A panoramic collection of ninety photographs captures the spirit of people at work and play along the Illinois River, as well as the quiet beauty of the flora and fauna that make the river a natural retreat.
"The river was in God's hands, the cows in ours." So passed the days on Indian Farm, a dairy operation on 700 acres of rich Illinois bottomland. In this collection, Alan Guebert and his daughter-editor Mary Grace Foxwell recall Guebert's years on the land working as part of that all-consuming collaborative effort known as the family farm. Here are Guebert's tireless parents, measuring the year not in months but in seasons for sewing, haying, and doing the books; Jackie the farmhand, needing ninety minutes to do sixty minutes' work and cussing the entire time; Hoard the dairyman, sore fingers wrapped in electrician's tape, sharing wine and the prettiest Christmas tree ever; and the unflappable Uncle Honey, spreading mayhem via mistreated machinery, flipped wagons, and the careless union of diesel fuel and fire. Guebert's heartfelt and humorous reminiscences depict the hard labor and simple pleasures to be found in ennobling work, and show that in life, as in farming, Uncle Honey had it right with his succinct philosophy for overcoming adversity: "the secret's not to stop." https://www.youtube.com/watch?v=DooGQqUlXI4&index=1&list=FLPxtuez-lmHxi5zpooYEnBg
DIVAn American poetry classic, in which former citizens of a mythical midwestern town speak touchingly from the grave of the thwarted hopes and dreams of their lives. /div
Situated between the Wabash, Ohio and Mississippi Rivers, the Southern Illinois country is rich in history, folklore, scenery, and natural resources. At about the latitude of southern Virginia, and extending from the flat prairie farmland of central Illinois to the rugged Illinois Ozarks, the area is the natural terminal boundary for hundreds of plant species reaching out to all points of the compass. It is also the oldest and most sparsely populated part of Illinois, a region of small towns and independent people. Surveying the area in words and pictures, the authors sensitively and appreciatively portray the region's special qualities. Land Between the Rivers, a perennial classic since it was first published in 1973, provides an uncommon portrayal of American life in a distinct region, a memorable journey in both time and place.
These widely acclaimed essays from the author of Infinite Jest -- on television, tennis, cruise ships, and more -- established David Foster Wallace as one of the preeminent essayists of his generation. In this exuberantly praised book -- a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner -- David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction, including the bestselling Infinite Jest.
Winner, ISHS Annual Award for a Scholarly Publication, 2018 In Corn Kings and One-Horse Thieves, James Krohe Jr. presents an engaging history of an often overlooked region, filled with fascinating stories and surprising facts about Illinois’s midsection. Krohe describes in lively prose the history of mid-Illinois from the Woodland period of prehistory until roughly 1960, covering the settlement of the region by peoples of disparate races and religions; the exploitation by Euro-Americans of forest, fish, and waterfowl; the transformation of farming into a high-tech industry; and the founding and deaths of towns. The economic, cultural, and racial factors that led to antagonism and accommodation between various people of different backgrounds are explored, as are the roles of education and religion in this part of the state. The book examines remarkable utopian experiments, social and moral reform movements, and innovations in transportation and food processing. It also offers fresh accounts of labor union warfare and social violence directed against Native Americans, immigrants, and African Americans and profiles three generations of political and government leaders, sometimes extraordinary and sometimes corrupt (the “one-horse thieves” of the title). A concluding chapter examines history’s roles as product, recreation, and civic bond in today’s mid-Illinois. Accessible and entertaining yet well-researched and informative, Corn Kings and One-Horse Thieves draws on a wide range of sources to explore a surprisingly diverse section of Illinois whose history is America in microcosm.