THE INDIAN LISTENER
THE INDIAN LISTENER

Author: All India Radio (AIR),New Delhi

Publisher: All India Radio (AIR),New Delhi

Published: 1938-12-22

Total Pages: 89

ISBN-13:

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The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-12-1938 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 89 VOLUME NUMBER: Vol. IV, No. 1. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 8-9, 11-25, 27-59, 60-71, 73-81 ARTICLE: 1. The Genius Of Mozart 2. The Wonders Of Wireless (The fourth article of a series for the layman) AUTHOR: 1. J. G. N. Brown 2. Trouble Shooter KEYWORDS: 1. Mozart, Bavaria, Germany, European Composer. 2. DC, AC, Receiver, Output Stages Document ID: INL-1938-39 (D-J) Vol-I (01)

Listener Supported
Listener Supported

Author: Jack W. Mitchell

Publisher: Bloomsbury Publishing USA

Published: 2005-03-30

Total Pages: 233

ISBN-13: 031301793X

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Public radio stands as a valued national institution, one whose fans and listeners actively support it with their time and their money. In this new history of this important aspect of American culture, author Jack W. Mitchell looks at the dreams that inspired those who created it, the all-too- human realities that grew out of those dreams, and the criticism they incurred from both sides of the political spectrum. As National Public Radio's very first employee, and the first producer of its legendary All Things Considered, Mitchell tells the story of public radio from the point of view of an insider, a participant, and a thoughtful observer. He traces its origins in the progressive movement of the 20th century, and analyzes the people, institutions, ideas, political forces, and economic realities that helped it evolve into what we know as public radio today. NPR and its local affiliates have earned their reputation for thoughtful commentary and excellent journalism, and their work is especially notable in light of the unique struggles they have faced over the decades. This comprehensive overview of their mission will fascinate listeners whose enjoyment and support of public radio has made it possible, and made it great.

Hearings
Hearings

Author: United States. Congress Senate

Publisher:

Published: 1957

Total Pages: 2462

ISBN-13:

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Waves of Rancor
Waves of Rancor

Author: Robert L. Hilliard

Publisher: Routledge

Published: 2016-07-01

Total Pages: 328

ISBN-13: 1315503166

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The airwaves in America are being used by armed militias, conspiracy theorists, survivalists, the religious right, white supremacists, neo-Nazis, and other radical groups to reach millions with their messages of hate and fear. Waves of Rancor examines the origin, nature, and impact of right-wing electronic media, including radio, television, cable, the internet, and even music CDs.

Hearings
Hearings

Author: United States. Congress. Senate. Committee on Appropriations

Publisher:

Published: 1958

Total Pages: 2076

ISBN-13:

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Essential Radio Skills
Essential Radio Skills

Author: Peter Stewart

Publisher: A&C Black

Published: 2010-05-29

Total Pages: 835

ISBN-13: 1408121794

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"One of the few books we'd recommend" BBC Training "The perfect guide for anyone who wants to get on in this ever-changing and challenging media" Controller BBC Radio 5 Live "A rich repository of real, practical experience" Director - BBC Nations & Regions "An invaluable guide" Director - The Radio Academy This is a practical, how-to guide to producing and presenting radio to a professional standard. Packed with day-to-day advice that captures the essence and buzz of live broadcasting; from preparing your show before it goes out, last minute changes to running orders, deciding what to drop in over a track, how to sell a feature or promote a programme, setting up competitions, thinking fast in a phone in - this book will help you do all that and more. It covers network and commercial, music and talk radio skills and is particularly suited to the independent local or community radio. It features advice from professionals, covers industry-wide best practice with enough 'need-to-know' technical information to get you up and running. This edition has been updated throughout and has more than 500 weblinks to downloads and audio and video examples, as well as cross-references to the official National Occupational Standards for Radio Content.

The Mass Audience
The Mass Audience

Author: James Webster

Publisher: Routledge

Published: 2013-11-05

Total Pages: 200

ISBN-13: 1136685936

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In the early 20th century, a new and distinctive concept of the audience rose to prominence. The audience was seen as a mass -- a large collection of people mostly unknown to one another -- that was unified through exposure to media. This construct offered a pragmatic way to map audiences that was relevant to industry, government, and social theorists. In a relatively short period of time, it became the dominant model for studying the audience. Today, it is so pervasive that most people simply take it for granted. Recently, media scholars have reopened inquiry into the meaning of "audience." They question the utility of the mass audience concept, characterizing it as insensitive to differences among audience members inescapably bound up with discredited notions of mass society, or serving only a narrow set of industrial interests. The authors of this volume find that these assertions are often false and unwarranted either by the historical record or by contemporary industry practice. Instead, they argue for a rediscovery of the dominant model by summarizing and critiquing the very considerable body of literature on audience behavior, and by demonstrating different ways of analyzing mass audiences. Further, they provide a framework for understanding the future of the audience in the new media environment, and suggest how the concept of mass audience can illuminate research on media effects, cultural studies, and media policy.