For over thirty years Lionel Richie has never looked back as a performer. From fronting his group the Commodores - the premier R&B pop unit of the seventies - he became the most popular singer/songwriter in the world by the eighties. A decade later he was the ultimate star entertainer with a 'nice guy' image. The Lionel Richie story is about a five-time Grammy winner who has sold more than 100 million albums worldwide. For nine consecutive years he had no 1 singles in America, a feat matched only by Irving Berlin. It is also the story of two broken marriages, personal insecurities, near-death experiences and an insight into the man behind a success story that broke the rules. Lionel Richie is the first book written about Lionel Richie and the Commodores and draws on Sharon Davis' unique access to the Motown archive, her numerous in depth interviews with Richie as well as her time as the Commodores' publicist.
Are you the world's biggest Lionel Richie fan? Or do you want to find out everything there is to know about the former Commodores lead vocalist and one of the world's best-loved singer-songwriters? If so, then this is the book for you! Contained within are 101 amazing facts about how Lionel got started in the music industry, the numerous awards he has won, his family and much, much more. The book is easily organised into sections so you can find the information you want fast and is the perfect addition to any fan's bookshelf.
(Piano/Vocal/Guitar Artist Songbook). 27 songs from this Grammy-winning platinum-selling singer/songwriter superstar, including: All Night Long (All Night) * Ballerina Girl * Dancing on the Ceiling * Do It to Me * Easy * Endless Love * Hello * Lady * My Love * Penny Lover * Running with the Night * Three Times a Lady * Truly * We Are the World * and more.
*National Bestseller* Legendary musician Richard Marx offers an enlightening, entertaining look at his life and career. Richard Marx is one of the most accomplished singer-songwriters in the history of popular music. His self-titled 1987 album went triple platinum and made him the first male solo artist (and second solo artist overall after Whitney Houston) to have four singles from their debut crack the top three on the Billboard Hot 100. His follow-up, 1989’s Repeat Offender, was an even bigger smash, going quadruple platinum and landing two singles at number one. He has written fourteen number one songs in total, shared a Song of the Year Grammy with Luther Vandross, and collaborated with a variety of artists including NSYNC, Josh Groban, Natalie Cole, and Keith Urban. Lately, he’s also become a Twitter celebrity thanks to his outspokenness on social issues and his ability to out-troll his trolls. In Stories to Tell, Marx uses this same engaging, straight-talking style to look back on his life and career. He writes of how Kenny Rogers changed a single line of a song he’d written for him then asked for a 50% cut—which inspired Marx to write one of his biggest hits. He tells the uncanny story of how he wound up curled up on the couch of Olivia Newton-John, his childhood crush, watching Xanadu. He shares the tribulations of working with the all-female hair metal band Vixen and appearing in their video. Yet amid these entertaining celebrity encounters, Marx offers a more sobering assessment of the music business as he’s experienced it over four decades—the challenges of navigating greedy executives and grueling tour schedules, and the rewards of connecting with thousands of fans at sold-out shows that make all the drama worthwhile. He also provides an illuminating look at his songwriting process and talks honestly about how his personal life has inspired his work, including finding love with wife Daisy Fuentes and the mystery illness that recently struck him—and that doctors haven’t been able to solve. Stories to Tell is a remarkably candid, wildly entertaining memoir about the art and business of music.
(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part, as well as in the vocal line.
