Life Isn't Always a Bed of Roses is a collecting of poems that deal with life and its many facets. From soft palatable verse to raw chunks of pseudo reality the poems take you on a journey across the barriers of realms seldom visited by most. Although it falls in the genre of poetry it is actually humanistic verse for the common folk. Hopefully youll laugh a little, maybe even cry a little but most of all it should make you think about life from a number of different viewpoints.
Rose Chan, “Queen of Striptease” at just 27 years old, enthralled men young and old in the heyday of cabaret in 1950s Malaya. Her accidental shot to fame, thanks to a wardrobe malfunction in which her bra snapped, catapulted her into the limelight. In No Bed of Roses, Cecil Rajendra pens an account of her life — her childhood in Soochow, China, and then in Kuala Lumpur and Singapore, her five marriages and personal struggles, how she circumvented the colonial decency laws that forbade nudity, and finally her fight with cancer that took her life in 1987 at the age of 62.
A Dictionary of Anglo-American Proverbs & Proverbial Phrases Found in Literary Sources of the Nineteenth and Twentieth Centuries is a unique collection of proverbial language found in literary contexts. It includes proverbial materials from a multitude of plays, (auto)biographies of well-known actors like Britain's Laurence Olivier, songs by William S. Gilbert or Lorenz Hart, and American crime stories by Leslie Charteris. Other authors represented in the dictionary are Horatio Alger, Margery Allingham, Samuel Beckett, Lewis Carroll, Raymond Chandler, Benjamin Disraeli, Edward Eggleston, Hamlin Garland, Graham Greene, Thomas C. Haliburton, Bret Harte, Aldous Huxley, Sinclair Lewis, Jack London, George Orwell, Eden Phillpotts, John B. Priestley, Carl Sandburg, Harriet Beecher Stowe, Jesse Stuart, Oscar Wilde, and more. Many lesser-known dramatists, songwriters, and novelists are included as well, making the contextualized texts to a considerable degree representative of the proverbial language of the past two centuries. While the collection contains a proverbial treasure trove for paremiographers and paremiologists alike, it also presents general readers interested in folkloric, linguistic, cultural, and historical phenomena with an accessible and enjoyable selection of proverbs and proverbial phrases.
Careful writers and speakers agree that clich?s are generally to be avoided. However, nearly all of us continue to use them. Why do they persist in our language? In It's Been Said Before, lexicographer Orin Hargraves examines the peculiar idea and power of the clich?. He helps readers understand why certain phrases became clich?s and why they should be avoided -- or why they still have life left in them. Indeed, clich?s can be useful -- even powerful. And few people even agree on which expressions are clich?s and which are not. Many regard any frequent idiom as a clich?, and a phrase regarded as a clich? in one context may be seen simply as an effective expression in another. Examples drawn from data about actual usage support Hargraves' identification of true clich?s. They also illuminate his commentary on usage problems and helpful suggestions for eliminating clich?s where they serve no useful purpose. Concise and lively, It's Been Said Before serves as a guide to the most overused phrases in the English language -- and to phrases that are used exactly as often as they should be.
Universal Poems, all genre, most useful for Movies and Album making purposes.Most of the Poems, well published ones in National and International Websites. Well appreciated by the Readers and Poets all over the Globe. Also published in various Magazines/Journals internationally.
Will the truth destroy a second chance at love? A romance for our times Helen Tanner runs her own business, spends her evenings out with friends, anything to avoid memories of the tragedy she left behind. She lives alone and likes it that way. Until, that is, a dark-haired vet walks into her shop and into her life. Her first unpromising encounter with Dai Evans turns into a tumultuous affair. As passion grows into love, Helen is forced not only to consider a new future, but to face up to a troubled past. Should she tell her lover what causes her nightmares? Will this family man still want her when he knows the truth? Heart-rending and powerful, ‘No Bed of Roses’ is a story of loss, love and healing. Jean Gill's characters always feel like real people: complex, thoughtful, and with believable histories and motivations. Helen and Dai want to be together and all that stands in their way is the human damage caused by loss and guilt. But how can they live with Helen’s ghosts? For fans of Kerry Lonsdale, Kristin Hannah, Jan Ruth, Hilary Boyd. ‘A story we all carry with us.’ Fiona McClean, From Under the Bed 'The humour frequently has the effect of pointing up the stark reality with which she writes' - Ted Griffin, Pause Magazine
I've called my book No Bed of Roses because I've had a lot of pricks in my bed in my life.' No Bed of Roses is an intimate, often horrifying account of an abused girl's transformation into a powerful Madam, and the subsequent collapse of her empire.
