spanning sources as diverse as eighteenth and nineteenth-century British fiction and poetry, American dime novels, theatrical performance, Hollywood movies, and fan practices. Featuring iconic monsters such as Dr. Frankenstein and his Creature, the “bride” of Frankenstein, Dracula, the werewolf, Dorian Gray, and Dr. Jekyll, Penny Dreadful is a mash-up of familiar texts and new Gothic figures such as spiritualist Vanessa Ives, played by the magnetic Eva Green. As a recent example of adapting multiple sources in different media, Penny Dreadful has as much to say about the Romantic and Victorian eras as it does about our present-day fascination with screen monsters. Hear the authors talk about the collection here: https://nrftsjournal.org/monsters-all-are-we-not-an-interview-with-julie-grossman-and-will-scheibel/
Author: Krishanu Maiti
Publisher: Springer Nature
Published: 2021-09-11
Total Pages: 192
ISBN-13: 3030761592
DOWNLOAD EBOOKThis book offers Posthumanist readings of animal-centric literary and cultural texts. The contributors put the precepts and premises of humanism into question by seriously considering the animal presence in texts. The essays collected here focus primarily on literary and cultural texts from varied theoretically informed interdisciplinary perspectives advanced by critical approaches such as Critical Animal Studies and Posthumanism. Contributors select texts that cut across geographical and period boundaries and demonstrate how practices of close reading give rise to new ways of thinking about animals. By implicating the “animal turn” in the field of literary and cultural studies, this book urges us to problematize the separation of the human from other animals and rethink the hierarchical order of beings through close readings of select texts. It offers fresh perspectives on Posthumanist theory, inviting readers to revisit those criteria that created species’ difference from the early ages of human civilization. This book constitutes a rich and thorough scholarly resource on the politics of representation of animals in literature and culture. The essays in this book are empirically and theoretically informed and explore a range of dynamic, captivating, and highly relevant topics. Comprising over 15 chapters by a team of international contributors, this book is divided into four parts: Contestation over Species Hierarchy and CategorizationAnimal (Re)constructionsInterspecies RelationalitiesIntersectionality- Animal and Gender This book will be essential reading for students and researchers of Critical Animal Studies and Environmental Studies.
Author: Thomas Leitch
Publisher: Bloomsbury Publishing USA
Published: 2019-06-13
Total Pages: 465
ISBN-13: 1628923717
DOWNLOAD EBOOKFrom William Dickson's Rip Van Winkle films (1896) to Baz Luhrmann's big-budget production of The Great Gatsby (2013) and beyond, cinematic adaptations of American literature participate in a rich and fascinating history. Unlike previous studies of American literature and film, which emphasize particular authors like Edith Wharton and Nathaniel Hawthorne, particular texts like Moby-Dick, particular literary periods like the American Renaissance, or particular genres like the novel, this volume considers the multiple functions of filmed American literature as a cinematic genre in its own right-one that reflects the specific political and aesthetic priorities of different national and historical cinemas even as it plays a decisive role in defining American literature for a global audience.
Author: Charlene Regester
Publisher: Univ. Press of Mississippi
Published: 2023-12-15
Total Pages: 191
ISBN-13: 1496848861
DOWNLOAD EBOOKContributions by Cynthia Baron, Elizabeth Binggeli, Kimberly Nichele Brown, Priscilla Layne, Eric Pierson, Charlene Regester, Ellen C. Scott, Tanya L. Shields, and Judith E. Smith Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions. Several chapters analyze how self-censorship and industry censorship affect Black writing and the adaptations of Black stories in early to mid-twentieth-century America. Using archival material, contributors demonstrate the ways commercial obstacles have led Black writers and white-dominated studios to mask Black experiences. Other chapters document instances in which Black writers and directors navigate cultural norms and material realities to realize their visions in literary works, independent films, and studio productions. Through uncovering patterns in Black film adaptations, Intersecting Aesthetics reveals themes, aesthetic strategies, and cultural dynamics that rightfully belong to accounts of film adaptation. The volume considers travelogue and autobiography sources along with the fiction of Black authors H. G. de Lisser, Richard Wright, Ann Petry, Frank Yerby, and Walter Mosley. Contributors examine independent films The Love Wanga (1936) and The Devil’s Daughter (1939); Melvin Van Peebles's first feature, The Story of a Three Day Pass (1967); and the Senegalese film Karmen Geï (2001). They also explore studio-era films In This Our Life (1942), The Foxes of Harrow (1947), Lydia Bailey (1952), The Golden Hawk (1952), and The Saracen Blade (1954) and post-studio films The Learning Tree (1969), Shaft (1971), Lady Sings the Blues (1972), and Devil in a Blue Dress (1995).
