...y no se lo trago la tierra / ...And the Earth Did Not Devour Him
...y no se lo trago la tierra / ...And the Earth Did Not Devour Him

Author: Tomàs Rivera

Publisher: Arte Publico Press

Published: 2015-09-30

Total Pages: 164

ISBN-13: 9781611923391

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ñI tell you, God could care less about the poor. Tell me, why must we live here like this? What have we done to deserve this? YouÍre so good and yet you suffer so much,î a young boy tells his mother in Tomàs RiveraÍs classic novel about the migrant worker experience. Outside the chicken coop that is their home, his father wails in pain from the unbearable cramps brought on by sunstroke after working in the hot fields. The young boy canÍt understand his parentsÍ faith in a god that would impose such horrible suffering, poverty and injustice on innocent people. Adapted into the award-winning film ƒand the earth did not swallow him and recipient of the first award for Chicano literature, the Premio Quinto Sol, in 1970, RiveraÍs masterpiece recounts the experiences of a Mexican-American community through the eyes of a young boy. Forced to leave their home in search of work, the migrants are exploited by farmers, shopkeepers, even other Mexican Americans, and the boy must forge his identity in the face of exploitation, death and disease, constant moving and conflicts with school officials. In this new edition of a powerful novel comprised of short vignettes, Rivera writes hauntingly about alienation, love and betrayal, man and nature, death and resurrection and the search for community.

Texto y vida
Texto y vida

Author: Barbara L. Mujica

Publisher: Harcourt Brace College Publishers

Published: 1992-01

Total Pages: 698

ISBN-13: 9780030262371

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A Companion to Spanish American Modernismo
A Companion to Spanish American Modernismo

Author: Aníbal González

Publisher: Boydell & Brewer

Published: 2007

Total Pages: 158

ISBN-13: 1855661454

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Modernismo, a literary movement of fundamental importance to Spanish America and Spain, occurred at the turn of the nineteenth century, roughly from the 1880s to the 1920s. It is widely regarded as the first Spanish-language literary movement that originated in the New World and that became influential in the "Mother Country," Spain. Characterized by the appropriation of French Symbolist aesthetics into Spanish-language literature, modernismo's other significant traits were its cultural cosmopolitanism, its philological concern with language, literary history, and literary technique, and its journalistic penchant for novelty and fashion. Despite the splendor of modernista poetry, modernismo is now understood as a broad movement whose impact was felt just as strongly in the prose genres: the short story, the novel, the essay, and the journalistic cr©đnica [chronicle]. Conceived as an introduction to modernismo as well as an account of the current state of the art of modernismo studies, this book examines the movement's contribution to the various Spanish American literary genres, its main authors [from Mart©Ư and N©Łjera to Dar©Ưo and Rod©đ], its social and historical context, and its continuing relevance to the work of contemporary Spanish American authors such as Gabriel Garc©Ưa M©Łrquez, Sergio Ram©Ưrez, aargas Llosa. AN©‍BAL GONZ©ĩLEZ-P©œREZ is Professor of Modern Latin American Literature at Yale University.

Literatura Hispanoamericana
Literatura Hispanoamericana

Author: David W. Foster

Publisher: Routledge

Published: 2014-05-22

Total Pages: 1216

ISBN-13: 1317716787

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This Spanish-language anthology contains selections by 45 Latin-American authors. It is intended as a text for upper division Latin American literature survey courses. The anthology presumes a high level of linguistic command of Spanish, and it contains footnotes to allusions and cultural references, as well as words and phrases not found in standard bilingual dictionaries used in the US. Emphasis is on major 20th-century writers, while important works from colonial and 19th-century literature as also included. The diverse selections of Literature Hispanoamericana will enable students to have a more sustained exposure to major voices of Latin American literature than possible in anthologies built around fragments. By focusing on fewer authors but more significant selections from their writings, students will have a greater grasp of major canonical figures as well as emergent voices.

The Cambridge History of Latin American Literature
The Cambridge History of Latin American Literature

Author: Roberto Gonzalez Echevarría

Publisher: Cambridge University Press

Published: 1996-09-19

Total Pages: 896

ISBN-13: 9780521410359

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The Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 3 is devoted partly to the history of Brazilian literature, from the earliest writing through the colonial period and the Portuguese-language traditions of the nineteenth and twentieth centuries; and partly also to an extensive bibliographical section in which annotated reading lists relating to the chapters in all three volumes of The Cambridge History of Latin American Literature are presented. These bibliographies are a unique feature of the History, further enhancing its immense value as a reference work.

In(ter)ventions of the Self
In(ter)ventions of the Self

Author: Sergio R. Franco

Publisher:

Published: 2021

Total Pages:

ISBN-13: 9781621965565

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"In(ter)ventions of the Self incorporates close readings of the analyzed autobiographical texts of five canonical writers (three of whom are Nobel Prize winners) who have been previously unexplored. This book's novelty and innovation lies in its examination of a corpus that has never before been systematically studied, and includes thorough examination of five canonical authors, Gabriel García Márquez, Margo Glantz, Pablo Neruda, Severo Sarduy and Mario Vargas Llosa, three of which are Nobel Laureates. In(ter)ventions of the Self focuses on the examination of notions of subjectivity, identity, truth, verisimilitude, race, gender, ideology, image, memory, body and eroticism as they are represented in the symbolic space of the autobiographical discourse. The text strives to capture the characteristic traits of these authors' self-representation during the period that begins with the 1974 publication of Pablo Neruda's Confieso que he vivido, and extends to 2002, year in which García Márquez's Vivir para contarla appears in print. These dates correspond both to the increase in the production of autobiographical texts in Spanish America as well as to the shift from a modern to a postmodern sensibility. In other words, this book examines the Spanish American autobiographical discourse in terms of the invalidation or problematization of the great metanarratives of progress and liberation, the debilitation of the political, the emergence of marginal and marginalized subjectivities, an increased ecological consciousness, the climax of a social trend towards the visual and the spatial, as well as the vindication of intimism and the value of sensitivity and everyday socialities. The primary audience for this book are literary scholars and graduate students specializing in the canonical authors studied. Secondary audiences include specialists in autobiographies and memoirs, and historians, and cultural critics studying contemporary Latin America"--

How to Travel without Seeing: Dispatches from the New Latin America
How to Travel without Seeing: Dispatches from the New Latin America

Author: Andrés Neuman

Publisher: Restless Books

Published: 2016-08-30

Total Pages: 288

ISBN-13: 163206068X

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A kaleidoscopic, fast-paced tour of Latin America from one of the Spanish-speaking world’s most outstanding writers. Lamenting not having more time to get to know each of the nineteen countries he visits after winning the prestigious Premio Alfaguara, Andrés Neuman begins to suspect that world travel consists mostly of “not seeing.” But then he realizes that the fleeting nature of his trip provides him with a unique opportunity: touring and comparing every country of Latin America in a single stroke. Neuman writes on the move, generating a kinetic work that is at once puckish and poetic, aphoristic and brimming with curiosity. Even so-called non-places—airports, hotels, taxis—are turned into powerful symbols full of meaning. A dual Argentine-Spanish citizen, he incisively explores cultural identity and nationality, immigration and globalization, history and language, and turbulent current events. Above all, Neuman investigates the artistic lifeblood of Latin America, tackling with gusto not only literary heavyweights such as Bolaño, Vargas Llosa, Lorca, and Galeano, but also an emerging generation of authors and filmmakers whose impact is now making ripples worldwide. Eye-opening and charmingly offbeat, How to Travel without Seeing: Dispatches from the New Latin America is essential reading for anyone interested in the past, present, and future of the Americas.