Bondmania hasn't ebbed for 40 years and this book explains why Britain's most celebrated secret agent and the stories around him have enraptured the world for so long. Film stills.
The most current and insightful look at the politics and culture of the Bond world as the last Daniel Craig movie hits theaters. This book presents an insightful and thoroughly entertaining exploration of the political context of the Bond books and films. Jeremy Black offers a historian’s interpretation from the perspective of 2020 and the latest Bond film, assessing James Bond in terms of the greatly changing world order of the Bond years—a lifetime that stretches from 1953, when the first novel appeared, to the present. Black argues that the Bond novels—the Fleming books as well as the often-neglected novels authored by others after Fleming died in 1964—and films drew on current fears in order to reduce the implausibility of the villains and their villainy. The novels and films also presented potent images of national character, explored the rapidly changing relationship between a declining Britain and an ascendant United States, charted the course of the Cold War and the subsequent post-1990 world, and offered an evolving but always potent demonology. Bond was, and still is, an important aspect of post–World War II popular culture throughout the Western world. This was particularly so after Hollywood launched the filmic Bond, thus making him not only a character designed for the American film market but also a world product and a figure of globalization. Class, place, gender, violence, sex, race—all are themes that Black scrutinizes through the ongoing shifts in characterization and plot. His well-informed and well-argued analysis provides a fascinating history of the enduring and evolving appeal of James Bond. This updated edition explores new developments in the Daniel Craig years, looks to the post-Craig years, and considers the cultural significance of Bond in the modern world.
The most exciting road trip in history has reached its final destination! In this fifth book in the thrilling, New York Times bestselling adventure series, Coke and Pepsi McDonald make it back home to the West Coast—but they’re far from home free! When we last left our heroes, Coke and Pepsi McDonald were in Roswell, New Mexico, and they had just seen a strange beam of light. Now their cross-country road trip is about to take a detour that's out of this world—literally! Once the twins get their feet back on the ground, they embark on the final leg of their trip, which will take them from the Hoover Dam all the way to the Golden Gate Bridge. Chased by nefarious villains, the twins will be trapped with a venomous snake, pushed through a deadly turbine, and thrown into a volcano. And craziest of all, their parents might finally believe them! With Dan Gutman’s laugh-out-loud humor and featuring photos and weird-but-true American tourist destinations like the Alien Fresh Jerky Stand, The Genius Files is a one-of-a-kind mix of geography and fun.
Draws on interviews with more than 100 musicians, managers, lawyers, journalists, and scholars to critique the music industrys approach to digital sampling.
Divorce is tough for any kid. But while Violet's ex-secret service mum and retired bad-guy dad are distracted by each other, the real super-villains are having a field day. To save her family - and the planet - from evil domination, Vi must turn spy ...
Shanghai, long known as mainland China's most cosmopolitan city, is today a global cultural capital. This book offers the first in-depth examination of contemporary Shanghai-based art and design - from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. Informed by years of in-situ research, the book looks beyond contemporary art's global hype to reveal the socio-political tensions accompanying Shanghai's transitions from semi-colonial capitalism to Maoist socialism to Communist Party-sponsored capitalism. Case studies reveal how Shanghai's global aesthetic constructs glamorising artifices that mask the conflicts between vying notions of foreign-influenced modernity and anti-colonialist nationalism, as well as the city's repressed socialist past and its consumerist present.
This text presents a picture of popular consensus between the government and the film industry over the representation on the cinema screen of Britain and the British at war. It examines the role of the cinema as a vehicle of propaganda, set within its institutional, political, and cultural contexts, revealing the complex relationship between the Ministry of Information and the different sectors of the film industry. It identifies the themes and ideologies presented to audiences through analysis of key wartime films, including Forty-Ninth Parallel, In Which We Serve, and The Life and Death of Colonel Blimp.
Written by 1991 Nobel laureate Pierre Gilles de Gennes, this fascinating book addresses topics ranging from soft-matter physics to the activities of science: the role of individual or team work, the relation of discovery to correction, and the interplay of conscience and knowledge. "Reading this book can be compared to strolling through a magnificent garden of fragile objects...I highly recommend it to any reader who is interested in condensed matter physics and science at large."-PHYSICS TODAY
The cinema has been the pre-eminent popular art form of the 20th century. In Cinemas of the World, James Chapman examines the relationship between film and society in the modern world: film as entertainment medium, film as a reflection of national cultures and preoccupations, film as an instrument of propaganda. He also explores two interrelated issues that have recurred throughout the history of cinema: the economic and cultural hegemony of Hollywood on the one hand, and, on the other, the attempts of film-makers elsewhere to establish indigenous national cinemas drawing on their own cultures and societies. Chapman examines the rise to dominance of Hollywood cinema in the silent and early sound periods. He discusses the characteristic themes of American movies from the Depression to the end of the Cold War especially those found in the western and film noir – genres that are often used as vehicles for exploring issues central to us society and politics. He looks at national cinemas in various European countries in the period between the end of the First World War and the end of the Second, which all exhibit the formal and aesthetic properties of modernism. The emergence of the so-called "new cinemas" of Europe and the wider world since 1960 are also explored. "Chapman is a tough-thinking, original writer . . . an engaging, excellent piece of work."—David Lancaster, Film and History
An illustrated biography of the ornithologist James Bond, the author of the book Birds of the West Indies and the namesake of Ian Fleming's fictional British spy.