This collection of research articles deals with various problems of Sanskrit literature, ancient Indian history, art and architecture. Section I deals with problems presented by several Sanskrit works, namely the lower limit of the date of the original Harivamsa, Kalapriyanatha mentioned in Bhavabhuti`s plays the identification of the date of Dhananjaya the author of the Dvisandhana Kavya and the Namamala and the fixation of his date the historical background of Rajasekhara`s Viddhasalabhanjika etc. It gives also for the first time a detailed account for Soddhala`s Udayasundarikatha.
He has presented more than a dozen papers at academic conferences in North America, Europe, and South Asia, including Harvard University, Humboldt University, Heidelberg University's South Asia Institute, and the Max Mueller Bhavan in New Delhi, India.
The Book Is A Compilation Of Seminar Papers In Which Scholars Of India As Well As Abroad Have Discussed At Length The State Of Indology In The Past, Present And Future. Indology Which Has A History Of A Little Over Two Hundred Years, Started And Nurtured In The West. It Arrived In India Along With A Few Other Imported Ideologies With The Package Of Modern Higher Education During The Pre-Independence Period. Since Then, A New Current Of Indigenous Indology Joined The Main Current. Some Papers Of The Volume Dealt With The Fundamental Theme Of Indology And Some Devoted To The Status Reports On Indology In Diferent Countries Such As Usa, Brazil, Russia, Poland, China And Australia. The Topics Selected For The Seminar Offered A Wide Range Of Problems Based On Indology Which Is Not Embracing All Aspects Of Indian Culture. This Collection Will Enable Researchers Of India And West To Work Together Rather Than Against Each Other.
The present work comprises twenty-research papers of experienced scholars of Indology which throw lights on various aspects of Indological research in general and Sanskrit research in particular. this is useful for researchers who want to enrich this important field of knowledge by taking right step for its qualitative and quantitative growth
This volume maps the breadth and domain of genre literature in India across seven languages (Tamil, Urdu, Bangla, Hindi, Odia, Marathi and English) and nine genres for the first time. Over the last few decades, detective/crime fiction and especially science fiction/fantasy have slowly made their way into university curricula and consideration by literary critics in India and the West. However, there has been no substantial study of genre fiction in the Indian languages, least of all from a comparative perspective. This volume, with contributions from leading national and international scholars, addresses this lacuna in critical scholarship and provides an overview of diverse genre fictions. Using methods from literary analysis, book history and Indian aesthetic theories, the volume throws light on the variety of contexts in which genre literature is read, activated and used, from political debates surrounding national and regional identities to caste and class conflicts. It shows that Indian genre fiction (including pulp fiction, comics and graphic novels) transmutes across languages, time periods, in translation and through publication processes. While the book focuses on contemporary postcolonial genre literature production, it also draws connections to individual, centuries-long literary traditions of genre literature in the Indian subcontinent. Further, it traces contested hierarchies within these languages as well as current trends in genre fiction criticism. Lucid and comprehensive, this book will be of great interest to academics, students, practitioners, literary critics and historians in the fields of postcolonialism, genre studies, global genre fiction, media and popular culture, South Asian literature, Indian literature, detective fiction, science fiction, romance, crime fiction, horror, mythology, graphic novels, comparative literature and South Asian studies. It will also appeal to the informed general reader.
The Nay Science offers a new perspective on the problem of scientific method in the human sciences. Taking German Indological scholarship on the Mahabharata and the Bhagavadgita as their example, Adluri and Bagchee develop a critique of the modern valorization of method over truth in the humanities. The authors show how, from its origins in eighteenth-century Neo-Protestantism onwards, the critical method was used as a way of making theological claims against rival philosophical and/or religious traditions. Via discussions of German Romanticism, the pantheism controversy, scientific positivism, and empiricism, they show how theological concerns dominated German scholarship on the Indian texts. Indology functions as a test case for wider concerns: the rise of historicism, the displacement of philosophical concerns from thinking, and the belief in the ability of a technical method to produce truth. Based on the historical evidence of the first part of the book, Adluri and Bagchee make a case in the second part for going beyond both the critical pretensions of modern academic scholarship and the objections of its post-structuralist or post-Orientalist critics. By contrasting German Indology with Plato's concern for virtue and Gandhi's focus on praxis, the authors argue for a conception of the humanities as a dialogue between the ancients and moderns and between eastern and western cultures.
South Asian Texts in History charts the contours of a reenvisioned and revitalized field of Indology in the light of the groundbreaking research of Sheldon Pollock. One of the many exciting aspects of Pollock's work is its unprecedented combination of classical textual study with cutting edge theoretical and social scientific inquiry--a combination which this book sets out to emulate. Pollock has trained and inspired a new generation of scholars, many of whom have contributed to this volume. The essays are organized into five groups that reflect the major domains of Pollock's immense contributions to the field: the epic Ramayana, Sanskrit literature and literary theory, systematic thought in premodern South Asia, the birth of a new vernacular cultural order in the subcontinent during the second millennium CE, and India's early modernity. Most of the essays concentrate on materials in Sanskrit, but there are also considerable contributions to the history of Hindi, Tamil, and Persian literatures. The book presents for the first time an overview of the groundbreaking contributions of Sheldon Pollock to South Asia scholarship over the past three decades, while offering a set of critiques of key elements of his theories.
The present English translation is based on the original German work written by Professor Winternitz and has been revised in the light of further researches on the subject by different scholars in India and elsewhere. Vol. I relates to Veda (the four Samhitas), Brahmanas, Aranyakas, Upanisads, Vedangas and the Literature of the ritual. The Ramayana and the Mahabharata. Puranic literature and Tantra. Vol. II deals with the Buddhist Literature of India and the Jaina Literature. Vol. III covers Classical Sanskrit Literature comprising ornate Poetry, Drama, Narrative Literature, Grammar, Lexiocography, Philosophy, Dharma-Sastra, Artha-Sastra, Architecture, Music, Kama-Sutra, Ayurveda, Astronomy, Astrology and Mathematics.
In the colonial context of South Asia, there is a glaring asymmetry in the written records of the interaction between the Bengali women and their European counterparts, which is indicative of the larger and the overall asymmetry of discursive power, including the flow and access to information between the colonizers and their subjects. This book explores the idea of gazing through literature in Colonial India. Based on literary and historical analysis, it focuses on four different genres of literary writing where nineteenth-century Bengali women writers look back at the British colonizers. In the process, the European culture becomes a static point of reference, and the chapters in the book show the ideological, social, cultural, political, and deeper, emotional interactions between the colonized and the colonizer. The book also addresses the lack of sufficient primary sources authored by Bengali women on their European counterparts by anthologizing different available genres. Taking into account literary narratives from the colonized and the less represented side of the divide, such as a travelogue, fantasy fiction, missionary text and journal articles, the book represents the varying opinions and perspectives vis-à-vis the European women. Using an interdisciplinary approach charting the fields of Indology, colonial studies, sociology, literature/literary historiography, South-Asian feminism, and cultural studies, this book makes an important contribution to the field of South Asian Studies, studies of empire, and to Indian women’s literary history.
