This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
When he died in 1933, James J. "Gentleman Jim" Corbett was honored by two distinguished groups of people: the professional boxing public, who celebrated him as America's greatest boxing champion, and the world of popular theater admirers, who revered him as one of Broadway's top vaudeville headliners. Corbett was uniquely instrumental in making boxing and popular theater both justifiable commercial enterprises, to be enjoyed by all classes of people. He became America's first national sports hero and went on to formulate the theater world's star system. This is the first definitive biography of the man who knocked out heavyweight champion John L. Sullivan, and who also knocked out audiences who flocked to see him in vaudeville and silent pictures. The focus herein is on the real man, the influences on his life, and the social and commercial environment within which he functioned. The author reveals that Corbett was a complex, driven, enigmatic man whose dedicated participation in popular entertainment changed American social values and mores, and at the same time reinvented the notion of a national hero.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"It didn't occur to me until fairly late in the work that I was writing a book about the beginnings of a national celebrity culture. By 1860, a few boxers had become heroes to working-class men, and big fights drew considerable newspaper coverage, most of it quite negative since the whole enterprise was illegal. But a generation later, toward the end of the century, the great John L. Sullivan of Boston had become the nation's first true sports celebrity, an American icon. The likes of poet Vachel Lindsay and novelist Theodore Dreiser lionized him—Dreiser called him 'a sort of prize fighting J. P. Morgan'—and Ernest Thompson Seton, founder of the Boy Scouts, noted approvingly that he never met a lad who would not rather be Sullivan than Leo Tolstoy."—from the Afterword to the Updated EditionElliott J. Gorn's The Manly Art tells the story of boxing's origins and the sport's place in American culture. When first published in 1986, the book helped shape the ways historians write about American sport and culture, expanding scholarly boundaries by exploring masculinity as an historical subject and by suggesting that social categories like gender, class, and ethnicity can be understood only in relation to each other.This updated edition of Gorn's highly influential history of the early prize rings features a new afterword, the author's meditation on the ways in which studies of sport, gender, and popular culture have changed in the quarter century since the book was first published. An up-to-date bibliography ensures that The Manly Art will remain a vital resource for a new generation.
Born to former slaves on St. Croix in 1860, Peter Jackson made his name as a boxer with his smooth, fast style and a dangerous one-two combination. After immigrating to Australia, Jackson became that country's national heavyweight champion in 1886 before moving on to the United States and claiming the title of Colored Champion of the World in 1888. For the next ten years Peter Jackson remained undefeated, finally losing to the great Jim Jeffries in 1898. Although he never received a shot at the heavyweight title--reigning heavyweight champion John L. Sullivan refused to defend his title against a black man--Jackson remains one of the greatest heavyweights ever.
**WINNER: WISHING SHELF PRIZE FOR NON-FICTION 2011** In the 1890s the fight game was changing. The prize-fighters and bare-knuckle brawlers were disappearing as the new “scientific” boxers emerged to fight under the Marquis of Queensberry rules. Irishman Tom Sharkey was the never-say-die fighter who bridged the gap between old and new. Within a short time of arriving in America he took on all the top boxers of his day: his hero John L Sullivan, Gentleman Jim Corbett, Bob Fitzsimmons and the man who would become not only his greatest foe but his best friend, Jim Jeffries. Their 25-round world title fight at Coney Island was one of the most gruelling and compelling encounters ever seen inside a ring. I Fought Them All prints the fact and the legend, and is chocked full of the rich characters who dominated the sport and politics of the period, from Wild West gunman Wyatt Earp to Tim “Dry Dollar” Sullivan of New York’s Tammany Hall. It is the story of an Irish immigrant, a sporting celebrity who won and lost a fortune, and of a man described by the New York Times as a “ring immortal”. REVIEWS: “Hugely entertaining and exquisitely researched, I Fought Them All shines a penetrating and long-overdue spotlight on one of the most fascinating figures in boxing history. Revelations about Sharkey’s private life are eye-popping, and the book is especially thorough in covering the Earp controversy. ‘Sailor’ Tom himself would growl his approval, and his massive chest would swell even larger. It’s a great contribution to ring history.” Pete Ehrmann, boxing writer, contributor to The Ring “I Fought Them All is an excellent read. It’s well-researched and is good news for boxing fans everywhere. ‘Sailor’ Tom Sharkey was an aggressive, relentless and powerful heavyweight who ranks among the greatest who ever entered the ring. He was an earlier version of the splendid fighter, Rocky Marciano. Tom had the misfortune of fighting when boxing legends Jim Jeffries and Bob Fitzsimmons were at their best. Had he fought at any other time in history, he very likely would have been heavyweight champion of the world.” Tracy Callis, boxing historian “The book features an array of characters including Wild West gunman Wyatt Earp and boxing legends such as John L. Sullivan, Gentleman Jim Corbett and Bob Fitzsimmons. At its heart is the astonishing 50-year rivalry and friendship between Sharkey and Jim Jeffries, which started after their 25-round world title fight at Coney Island and lasted until the two men died a few weeks apart in 1953.” Boxing Ireland “…it emits quality from the first opening crack of the hardcover until its final satisfying closing.” Marty Mulcahey, Max Boxing “…A fascinating story… Very well-researched piece of work with many anecdotal gems… I Fought Them All is a tale of one man who travelled from his homeland and ended up inAmericato swap blows with arguably the toughest pugilists to have ever fought in the ring. Along the way we are introduced to ‘injuns’, gun-slingers, shipwrecks, tragic love stories, gambling, acts of heroism and, of course, gruelling fights. I thoroughly recommend this book.” Glenn Wilson