Author: Lissette Lopez Szwydky
Publisher: Springer Nature
Published: 2023-01-19
Total Pages: 312
ISBN-13: 3031095960
DOWNLOAD EBOOKAdaptation Before Cinema highlights a range of pre-cinematic media forms, including theater, novelization, painting and illustration, transmedia art, children’s media, and other literary and visual culture. The book expands the primary scholarly audience of adaptation studies from film and media scholars to literary scholars and cultural critics working across a range of historical periods, genres, forms, and media. In doing so, it underscores the creative diversity of cultural adaptation practiced before cinema came to dominate the critical conversation on adaptation. Collectively, the chapters construct critical bridges between literary history and contemporary media studies, foregrounding diverse practices of adaptation and providing a platform for innovative critical approaches to adaptation, appropriation, or transmedia storytelling popular from the Middle Ages through the invention of cinema. At the same time, they illustrate how these forms of adaptation not only influenced the cinematic adaptation industry of the twentieth century but also continue to inform adaptation practices in the twenty-first century transmedia landscape. Written by scholars with expertise in historical, literary, and cultural scholarship ranging from the medieval period through the nineteenth century, the chapters use discourses developed in contemporary adaptation studies to shed new lights on their respective historical fields, authors, and art forms.
Author: Kristin Hole
Publisher: Taylor & Francis
Published: 2016-11-10
Total Pages: 513
ISBN-13: 1317408055
DOWNLOAD EBOOKComprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. A special focus is on women directors in a global context that includes films and filmmakers from Asia, Africa, Australia, Europe, North and South America. The collection also offers a solid overview of feminist contributions to thinking on genre from the "chick flick" to the action or Western film, to film noir and the slasher. Readers will find contributions on a variety of approaches to spectatorship, reception studies and fandom, as well as transnational approaches to star studies and essays addressing the relationship between feminist film theory and new media. Other topics include queer and trans* cinema, eco-cinema and the post-human. Finally, readers interested in the history of film will find essays addressing the methodological dimensions of feminist film history, essays on silent and studio era women in film, and histories of female filmmakers in a variety of non-Western contexts.
Author: Wieland Schwanebeck
Publisher: Routledge
Published: 2020-01-06
Total Pages: 248
ISBN-13: 1000032736
DOWNLOAD EBOOKUnlike previous efforts that have only addressed literary twinship as a footnote to the doppelganger motif, this book makes a case for the complexity of literary twinship across the literary spectrum. Shortlisted for the ESSE Book Award 2022 (Literatures in the English Language), it shows how twins have been instrumental to the formation of comedies of mistaken identity, the detective genre, and dystopian science fiction. The individual chapters trace the development of the category of twinship over time, demonstrating how the twin was repeatedly (re-)invented as a cultural and pathological type when other discursive fields constituted themselves, and how its literary treatment served as the battleground for ideological disputes: by setting the stage for debates regarding kinship and reproduction, or by partaking in discussions of criminality, eugenic greatness, and ‘monstrous births’. The book addresses nearly 100 primary texts, including works of Mary Elizabeth Braddon, Wilkie Collins, Charles Dickens, Arthur Conan Doyle, Aldous Huxley, Christopher Priest, William Shakespeare, and Zadie Smith.
