Pacific Grove, in the pine forests on the westernmost tip of Monterey Bay, is a magnet for wildlife, tourists, and scientists. Site of the first operational lighthouse in California and the first marine laboratory on the Pacific Coast, its beaches attracted camp meetings in the 19th century. Rows of tent housing that lined the original streets grew into charming neighborhoods of seaside cottages, lit annually by the Feast of Lanterns since 1905. Botanical and biological splendor attracted scientists like Edward Flanders Ricketts, made famous by his friend and one-time Pacific Grove resident John Steinbeck. Each year hundreds of groups use its famous conference center, Asilomar, and each fall tens of thousands of Monarch butterflies make a 2,500-mile journey to hang from the pines in great clusters of wafting wings.
A Collection of Personal Stories from visitors, residents, and through memoir writing classes, facilitated by Patricia Hamilton, and sponsored by the Pacific Grove Public Library and Park Place Publications. All sales to benefit the Pacific Grove Public Library.
Anyone who has ever stood on the shores of Monterey Bay, watching the rolling ocean waves and frolicking otters, knows it is a unique place. But even residents on this idyllic California coast may not realize its full history. Monterey began as a natural paradise, but became the poster child for industrial devastation in John Steinbeck’s Cannery Row,and is now one of the most celebrated shorelines in the world. It is a remarkable story of life, death, and revival—told here for the first time in all its stunning color and bleak grays. The Death and Life of Monterey Bay begins in the eighteenth century when Spanish and French explorers encountered a rocky shoreline brimming with life—raucous sea birds, abundant sea otters, barking sea lions, halibut the size of wagon wheels,waters thick with whales. A century and a half later, many of the sea creatures had disappeared, replaced by sardine canneries that sickened residents with their stench but kept the money flowing. When the fish ran out and the climate turned,the factories emptied and the community crumbled. But today,both Monterey’s economy and wildlife are resplendent. How did it happen? The answer is deceptively simple: through the extraordinary acts of ordinary people. The Death and Life of Monterey Bay is the biography of a place, but also of the residents who reclaimed it. Monterey is thriving because of an eccentric mayor who wasn’t afraid to use pistols, axes, or the force of law to protect her coasts. It is because of fishermen who love their livelihood, scientists who are fascinated by the sea’s mysteries, and philanthropists and community leaders willing to invest in a world-class aquarium. The shores of Monterey Bay revived because of human passion—passion that enlivens every page of this hopeful book.
This part art book, part biography, and part travel guide offers insight into how landscapes and townscapes influenced John Steinbeck's creative process and how, in turn, his legacy has influenced modern California. Various types of readers will appreciate the information in this guide—literary pilgrims will learn more about the state featured so prominently in Steinbeck's work, tourists can visit the same buildings that he lived in and wrote about, and historians will appreciate the engrossing perspective on daily life in early and mid 20th-century California. Offering an entirely new perspective on Steinbeck and the people and places that he brought to life in his writing, this edition includes a wonderful variety of photographs, sketches, and paintings, including some from private, rarely seen collections. With a new preface from the author, updated details on featured websites, a new discussion on Steinbeck’s ecological interests and activities, and an extended exploration of his many travels to Mexico, readers will find delight in this depiction of the symbiotic relationship between an author and his favorite places.
A beautiful debut set around the creation of the world-famous Monterey Bay Aquarium--and the last days of John Steinbeck's Cannery Row In 1940, fifteen year-old Margot Fiske arrives on the shores of Monterey Bay with her eccentric entrepreneur father. Margot has been her father's apprentice all over the world, until an accident in Monterey's tide pools drives them apart and plunges her head-first into the mayhem of John Steinbeck's Cannery Row. Steinbeck is hiding out from his burgeoning fame at the raucous lab of Ed Ricketts, the biologist known as Doc in Cannery Row. Ricketts, a charismatic bohemian, quickly becomes the object of Margot's fascination. Despite Steinbeck's protests and her father's misgivings, she wrangles a job as Ricketts's sketch artist and begins drawing the strange and wonderful sea creatures he pulls from the waters of the bay. Unbeknownst to Margot, her father is also working with Ricketts. He is soliciting the biologist's advice on his most ambitious and controversial project to date: the transformation of the Row's largest cannery into an aquarium. When Margot begins an affair with Ricketts, she sets in motion a chain of events that will affect not just the two of them, but the future of Monterey as well. Alternating between past and present, Monterey Bay explores histories both imagined and actual to create an unforgettable portrait of an exceptional woman, a world-famous aquarium, and the beloved town they both call home.
