Hundreds of American women have kept the lamps burning in lighthouses since Hannah Thomas tended Gurnet Point Light in Plymouth, Massachusetts, while her husband was away fighting in the War for Independence. Women Who Kept the Lights details the careers of 32 intrepid women who were official keepers of light stations on the Atlantic, Gulf, and Pacific Coasts, on Lake Champlain and the Great Lakes, staying at their posts for periods ranging from a few years to half a century. Most of these women served in the nineteenth century, when the keeper lit a number of lamps in the tower at dusk, replenished their fuel or replaced them at midnight, and every morning polished the lamps and lanterns to keep their lights shining brightly. Several of these stalwart women were commended for their courage in remaining at their posts through severe storms and hurricanes. A few went to the rescue of seamen when ships capsized or were wrecked. Their varied stories paint a multifaceted picture of a unique profession in our maritime history.
A beloved picture book from two-time Caldecott Medal award-winner Sophie Blackall that transports readers to the seaside in timeless, nautical splendor! Watch the days and seasons pass as the wind blows, the fog rolls in, and icebergs drift by. Outside, there is water all around. Inside, the daily life of a lighthouse keeper and his family unfolds as the keeper boils water for tea, lights the lamp's wick, and writes every detail in his logbook. Step back in time and through the door of this iconic lighthouse into a cozy dollhouse-like interior with the extraordinary award-winning artist Sophie Blackall.
A beautiful memoir from John Cook, one of Tasmania's last kerosene lighthouse keepers. A story about madness and wilderness, shining a light onto the vicissitudes of love and nature. In Tasmania, John Cook is known as: 'The Keeper of the Flame'. John's renowned as one of the last of the "kerosene keepers": he spent a good part of his 26-year career in Tasmanian lighthouses tending kerosene, not electrical, lamps. He joined the lighthouse service in 1969, after a spell in the merchant marine. Far from reviling work on isolated islands such as Tasman and Maatsuyker, Australia's southernmost lighthouse, he discovered that he loved the solitude and delighted in the sense of purpose that light keeping gave him. He did two stints on Tasman, in 1969-71 and 1977, and was the head keeper on Maatsuyker for eight years. Tasman's kerosene light was a pressure lamp fuelled by two big bottles that had to be pumped up to 75 pounds per square inch (about 516 kilopascals): "It was the equivalent of pumping up a tyre every 20 minutes," John says. "Then you had to wind up the weights - they went down the tower and turned the prism around like a big clockwork. If the weights went all the way to the bottom, the light would stop. "The main thing was that 365 nights of the year you sat in that tower, 100 feet up, and you had to stay awake," John says of Tasman. "If you fell asleep the light would stop and then you were in trouble." Keepers took watches around the clock, in a system similar to that on a ship. Day watches weren't a chance to slack off: standing orders required the watchkeeper to look seawards at least every half-hour and to log sightings of any vessels, and their course, in the area. "But the main thing was there was always maintenance to do," John says. "Because Mother Nature was your boss. She'd blow gutters off, that sort of thing - she was always stickin' her bib in, and you were repairin' it." Tasman keepers also ran a herd of up to 500 sheep. They didn't have a freezer, so they'd kill and dress a sheep every fortnight. John supplemented his bulk stores, delivered every three months by the lighthouse supply vessel, with extras brought on the bi-monthly mail boat, and by keeping chooks, ducks and turkeys. "I never ran out of things to do," he says. "In my free time I used to do correspondence courses - I did navigation, diesel mechanics, business management and accounting." In 1977, keepers left the Tasman quarters forever. "I've got such strong memories of those places with people in them, and kids' voices rattlin' around," John says. "It breaks my heart to think about those places sittin' out there empty with no lights on."
Once there was a lighthouse keeper called Mr Grinling... Mr Grinling LOVES his food, but - oh no! - he's not the only one who likes a snack and the local seagulls have started stealing Mrs Grinling's tasty treats...! Can Mr and Mrs Grinling come up with a cunning plan to keep those pesky seagulls away?
