Limits in Perception

Limits in Perception

Author: A.J. van Doorn

Publisher: CRC Press

Published: 2020-01-29

Total Pages: 366

ISBN-13: 1000722961

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This book presents an analysis of limits in perception from the vantage point of the physicist, the engineer, the psychophysicist, the psychologist and the theorist. Limits in perception find their causal explanation at many logically and/or physically different levels. Some of the most fundamental bottlenecks are due to the quantum mechanical and atomistic structure of the microworld. Other simple constraints are due to the material constitution of sensory organs. For instance, the fact that the eye is predominantly composed of water limits both the optical quality and the available spectral window. The engineer uses knowledge on such limits to design equipment that optimizes human performance in daily life. Examples include room acoustics and visual displays. Psychophysicists and psychologists deal with limits on a quite different logical level. These limits constrain much of our perceptually guided behaviour. The book includes chapters on such topics as movement perception, binocular vision, illusory phenomena, language and perception, the perception of time. A few concluding chapters on fundamental limits imposed by information theoretical constraints on the coding and representation of sensed structure are included. Limits in Perception will be important reading material for scientists and/or engineers in the following fields: perception, experimental psychology, sensory biology, physics, neuroscience, human engineering, artificial intelligence, robotics, ophthalmology, audiology, psychonomics and ergonomics, remote sensing.


Limits in Perception

Limits in Perception

Author: van Doorn

Publisher: CRC Press

Published: 2020-01-29

Total Pages: 609

ISBN-13: 1000715140

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This book presents an analysis of limits in perception from the vantage point of the physicist, the engineer, the psychophysicist, the psychologist and the theorist. Limits in perception find their causal explanation at many logically and/or physically different levels. Some of the most fundamental bottlenecks are due to the quantum mechanical and atomistic structure of the microworld. Other simple constraints are due to the material constitution of sensory organs. For instance, the fact that the eye is predominantly composed of water limits both the optical quality and the available spectral window. The engineer uses knowledge on such limits to design equipment that optimizes human performance in daily life. Examples include room acoustics and visual displays. Psychophysicists and psychologists deal with limits on a quite different logical level. These limits constrain much of our perceptually guided behaviour. The book includes chapters on such topics as movement perception, binocular vision, illusory phenomena, language and perception, the perception of time. A few concluding chapters on fundamental limits imposed by information theoretical constraints on the coding and representation of sensed structure are included. Limits in Perception will be important reading material for scientists and/or engineers in the following fields: perception, experimental psychology, sensory biology, physics, neuroscience, human engineering, artificial intelligence, robotics, ophthalmology, audiology, psychonomics and ergonomics, remote sensing.


Art at the Limits of Perception

Art at the Limits of Perception

Author: Jerome Carroll

Publisher: Peter Lang

Published: 2006

Total Pages: 288

ISBN-13: 9783039105694

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This book traces the significance that the modulations of sensory perception have had for thinking about aesthetics and art in the last two and a half centuries. Beyond a discussion of the philosophical significance of beauty, or of the puzzle of aesthetic representation, aesthetics is conceived broadly as a means of describing our relationship to the world in terms of the habits of perception, and indeed the overturning of these habits, as in the modernist aesthetic of defamiliarisation. In the light of the ideas of the contemporary German aesthetic theorist, Wolfgang Welsch, this book offers the first discussion of the theory and practice of art that operates at the poles of perception: sensory experience that exceeds conceptual organisation, and the imperceptible, or what Welsch calls the 'anaesthetic'. These seemingly opposite poles have many parallels: a comparable indeterminacy of meaning and a similar challenge to representation, but also a shared focus on the habits and modulations of sensory perception and a similar interrogation of the boundary between art and that which surrounds it. The author applies the categories discussed to art practice, in particular to the theatre of Peter Handke, Samuel Beckett and Heiner Müller.


From Perception to Consciousness

From Perception to Consciousness

Author: Jeremy Wolfe

Publisher: Oxford University Press

Published: 2012-05-24

Total Pages: 439

ISBN-13: 019973433X

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This volume includes seminal articles published throughout Anne Treisman's scientific career, which are accompanied by chapters from key figures in the field today. These demonstrate the breadth and depth of her influence on research and theory from psychology to vision and auditory sciences.


Space and Time in Perception and Action

Space and Time in Perception and Action

Author: Romi Nijhawan

Publisher: Cambridge University Press

Published: 2010-03-25

Total Pages: 583

ISBN-13: 052186318X

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Brings together cutting edge experiments and theoretical treatments regarding space, time and motion in visual neuroscience and psychophysics.


Merleau-Ponty at the Limits of Art, Religion, and Perception

Merleau-Ponty at the Limits of Art, Religion, and Perception

Author: Kascha Semonovitch

Publisher: A&C Black

Published: 2011-10-27

Total Pages: 321

ISBN-13: 1441119310

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This book poses the question of what lies at the limit of philosophy. Through close studies of French phenomenologist Maurice Merleau-Ponty's life and work, the authors examine one of the twentieth century's most interdisciplinary philosophers whose thought intersected with and contributed to the practices of art, psychology, literature, faith and philosophy. As these essays show, Merleau-Ponty's oeuvre disrupts traditional disciplinary boundaries and prompts his readers to ask what, exactly, constitutes philosophy and its others. Featuring essays by an international team of leading phenomenologists, art theorists, theologians, historians of philosophy, and philosophers of mind, this volume breaks new ground in Merleau-Ponty scholarship-including the first sustained reflections on the relationship between Merleau-Ponty and religion-and magnifies a voice that is talked-over in too many conversations across the academic disciplines. Anyone interested in phenomenology, art theory and history, cognitive science, the philosophy of mind, and the philosophy of religion will find themselves challenged and engaged by the articles included in this important effort at inter-disciplinary philosophy.