Many mammals like to dig in the dirt, but few call it home. Those that do, such as mole-rats, zokors, and tuco-tucos, have developed novel adaptations to their subterranean life, including bones and muscles modified for efficient digging and ways to "see" underground without using their eyes. These unusual traits, adopted independently by unrelated groups around the world, also make subterranean rodents fascinating subjects for biologists. Life Underground provides the first comprehensive review of the biology of subterranean rodents. Arranged by topic rather than by taxon to facilitate cross-species comparisons, chapters cover such subjects as morphology, physiology, social behavior, genetic variation, and evolutionary diversification. Two main questions run throughout the book. First, to what extent has subterranean life shaped the biology of these animals, leading to similar adaptations among otherwise dissimilar species? Second, how have the distinct evolutionary histories of these groups led to different solutions to the challenges posed by life underground?
Describes what it was like for slaves escaping to freedom, how slaves received help from people on the way, and how they found out about the trails to the North.
The definitive chronicle of underground music in the 1980s tells the stories of Black Flag, Sonic Youth, The Replacements, and other seminal bands whose DIY revolution changed American music forever. Our Band Could Be Your Life is the never-before-told story of the musical revolution that happened right under the nose of the Reagan Eighties -- when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives re-energized American rock with punk's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith is an indie rock classic in its own right. The bands profiled include: Sonic Youth Black Flag The Replacements Minutemen Husker Du Minor Threat Mission of Burma Butthole Surfers Big Black Fugazi Mudhoney Beat Happening Dinosaur Jr.
An illuminating biography of Lou Reed, featuring interviews with over 140 people who knew him intimately, plus previously unpublished photographs. As band leader of the Velvet Underground and later a successful solo artist, Reed was much more than what the general public came to know as the grumpy New Yorker in black who sang “Walk on the Wild Side.” To his dedicated admirers, he was one of the most innovative and intelligent songwriters of modern times—a natural outsider who lived a tumultuous and tortured life. In the course of his deep research into Reed’s life, from a humble upbringing on Long Island to death from liver disease in 2013, Howard Sounes interviewed more than 140 people who knew the artist intimately—some of whom have not spoken publicly about him before. With new revelations from former wives and lovers, family members, fellow band members and celebrities, and music industry figures, this book offers an updated, unfettered look at Reed’s creative process, his mental health problems, his bisexuality, his three marriages, and his addictions to drugs and alcohol. Featuring previously unpublished photographs of some of Reed’s most private moments, this is the definitive account of one of rock ’n’ roll’s most complicated and brilliant prophets. “Compelling . . . Sounes takes pride in carefully debunking the myths that have crept in from Reed’s own fictionalizations.” —The Sunday Telegraph “Controversial . . . Sounes’ book pushes the standard Reed narrative.” —New York Times “A measured chronicle of the life and music of Lou Reed . . . Sounes proves to be an amiable narrator who successfully reveals Reed as an innovative, influential musician.” —Publishers Weekly “A walk on the dark side.” —Independent “A must read . . . Sounes chronicles Reed’s turbulent, and often brutal, relationships with men and women . . . and the wayward talent that produced such classics as ‘Walk On The Wild Side.’” —Daily Mail
New York Times Bestseller One of the Best Books of 2021 by Time magazine, the Chicago Tribune, the Boston Globe and Esquire, and one of Oprah’s 15 Favorite Books of the Year “The Man Who Lived Underground reminds us that any ‘greatest writers of the 20th century’ list that doesn’t start and end with Richard Wright is laughable. It might very well be Wright’s most brilliantly crafted, and ominously foretelling, book.” —Kiese Laymon A major literary event: an explosive, previously unpublished novel about race and violence in America by the legendary author of Native Son and Black Boy Fred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system. This is the devastating premise of this scorching novel, a never-before-seen masterpiece by Richard Wright. Written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers, it would see publication in Wright's lifetime only in drastically condensed and truncated form, and ultimately be included in the posthumous short story collection Eight Men. Now, for the first time, by special arrangement with the author’s estate, the full text of the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”) is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author’s grandson, contributes an afterword.
Jonothan Green offers a time trip from lat-fifties CND, beatniks and bop to the threshold of our own decade's designer revolutionaries and style warriors. . . His chosen form is the oral history pioneered by Studs Terkel in which cross-cut voices recount a shared experience or epoch. . . what anecdotes!'Guardian. Green has collected 101 quintessential sixties groovers and lovingly teased out their memories, all of them refreshingly self-critical and remarkably sharpened by hindsight. 'Glasgow Herald. `This is the first publication I've seen on the 1960s to address all closely the question: how did it feel in that dawn to be alive?. . . An action packed tapestry of illuminating flashbacks. 'Spectator.
“[A] winningly obsessive history of our relationship with underground places” (The Guardian), from sacred caves and derelict subway stations to nuclear bunkers and ancient underground cities—an exploration of the history, science, architecture, and mythology of the worlds beneath our feet NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR When Will Hunt was sixteen years old, he discovered an abandoned tunnel that ran beneath his house in Providence, Rhode Island. His first tunnel trips inspired a lifelong fascination with exploring underground worlds, from the derelict subway stations and sewers of New York City to sacred caves, catacombs, tombs, bunkers, and ancient underground cities in more than twenty countries around the world. Underground is both a personal exploration of Hunt’s obsession and a panoramic study of how we are all connected to the underground, how caves and other dark hollows have frightened and enchanted us through the ages. In a narrative spanning continents and epochs, Hunt follows a cast of subterraneaphiles who have dedicated themselves to investigating underground worlds. He tracks the origins of life with a team of NASA microbiologists a mile beneath the Black Hills, camps out for three days with urban explorers in the catacombs and sewers of Paris, descends with an Aboriginal family into a 35,000-year-old mine in the Australian outback, and glimpses a sacred sculpture molded by Paleolithic artists in the depths of a cave in the Pyrenees. Each adventure is woven with findings in mythology and anthropology, natural history and neuroscience, literature and philosophy. In elegant and graceful prose, Hunt cures us of our “surface chauvinism,” opening our eyes to the planet’s hidden dimension. He reveals how the subterranean landscape gave shape to our most basic beliefs and guided how we think about ourselves as humans. At bottom, Underground is a meditation on the allure of darkness, the power of mystery, and our eternal desire to connect with what we cannot see. Praise for Underground “A mesmerizingly fascinating tale . . . I could not stop reading this beautifully written book.”—Michael Finkel, author of The Stranger in the Woods “Few books have blown my mind so totally, and so often. In Will Hunt’s nimble hands, excursion becomes inversion, and the darkness turns luminous. There are echoes of Sebald, Calvino, and Herzog in his elegant and enigmatic voice, but also real warmth and humor. . . . An intrepid—but far from fearless—journey, both theoretically and terrestrially.”—Robert Moor, New York Times bestselling author of On Trails
The so-called fourth dimension of a metropolis is the underground space beneath a city which typically includes structures such as tunnels, which facilitate transport and provide gas, water and other supplies. Underground space may also be utilised for living, working and recreational facilities and industrial storage. These volumes focus on underg