Past and Present Collide Beyond Death's Door Solitude at last! Museum curator Chloe Ellefson leaps at the opportunity to be a consultant for the historic lighthouse restoration project on Rock Island, a state park in Wisconsin's scenic Door County. Hoping to leave her personal and professional problems at home, Chloe's tranquility is suddenly spoiled when a dead woman washes ashore. Determined to find answers behind the mystery, Chloe dives into research about the island's history and discovers the amazing, resilient women who once lived there. But will the link between the past and present turn out to be a beacon of hope or a portent of doom? Praise: Winner of the Lovey Award for Best Traditional/Amateur Sleuth Mystery "Chloe's third combines a good mystery with some interesting historical information on a niche subject."—Kirkus Reviews "Framed by the history of lighthouses and their keepers and the story of fishery disputes through time, the multiple plots move easily across the intertwined past and present."—Booklist "A haunted island makes for fun escape reading. Ernst's third amateur sleuth cozy is just the ticket for lighthouse fans and genealogy buffs. Deftly flipping back and forth in time in alternating chapters, the author builds up two mystery cases and cleverly weaves them back together."—Library Journal "While the mystery elements of this books are very good, what really elevates it are the historical tidbits of the real-life Pottawatomie Lighthouse and the surrounding fishing village."—Mystery Scene "Kathleen Ernst wraps history with mystery in a fresh and compelling read."—Jane Kirkpatrick, New York Times bestselling author
From The New York Times bestselling author of The Girl Who Came Home comes a historical novel inspired by true events, and the extraordinary female lighthouse keepers of the past two hundred years. “They call me a heroine, but I am not deserving of such accolades. I am just an ordinary young woman who did her duty.” 1838: Northumberland, England. Longstone Lighthouse on the Farne Islands has been Grace Darling’s home for all of her twenty-two years. When she and her father rescue shipwreck survivors in a furious storm, Grace becomes celebrated throughout England, the subject of poems, ballads, and plays. But far more precious than her unsought fame is the friendship that develops between Grace and a visiting artist. Just as George Emmerson captures Grace with his brushes, she in turn captures his heart. 1938: Newport, Rhode Island. Nineteen-years-old and pregnant, Matilda Emmerson has been sent away from Ireland in disgrace. She is to stay with Harriet, a reclusive relative and assistant lighthouse keeper, until her baby is born. A discarded, half-finished portrait opens a window into Matilda’s family history. As a deadly hurricane approaches, two women, living a century apart, will be linked forever by their instinctive acts of courage and love.
The author of Michigan's Haunted Lighthouses shares tales of disaster and misfortune on the Great Lakes. Losing one's life while tending to a Great Lakes lighthouse sadly wasn't such an unusual occurrence. Death by murder, suicide or other tragic causes--while rare--were not unheard of. Two keepers on Lake Superior's Grand Island disappeared one early summer day in 1908, their decomposed remains found weeks later. A newly hired and some say depressed keeper on Pilot Island in Wisconsin's Door County slit his own throat after a consultation with a local butcher about the location of the jugular vein. A smallpox outbreak in the late 1890s led to the tragic death of a lighthouse hired hand on South Bass Island in Lake Erie. Join author Dianna Stampfler as she uncovers the facts (and debunks some fiction) behind some of the Great Lakes' darkest lighthouse tales.
A Toronto Star bestseller * A Globe and Mail bestseller * A New York Post "must-read" book The Light Between Oceans meets The Language of Flowers in this beautiful debut novel by an acclaimed Canadian children’s author. Elizabeth's eyes have failed. She can no longer read the books she loves or see the paintings that move her spirit, but her mind remains sharp and music fills the vacancy left by her blindness as she ruminates on the secrets in her family's past. When her late father's journals are discovered on a shipwrecked boat, she enlists the help of a delinquent teenager, Morgan, who is completing community service at the senior home where Elizabeth lives. An unlikely relationship develops between the two as they work to decipher the books and are drawn into the musty words he penned more than seventy years before as he manned the lighthouse on Porphyry Island. In the process they come to realize that they are both connected to the isolated island, their lives touched by Elizabeth's enigmatic twin sister Emily and the beautiful but harsh Lake Superior environment. While the discovery of Morgan's connection sheds light onto her own family mysteries, the faded pages of the journals hold more questions than answers for Elizabeth, and threaten the very core of who she is. Combining an emotional story of human connection with a mystery spanning decades, this tale of family, identity, and art will captivate and resonate with readers.
Lighthouses are striking totems of our relationship to the sea. For many, they encapsulate a romantic vision of solitary homes amongst the waves, but their original purpose was much more utilitarian than that. Today we still depend upon their guiding lights for the safe passage of ships. Nowhere is this truer than in the rock lighthouses of Great Britain and Ireland which form a ring of twenty towers built between 1811 and 1904, so-called because they were constructed on desolate rock formations in the middle of the sea, and made of granite to withstand the power of its waves. Seashaken Housesis a lyrical exploration of these singular towers, the people who risked their lives building and rebuilding them, those that inhabited their circular rooms, and the ways in which we value emblems of our history in a changing world.
