How can we think about maths, despite the immateriality of numbers, sets, and other mathematical entities? How are we able to think about what might have happened if history had taken a different turn? Questions like these turn up in nearly every part of cognitive science and are central to our human position of having limited knowledge of what is true.
We think with objects—we conduct our lives surrounded by external devices that help us recall information, calculate, plan, design, make decisions, articulate ideas, and organize the chaos that fills our heads. Medieval scholars learned to think with their pages in a peculiar way: drawing hundreds of tree diagrams. Lines of Thought is the first book to investigate this prevalent but poorly studied notational habit, analyzing the practice from linguistic and cognitive perspectives and studying its application across theology, philosophy, law, and medicine. These diagrams not only allow a glimpse into the thinking practices of the past but also constitute a chapter in the history of how people learned to rely on external devices—from stone to parchment to slide rules to smartphones—for recording, storing, and processing information. Beautifully illustrated throughout with previously unstudied and unedited diagrams, Lines of Thought is a historical overview of an important cognitive habit, providing a new window into the world of medieval scholars and their patterns of thinking.
Fredrik Lindgard analyzes verses 4:16-5:10 in 2 Corinthians, verses which have often been used to argue that Paul's eschatology developed over time or to ascertain whether or not Paul is an anthropological dualist. Paul's concern is how the Corinthians see him. His aim is to show them that he is frank and open to them and that his attitude to adversities confirms that he is a real apostle. He reveals his thoughts and emotions when facing suffering. The author shows that the section and its context do not support the view that Paul changed or developed his eschatology. Instead, the text displays the unsystematic character of Paul's eschatology. Concepts which Paul normally uses separately occur side by side without elaboration. Although Paul uses both dualistic and holistic language, the dominating feature is dualism. The analysis shows that a wide rhetorical approach can be useful when trying to understand Paul.
It is considerably easier to say that modern philosophy began with Descartes than it is to define the modernity and philosophy to which Descartes gave rise. In Lines of Thought, Claudia Brodsky Lacour describes the double origin of modern philosophy in Descartes's Discours de la méthode and Géométrie, works whose interrelation, she argues, reveals the specific nature of the modern in his thought. Her study examines the roles of discourse and writing in Cartesian method and intuition, and the significance of graphic architectonic form in the genealogy of modern philosophy. While Cartesianism has long served as a synonym for rationalism, the contents of Descartes's method and cogito have remained infamously resistant to rational analysis. Similarly, although modern phenomenological analyses descend from Descartes's notion of intuition, the "things" Cartesian intuitions represent bear no resemblance to phenomena. By returning to what Descartes calls the construction of his "foundation" in the Discours, Brodsky Lacour identifies the conceptual problems at the root of Descartes's literary and aesthetic theory as well as epistemology. If, for Descartes, linear extension and "I" are the only "things" we can know exist, the Cartesian subject of thought, she shows, derives first from the intersection of discourse and drawing, representation and matter. The crux of that intersection, Brodsky Lacour concludes, is and must be the cogito, Descartes's theoretical extension of thinking into material being. Describable in accordance with the Géométrie as a freely constructed line of thought, the cogito, she argues, extends historically to link philosophy with theories of discursive representation and graphic delineation after Descartes. In conclusion, Brodsky Lacour analyzes such a link in the writings of Claude Perrault, the architectural theorist whose reflections on beauty helped shape the seventeenth-century dispute between "the ancients and the moderns." Part of a growing body of literary and interdisciplinary considerations of philosophical texts, Lines of Thought will appeal to theorists and historians of literature, architecture, art, and philosophy, and those concerned with the origin and identity of the modern.
Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.
'Black Scholars On the Line' explores the development of American social science by highlighting the contributions of those scholars who were both students and subjects of a segregated society. This books asks how segregation has influenced, and continues to influence, American social thought.
Why do we think differently from one another? Why do religious people adhere to their faith even against reason, whilst atheist thinkers label it “nonsense”? Why do some judges turn more to moral values and others less? Why do we attach different meanings to the same words? These questions can be tackled on psychological or sociological levels, but we can also analyze the subjects on the epistemological level. That is the purpose of this book. Thoughts and Ways of Thinking offers Source Theory as a single explanation for epistemic processes and their religious, legal and linguistic derivatives. The idea is simple: our senses, our understanding, our memory, the testimonies that we trust, and many other objects transmit data to us and so shape our beliefs. In this function they serve as our truth sources. Different beliefs stem from different sources or different hierarchies between same sources. This notion is formalized here through the new tool of Source Calculus, and, after balancing its relativistic consequences by adding pragmatic constraints, it is applied to the philosophies of religion, law and language. With this unified theory, old doubts are framed in new perspectives, and some of them even find their solution.
The Essential Collection of artwork by Peter 'Draws' Deligdisch. Included are scans of his personal 'doodle book' and various other pieces he has completed over the past couple of years. Look through it, get inspired, and create something of your own.
Art Line Thought discusses the main issues that beset our time and philosophy by locating these same issues in artworks and describing closely what is shown there. While respecting their differences, art and philosophy are thus made to cross back and forth into one another, delineating in fresh ways our concerns about nature, the human and non-human, the body, femininity, ecology, technology, textism, the end of history, community, postmodernism, relativism and non-Eurocentric ethics. A `philosophy of line' gathers these issues, opposing the current dominance of `word' and linguistic analyses. Art has long been aware that the line communicates meaning at least as well as the word. The volume is divided between contemporary and prehistoric art in order to reveal the presumptions of `Western' culture and how we might move beyond it. Since the book is a critique of Eurocentric thinking and prose, it works at finding new styles of both. Its philosophical meditation is directed equally to those who are intellectually interested in contemporary and prehistoric art, in theories of postmodern culture and criticism, and in anthropology.