Meet Preston "Presto" Kane ... freelance writer, former newspaper reporter, part-time researcher for a Pacific Grove private investigator. When Presto is assigned to ferret out background information on the upcoming auction of a legendary gem, it all seems part of a normal day's work--until a young woman turns up dead in Presto's shower and he's the prime suspect. Suddenly Presto is a man with a target on his back, the grand prize in a cat-and-mouse game played out in renowned locales throughout the Monterey Peninsula, from Pacific Grove's quaint cottages to the mansions in Carmel Highlands and beyond. Even though Presto's favorite weapon is his wry wit, he is forced to learn to shoot straight and drive like Mario Andretti as he eludes his pursuers and digs for the truth. The stakes ratchet up with players ranging from old money families to a crooked cop, Hollywood wannabes and a feuding pair of high-tech moguls--all against the fog-shrouded backdrop of the world famous Monterey Peninsula. Fans of mysteries with a fast-thinking, wise-cracking amateur sleuth will take an instant liking to Preston Kane ... ... while anyone who has fallen in love with the beauty and heritage of the Monterey Peninsula won't want to miss A Quaint Town for a Killing
Many of Rickett's letters discuss his studies of the Pacific littoral and his theories of "phalanx" and transcendence. Epistles to family members, often tender and humorous, add dimension and depth to Steinbeck's mythologized depictions of Ricketts." "Editor Katharine A. Rodger has enriched the correspondence with an introduction, a biographical essay, and a list of works cited. The book will be important for students of John Steinbeck and the development of 20th-century American fiction, as well as for those interested in the history of science, especially in the fields of marine biology and ecology."--Jacket.
It's 1942. The novelist John Steinbeck needs character witnesses to sign his application to carry a gun in New York. He's received a threatening phone call and feels the need for self-protection. He's a relative newcomer to the Empire State - most of his close friends live back in California, so finding people to sign could be difficult for the controversial author. Feeling time is of the essence, he begins his search for character witnesses in the idyllic village of Palisades, where he makes his home. The Application is one of sixteen tales in Steinbeck: The Untold Stories examining the emotional and psychological toll extracted for writing the truth as Steinbeck saw it, in works such as Of Mice and Men and The Grapes of Wrath. From his days in Salinas and Los Gatos and Pacific Grove on California's Monterey Peninsula to his later years in New York, we meet the people who were important in his life as well as the dark specters of those who opposed him and what he was writing. The stories look at his friends and contemporaries and those who outlived him. Henry, for instance, a boyhood pal who decades later sees John again in a visit to Henry's Salinas service station under cover of darkness. Or Lily, an old high school classmate who invites him to an impromptu reunion that turns dangerous for John and the other participants gathered in a park. Artists, too, were important in his world. The young couple he gave money to so they could explore Mexico and "learn to paint out loud." The painter, a giant of a man, who on a summer night carried Steinbeck out of his home after an argument on labor issues. The famous film actress who accompanies him on a nervous drive, from Los Angeles up the Salinas Valley in the light of day. There were those who had little or no contact with him but were influenced and moved by his work. Beau, a charismatic chainsmoking cowboy who proudly felt he inspired the creation of a Steinbeck character. The terminally ill book collector Paul, who finds temporary escape from his worries and responsibilities by searching for Steinbeck first editions. The wanderer Bill who arrives in Monterey and is befriended by those who knew Steinbeck and instruct him in the legacy. Or the gentle woman who looks back seventy years recalling her famous marine biologist father's relationship with the writer - as well as with his own children. These and other stories are further brought to life by the gritty, character-driven illustrations of artist C. Kline. Images such as John's mother Olive gathering flowers while remembering a sad day in her youth. A young sailor off an aircraft carrier drinking with two American strangers in a Greek bar while a political coup is underway. A Big Sur trapper tearfully parting with a mountain lion named Flora. Or the writer explaining to a ghost he has no home and never did. These stories and characters provide pathos and humor to the portrait of a great writer dealing with his memories and fears. And - as Steinbeck once described it in a letter to a friend - the powerful desire to begin again and return to the ocean tide pools and star-gazing of his youth.
